m*l
2 楼
里面都换成美女也可以
s*n
3 楼
very nice! 顶级啊
b*1
4 楼
光线好美。
d*n
6 楼
这帖有discussion
http://www.mitbbs.com/article_t/PhotoGear/35023387.html
貌似要上课才能达到这等级
http://www.mitbbs.com/article_t/PhotoGear/35023387.html
貌似要上课才能达到这等级
m*l
8 楼
嗯,那个讨论帖如果把图显示除来就好了,不愿意什么都看不见就点。
【在 d**********n 的大作中提到】
: 这帖有discussion
: http://www.mitbbs.com/article_t/PhotoGear/35023387.html
: 貌似要上课才能达到这等级
m*l
9 楼
她现在的设备是无敌兔和135L
b*g
10 楼
版上的刘兄我觉得也有这个后期水平。500px上也经常看到他充满想象力的作品,当然
style和这些略不一样。
他前几周在隔壁版帖过部分作品:http://www.mitbbs.com/article_t/PhotoForum/31390339.html
style和这些略不一样。
他前几周在隔壁版帖过部分作品:http://www.mitbbs.com/article_t/PhotoForum/31390339.html
g*g
11 楼
好和谐。。 冠希看看, 别人是咋拍的
b*g
14 楼
第二张好像前几天500px登顶的。
我的一些reverse engineering猜想:
这张照片的主要特点就是立体感,和质感。够的毛发和小孩子的帽子有点3D效果的感觉
。基本后期精细的dodge/burn工序应该相当于油画的复杂度。
这个灰蒙蒙的天也是后期调的,前期如果真是这么灰的天,拍出的照片很平后期要d/b
出这样的恐怕有难度。当然也有可能背景和人像是分别拍再合的。
我的一些reverse engineering猜想:
这张照片的主要特点就是立体感,和质感。够的毛发和小孩子的帽子有点3D效果的感觉
。基本后期精细的dodge/burn工序应该相当于油画的复杂度。
这个灰蒙蒙的天也是后期调的,前期如果真是这么灰的天,拍出的照片很平后期要d/b
出这样的恐怕有难度。当然也有可能背景和人像是分别拍再合的。
d*n
15 楼
oh shit 他是我在人人上follow的摄影师!!!他还被电视台采访了之类的,蛮有名的
华人摄影师
【在 b******g 的大作中提到】
: 版上的刘兄我觉得也有这个后期水平。500px上也经常看到他充满想象力的作品,当然
: style和这些略不一样。
: 他前几周在隔壁版帖过部分作品:http://www.mitbbs.com/article_t/PhotoForum/31390339.html
a*l
19 楼
真是一个人?
【在 b******g 的大作中提到】
: 版上的刘兄我觉得也有这个后期水平。500px上也经常看到他充满想象力的作品,当然
: style和这些略不一样。
: 他前几周在隔壁版帖过部分作品:http://www.mitbbs.com/article_t/PhotoForum/31390339.html
【在 b******g 的大作中提到】
: 版上的刘兄我觉得也有这个后期水平。500px上也经常看到他充满想象力的作品,当然
: style和这些略不一样。
: 他前几周在隔壁版帖过部分作品:http://www.mitbbs.com/article_t/PhotoForum/31390339.html
b*g
21 楼
版上貌似用135头得人很少。我一直觉得无论Nikon还是Canon的135都是拍顶级人像的最
好头。我见过的顶级外拍大师大多都是以135为主力.
好头。我见过的顶级外拍大师大多都是以135为主力.
d*n
26 楼
http://instagram.com/ashtreeliu
look at the username, contains both
【在 a********l 的大作中提到】
: ashtree跟liubros是一个人?
a*l
28 楼
版上的刘兄难道不是默认liubros?
【在 b******g 的大作中提到】
: 版上的刘兄我觉得也有这个后期水平。500px上也经常看到他充满想象力的作品,当然
: style和这些略不一样。
: 他前几周在隔壁版帖过部分作品:http://www.mitbbs.com/article_t/PhotoForum/31390339.html
【在 b******g 的大作中提到】
: 版上的刘兄我觉得也有这个后期水平。500px上也经常看到他充满想象力的作品,当然
: style和这些略不一样。
: 他前几周在隔壁版帖过部分作品:http://www.mitbbs.com/article_t/PhotoForum/31390339.html
a*l
33 楼
那个刘兄很厉害啊,照片跟油画似的,是职业吗?
b*g
43 楼
instagram上东西很少啊。
主要作品500px上都有: http://500px.com/jerryliuphotography
我见过他两张作品的原片:
http://500px.com/photo/53914160
http://500px.com/photo/54110876
完全就是很普通的两张船照。光都是后期p的。
【在 d**********n 的大作中提到】
:
: .....那更没人玩了
主要作品500px上都有: http://500px.com/jerryliuphotography
我见过他两张作品的原片:
http://500px.com/photo/53914160
http://500px.com/photo/54110876
完全就是很普通的两张船照。光都是后期p的。
【在 d**********n 的大作中提到】
:
: .....那更没人玩了
d*g
54 楼
彪提芙
b*r
59 楼
制作太厉害了,反而不喜欢,还是比较喜欢顶楼的俄国风格
【在 b******g 的大作中提到】
: instagram上东西很少啊。
: 主要作品500px上都有: http://500px.com/jerryliuphotography
: 我见过他两张作品的原片:
: http://500px.com/photo/53914160
: http://500px.com/photo/54110876
: 完全就是很普通的两张船照。光都是后期p的。
【在 b******g 的大作中提到】
: instagram上东西很少啊。
: 主要作品500px上都有: http://500px.com/jerryliuphotography
: 我见过他两张作品的原片:
: http://500px.com/photo/53914160
: http://500px.com/photo/54110876
: 完全就是很普通的两张船照。光都是后期p的。
b*g
60 楼
因为非常喜欢,我又很仔细地把这套图看了一遍.发现摄影师用光其实非常之有特色啊.
和一般肖像非常不一样.
仔细看这些照片,会发现大部分其实人脸部都是比较暗的没有直射光,人脸部的立体感和
质感大部分靠后期的dodge/burn来弄出来的.但是nb的是大部分照片都有非常好的自然
轮廓光.最明显的是那几张有猫或鸭子的,非常明显的落日轮廓光,非常体现气氛.给我的
启示是,在提亮人脸的前后期主流趋势下,其实靠轮廓光和暗部细节仍然可以很好地烘托
人物.
和一般肖像非常不一样.
仔细看这些照片,会发现大部分其实人脸部都是比较暗的没有直射光,人脸部的立体感和
质感大部分靠后期的dodge/burn来弄出来的.但是nb的是大部分照片都有非常好的自然
轮廓光.最明显的是那几张有猫或鸭子的,非常明显的落日轮廓光,非常体现气氛.给我的
启示是,在提亮人脸的前后期主流趋势下,其实靠轮廓光和暗部细节仍然可以很好地烘托
人物.
o*s
63 楼
你这种好学肯钻研精神太赞了。成功,摄影还是别的,都是早晚的。
如果脸完全是暗的, 光靠dodge and burn就可以有立体感?
★ 发自iPhone App: ChineseWeb 7.8
【在 b******g 的大作中提到】
: 因为非常喜欢,我又很仔细地把这套图看了一遍.发现摄影师用光其实非常之有特色啊.
: 和一般肖像非常不一样.
: 仔细看这些照片,会发现大部分其实人脸部都是比较暗的没有直射光,人脸部的立体感和
: 质感大部分靠后期的dodge/burn来弄出来的.但是nb的是大部分照片都有非常好的自然
: 轮廓光.最明显的是那几张有猫或鸭子的,非常明显的落日轮廓光,非常体现气氛.给我的
: 启示是,在提亮人脸的前后期主流趋势下,其实靠轮廓光和暗部细节仍然可以很好地烘托
: 人物.
如果脸完全是暗的, 光靠dodge and burn就可以有立体感?
★ 发自iPhone App: ChineseWeb 7.8
【在 b******g 的大作中提到】
: 因为非常喜欢,我又很仔细地把这套图看了一遍.发现摄影师用光其实非常之有特色啊.
: 和一般肖像非常不一样.
: 仔细看这些照片,会发现大部分其实人脸部都是比较暗的没有直射光,人脸部的立体感和
: 质感大部分靠后期的dodge/burn来弄出来的.但是nb的是大部分照片都有非常好的自然
: 轮廓光.最明显的是那几张有猫或鸭子的,非常明显的落日轮廓光,非常体现气氛.给我的
: 启示是,在提亮人脸的前后期主流趋势下,其实靠轮廓光和暗部细节仍然可以很好地烘托
: 人物.
s*t
66 楼
I think 3D effect is created by some kinds of Photoshop blur filter/Tilt
Shift Tool.
If you take a close look on dog's tail and left nearby ground in the same
line, you may see:
dog's tail-- clear and sharp
left nearby ground- very blur
Even use very large aperture (F 2.0 or F 1.2) and very long telephoto lens(
500mm) to get very shadow of DOF, left nearby ground in the same line of dog
's tail should be clear and sharp. If you look kid right nearby ground , the
same thing: blurred by post-processing tools.
Shift Tool.
If you take a close look on dog's tail and left nearby ground in the same
line, you may see:
dog's tail-- clear and sharp
left nearby ground- very blur
Even use very large aperture (F 2.0 or F 1.2) and very long telephoto lens(
500mm) to get very shadow of DOF, left nearby ground in the same line of dog
's tail should be clear and sharp. If you look kid right nearby ground , the
same thing: blurred by post-processing tools.
d*n
67 楼
reddit 上有人发了一个大概的tutorial, 大家有兴趣实实
Start with a portrait, backlit by afternoon/near-sunset light. Most of her
photos don't have the sun in the frame, which gives it a interesting
contrast. Make sure to underexpose a bit, in order to retain highlights.
I'll try to quickly recreate this - I'm using Camera Raw+Photoshop, fyi.
First, take your image and up the whites, and lower the shadows or blacks (
whichever's appropriate to keep the face looking not too contrasty). Then up
the temperature to warmer than neutral and desaturate or lower the vibrance
a tad.
In the curves - take the blue curve, and take down the upper part, like so:
This gives you creamy highlights like many of those photos. Adjust others
as necessary to avoid color casts.
In the HSL/Luminance menus, go to Luminance and take the greens down a bit,
then go over to Saturation and lower the reds and the magentas if needed.
Then we can bring it into photoshop, and burn some of the background around
our subject if it's too bright. For recreating the flare, I brushed a cream
color like so:
put it on soft light, copied the layer and put it back to normal, brightened
it closer to white and moved it up into the corner a bit more to make it
look realistic.
Here's the SOOC image
and the image post-edit
It's not exact, but it'll get you close, and hopefully you'll learn more by
playing with stuff yourself.
然后另一个人说:
In addition to the tip he provided, it also looks like she does manual
blurring around the subject, while sharpening only the subject itself -
making it stand out in a pretty dramatic fashion. Oh yeah, can't forget
about the 135 L either.
Definitely a lot of blurring in post. Some of them go too far IMO:
http://500px.com/photo/35857066
Start with a portrait, backlit by afternoon/near-sunset light. Most of her
photos don't have the sun in the frame, which gives it a interesting
contrast. Make sure to underexpose a bit, in order to retain highlights.
I'll try to quickly recreate this - I'm using Camera Raw+Photoshop, fyi.
First, take your image and up the whites, and lower the shadows or blacks (
whichever's appropriate to keep the face looking not too contrasty). Then up
the temperature to warmer than neutral and desaturate or lower the vibrance
a tad.
In the curves - take the blue curve, and take down the upper part, like so:
This gives you creamy highlights like many of those photos. Adjust others
as necessary to avoid color casts.
In the HSL/Luminance menus, go to Luminance and take the greens down a bit,
then go over to Saturation and lower the reds and the magentas if needed.
Then we can bring it into photoshop, and burn some of the background around
our subject if it's too bright. For recreating the flare, I brushed a cream
color like so:
put it on soft light, copied the layer and put it back to normal, brightened
it closer to white and moved it up into the corner a bit more to make it
look realistic.
Here's the SOOC image
and the image post-edit
It's not exact, but it'll get you close, and hopefully you'll learn more by
playing with stuff yourself.
然后另一个人说:
In addition to the tip he provided, it also looks like she does manual
blurring around the subject, while sharpening only the subject itself -
making it stand out in a pretty dramatic fashion. Oh yeah, can't forget
about the 135 L either.
Definitely a lot of blurring in post. Some of them go too far IMO:
http://500px.com/photo/35857066
b*g
68 楼
这个tutorial也太离谱了。。。直接把战斗民族田园风教成了糖水片了。。。。
up
vibrance
【在 d**********n 的大作中提到】
: reddit 上有人发了一个大概的tutorial, 大家有兴趣实实
: Start with a portrait, backlit by afternoon/near-sunset light. Most of her
: photos don't have the sun in the frame, which gives it a interesting
: contrast. Make sure to underexpose a bit, in order to retain highlights.
: I'll try to quickly recreate this - I'm using Camera Raw+Photoshop, fyi.
: First, take your image and up the whites, and lower the shadows or blacks (
: whichever's appropriate to keep the face looking not too contrasty). Then up
: the temperature to warmer than neutral and desaturate or lower the vibrance
: a tad.
: In the curves - take the blue curve, and take down the upper part, like so:
up
vibrance
【在 d**********n 的大作中提到】
: reddit 上有人发了一个大概的tutorial, 大家有兴趣实实
: Start with a portrait, backlit by afternoon/near-sunset light. Most of her
: photos don't have the sun in the frame, which gives it a interesting
: contrast. Make sure to underexpose a bit, in order to retain highlights.
: I'll try to quickly recreate this - I'm using Camera Raw+Photoshop, fyi.
: First, take your image and up the whites, and lower the shadows or blacks (
: whichever's appropriate to keep the face looking not too contrasty). Then up
: the temperature to warmer than neutral and desaturate or lower the vibrance
: a tad.
: In the curves - take the blue curve, and take down the upper part, like so:
s*e
69 楼
挖个坟,学习了,Bangbing大师分析得很好啊
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