艺术
桑田岛
1楼
桑田岛
2楼
Modeling on a two-dimensional surface is the creation of the illusion of roundness, or three dimensions, through the use of ________.
light and shadow
_refers to the relative degree of lightness or darkness of a surface or a color.
c. value
What name identifies the technique of gradual shifting from light to dark through a successive gradation of tones across a curved surface—a technique often used to create the illusion of three dimensions in two-dimensional media?
b. chiaroscuro
The brightness or dullness of a color is its
c. saturation
light and shadow
_refers to the relative degree of lightness or darkness of a surface or a color.
c. value
What name identifies the technique of gradual shifting from light to dark through a successive gradation of tones across a curved surface—a technique often used to create the illusion of three dimensions in two-dimensional media?
b. chiaroscuro
The brightness or dullness of a color is its
c. saturation
桑田岛
3楼
On opposite ends of the value spectrum are __________and black.
c. white
Grays that are achieved by mixing various amounts of black and white are called _________________.
e. achromatic
Value contrast refers to the degrees of difference between shades of __
.. gray
The technique of chiaroscuro reached the peak of perfection during the ___________ in Italy.
a. high renaissance
Value plays a key role in design, but can be used by the artist for __________ or symbolic purposes or to evoke an emotional response in the viewer.
e. narrative
Newton's color circle served as the precedent for the ___________color wheel and foundation of color theory in art.
d. twelve-point
Value contrast refers to the difference between circles and squares.
F
Arbitrary color does not accurately reflect the visible reality of things.
F
(T/F) A monochromatic color scheme features two dominant hues.
F
The perception of the value of a color is not dependent on that which surrounds it.
b. False
c. white
Grays that are achieved by mixing various amounts of black and white are called _________________.
e. achromatic
Value contrast refers to the degrees of difference between shades of __
.. gray
The technique of chiaroscuro reached the peak of perfection during the ___________ in Italy.
a. high renaissance
Value plays a key role in design, but can be used by the artist for __________ or symbolic purposes or to evoke an emotional response in the viewer.
e. narrative
Newton's color circle served as the precedent for the ___________color wheel and foundation of color theory in art.
d. twelve-point
Value contrast refers to the difference between circles and squares.
F
Arbitrary color does not accurately reflect the visible reality of things.
F
(T/F) A monochromatic color scheme features two dominant hues.
F
The perception of the value of a color is not dependent on that which surrounds it.
b. False
桑田岛
4楼
The word texture derives from the Latin for ________.
a. weaving
The goal of visual ___________is to simulate the look and feel of actual surfaces and textures
Trick the eye
The literal meaning of the French phrase trompe l'oeil is ________.
Actual
_________ texture is related to the materials used to create the work.
Visual
____________texture is the illusion of an actual texture.
Pattern
Texture can be used in concert with __________, which is a design based on the repetition or grouping of elements such as line, shape, color, or texture.
False
(T/F) Artists do not distort textures to communicate their own feelings.
True
(T/F) Impasto is a layer of thickly applied pigment.
False
(T/F) Actual texture is not tactile; it is simulated.
True
(T/F) The goal of visual texture is to simulate the look and feel of actual surfaces and textures.
a. weaving
The goal of visual ___________is to simulate the look and feel of actual surfaces and textures
Trick the eye
The literal meaning of the French phrase trompe l'oeil is ________.
Actual
_________ texture is related to the materials used to create the work.
Visual
____________texture is the illusion of an actual texture.
Pattern
Texture can be used in concert with __________, which is a design based on the repetition or grouping of elements such as line, shape, color, or texture.
False
(T/F) Artists do not distort textures to communicate their own feelings.
True
(T/F) Impasto is a layer of thickly applied pigment.
False
(T/F) Actual texture is not tactile; it is simulated.
True
(T/F) The goal of visual texture is to simulate the look and feel of actual surfaces and textures.
桑田岛
5楼
Vanishing Point
In one-point perspective, parallel lines converge at a single ________ on the horizon.
Freestanding
_____________ sculpture occupies three-dimensional space; it is sculpture that one can walk around or otherwise observe from every angle.
Implied Space
The illusionistic space of a two-dimensional composition is sometimes called__________.
Relative
_________ size accounts for spatial complexity in Martina López's Heirs Come to Pass, 3 (Fig. 5.4).
Vertical
Artists use location—also known as _________positioning—in their compositions as a strategy to signify depth.
Aerial
Atmospheric perspective, also known as ____________ perspective.
Linear
_____________ perspective refers to formal systems developed by artists to portray three-dimensional objects in two-dimensional space.
Recession
Two-point perspective is used to represent the ___________of objects that are seen from an angle, or obliquely.
Movement
The work of the Futurists represents an exaggeration, an extreme in the depiction of ____________.
Implied
___________time is the portrayal or suggestion of the passage or duration of time.
False
(T/F) Actual space refers to the dimensions in which we imagine.
False
(T/F) The closer objects are from us, the smaller they appear to the eye.
True
(T/F) Atmospheric perspective is a technique for illustrating depth that incorporates such devices as texture gradient, brightness gradient, color saturation, and the interplay of warm and cool colors.
False
(T/F) Raphael's fresco, The School of Athens (Fig. 5.14A), is a monumental example of two-point perspective.
True
(T/F) The use of multiple perspectives may provide a more complete visual and sensory impression of a pictorial whole than could be obtained from a single vantage point.
In one-point perspective, parallel lines converge at a single ________ on the horizon.
Freestanding
_____________ sculpture occupies three-dimensional space; it is sculpture that one can walk around or otherwise observe from every angle.
Implied Space
The illusionistic space of a two-dimensional composition is sometimes called__________.
Relative
_________ size accounts for spatial complexity in Martina López's Heirs Come to Pass, 3 (Fig. 5.4).
Vertical
Artists use location—also known as _________positioning—in their compositions as a strategy to signify depth.
Aerial
Atmospheric perspective, also known as ____________ perspective.
Linear
_____________ perspective refers to formal systems developed by artists to portray three-dimensional objects in two-dimensional space.
Recession
Two-point perspective is used to represent the ___________of objects that are seen from an angle, or obliquely.
Movement
The work of the Futurists represents an exaggeration, an extreme in the depiction of ____________.
Implied
___________time is the portrayal or suggestion of the passage or duration of time.
False
(T/F) Actual space refers to the dimensions in which we imagine.
False
(T/F) The closer objects are from us, the smaller they appear to the eye.
True
(T/F) Atmospheric perspective is a technique for illustrating depth that incorporates such devices as texture gradient, brightness gradient, color saturation, and the interplay of warm and cool colors.
False
(T/F) Raphael's fresco, The School of Athens (Fig. 5.14A), is a monumental example of two-point perspective.
True
(T/F) The use of multiple perspectives may provide a more complete visual and sensory impression of a pictorial whole than could be obtained from a single vantage point.
桑田岛
6楼
Aesthetic
Design or composition is a process-the act of organizing the visual elements to affect a desired ________ end in a work of art.
Polykleitos
One of the earliest artists to be credited with the derivation of a canon of proportions is ________.
Left and Right
In works of art displaying horizontal balance the elements in the _________ portions of the composition are approximately equal in number or visual emphasis.
Radial Balance
Which kind of balance is achieved when the design elements radiate out from a center point?
Emphasis
______________on a particular area or image in a composition can be affected when several of its components direct the viewer's gaze toward a focal point.
Size
Scale refers to ________.
The ideal human body
Polykleitos's Canon of Proportions refers to ________.
Symmetry
Leonardo da Vinci's Proportions of the Human Figure is an example of ________.
Asymmetrical Balance
When the variations to the right and left side of the composition are more than slight, yet there remains an overall sense of balance, there is said to be ________.
Proportion
________ is the comparative relationship, or ratio, of things to one another.
Process
Design or composition is a ________.
Repetition
Rhythm in the arts is created by__________.
Design or composition is a process-the act of organizing the visual elements to affect a desired ________ end in a work of art.
Polykleitos
One of the earliest artists to be credited with the derivation of a canon of proportions is ________.
Left and Right
In works of art displaying horizontal balance the elements in the _________ portions of the composition are approximately equal in number or visual emphasis.
Radial Balance
Which kind of balance is achieved when the design elements radiate out from a center point?
Emphasis
______________on a particular area or image in a composition can be affected when several of its components direct the viewer's gaze toward a focal point.
Size
Scale refers to ________.
The ideal human body
Polykleitos's Canon of Proportions refers to ________.
Symmetry
Leonardo da Vinci's Proportions of the Human Figure is an example of ________.
Asymmetrical Balance
When the variations to the right and left side of the composition are more than slight, yet there remains an overall sense of balance, there is said to be ________.
Proportion
________ is the comparative relationship, or ratio, of things to one another.
Process
Design or composition is a ________.
Repetition
Rhythm in the arts is created by__________.
桑田岛
7楼
The Spiral
The Greeks found further meaning in the golden rectangle by relating it to another form found in nature.
Emphasis
Color and value contrast are two devices that can be manipulated to provide __________.
Radial
The Book of Kings (Fig. 6.29) is an example of __________ balance.
False
(T/F) The geometric pattern or rule that is the basis of the organization of the east façade of the Parthenon (Fig. 6.40) is called the root-seven rectangle.
True
(T/F) Hierarchical scale is a relative size device that an artist uses to indicate the relative importance of the objects or figures in a work of art.
False
(T/F) An alternating rhythm occurs when different elements in a work of art or architecture are repeated in unpredictable order.
False
Emphasis on a particular area or image in a composition can be affected when several of its components direct the viewer's gaze towards several points.
The Greeks found further meaning in the golden rectangle by relating it to another form found in nature.
Emphasis
Color and value contrast are two devices that can be manipulated to provide __________.
Radial
The Book of Kings (Fig. 6.29) is an example of __________ balance.
False
(T/F) The geometric pattern or rule that is the basis of the organization of the east façade of the Parthenon (Fig. 6.40) is called the root-seven rectangle.
True
(T/F) Hierarchical scale is a relative size device that an artist uses to indicate the relative importance of the objects or figures in a work of art.
False
(T/F) An alternating rhythm occurs when different elements in a work of art or architecture are repeated in unpredictable order.
False
Emphasis on a particular area or image in a composition can be affected when several of its components direct the viewer's gaze towards several points.
桑田岛
8楼
Silverpoint
The discovery of graphite in the 1500's helped to largely replace _____________.
Silverpoint
With this drawing implement, the artist draws by dragging a silver-tipped implement over a surface coated with a ground of bone dust or chalk mixed with gum, water, and pigment.
Pencil
A___________ consists of a mixture of graphite powder (a form of carbon) and clay that is baked and hardened and encased in wood or paper.
Wax Crayon
____________ moves easily over a surface, creating lines that have a characteristic sheen.
Charcoal
The controlled charring of special hard woods forms this drawing material.
Pastel
Ground chalk mixed with powdered pigments and a binder creates this drawing material.
Crayon
Conté is one of the most popular forms of this material.
Pen and Wash
This medium is capable of combining the gestural vitality of the pen line with a watery quality.
Full-scale preliminary drawings for larger scale works such as fresco paintings
Today the word "cartoon" usually means a humorous or satirical picture; originally the word referred to ________.
Carbon black and water
The oldest known type of ink is India or China ink. It is a solution of ________.
True
(T/F) Lucas Samara Head #12 (Fig. 7.10) is an example of how pastels are manipulated in countless ways to create different effects.
False
(T/F) Claudio Bravo's Package (Fig. 7.8) bears almost no indication of the "dusty" quality of the media-primarily ink and pastel.
False
(T/F) Silverpoint, pencil, chalk, pastel, and wax crayon are called wet media in drawing.
True
(T/F) Drawing is traditional to the art experience.
The discovery of graphite in the 1500's helped to largely replace _____________.
Silverpoint
With this drawing implement, the artist draws by dragging a silver-tipped implement over a surface coated with a ground of bone dust or chalk mixed with gum, water, and pigment.
Pencil
A___________ consists of a mixture of graphite powder (a form of carbon) and clay that is baked and hardened and encased in wood or paper.
Wax Crayon
____________ moves easily over a surface, creating lines that have a characteristic sheen.
Charcoal
The controlled charring of special hard woods forms this drawing material.
Pastel
Ground chalk mixed with powdered pigments and a binder creates this drawing material.
Crayon
Conté is one of the most popular forms of this material.
Pen and Wash
This medium is capable of combining the gestural vitality of the pen line with a watery quality.
Full-scale preliminary drawings for larger scale works such as fresco paintings
Today the word "cartoon" usually means a humorous or satirical picture; originally the word referred to ________.
Carbon black and water
The oldest known type of ink is India or China ink. It is a solution of ________.
True
(T/F) Lucas Samara Head #12 (Fig. 7.10) is an example of how pastels are manipulated in countless ways to create different effects.
False
(T/F) Claudio Bravo's Package (Fig. 7.8) bears almost no indication of the "dusty" quality of the media-primarily ink and pastel.
False
(T/F) Silverpoint, pencil, chalk, pastel, and wax crayon are called wet media in drawing.
True
(T/F) Drawing is traditional to the art experience.
桑田岛
9楼
Oil
The ground pigment in which painting material combines with a linseed oil vehicle and turpentine medium?
True Fresco
In which painting technique is paint applied to damp lime plaster?
Encaustic
______________is a mixture of ground pigments and a hot, molten wax vehicle applied to a prepared surface.
Acrylic
Unlike oil paint, __________ is fast drying and can be used on a variety of surfaces that need no special preparation.
Watercolor
White does not exist in this painting technique; white must be derived by allowing the white of the paper to "shine" through.
Tempera
Which technique uses a vehicle of egg yolk or whole eggs thinned with water?
Fresco
In true ________ the paint must be applied to fresh, damp plaster, artists must work in small sections, preparing a surface that can be completed in a single day.
Watercolor
________ is the technique name commonly used for aquarelle.
Pigment
The color in paint derives from its ________.
Vehicle
Which material is the binding agent of paint?
Medium
Which material provides fluency and pliability to the paint?
Spray Paint
The earliest use of which medium was in prehistoric cave painting?
Acrylic
Which medium is a mixture of pigment and a plastic vehicle?
Oil
The slow drying of which medium facilitates the reworking of problem areas?
Gouache
______________ is watercolor mixed with a high concentration of vehicle and an opaque ingredient such as chalk
True
(T/F) The boundaries between drawing and painting is sometimes blurred.
True
(T/F) Pigments are derived from chemicals and minerals found in plant and animal life.
True
(T/F) Fresco paintings are beautiful in color; however, some pigments will not form chemical bonds with the lime ground.
False
il, acrylic, tempera, and watercolor paint all use a gesso ground.
The ground pigment in which painting material combines with a linseed oil vehicle and turpentine medium?
True Fresco
In which painting technique is paint applied to damp lime plaster?
Encaustic
______________is a mixture of ground pigments and a hot, molten wax vehicle applied to a prepared surface.
Acrylic
Unlike oil paint, __________ is fast drying and can be used on a variety of surfaces that need no special preparation.
Watercolor
White does not exist in this painting technique; white must be derived by allowing the white of the paper to "shine" through.
Tempera
Which technique uses a vehicle of egg yolk or whole eggs thinned with water?
Fresco
In true ________ the paint must be applied to fresh, damp plaster, artists must work in small sections, preparing a surface that can be completed in a single day.
Watercolor
________ is the technique name commonly used for aquarelle.
Pigment
The color in paint derives from its ________.
Vehicle
Which material is the binding agent of paint?
Medium
Which material provides fluency and pliability to the paint?
Spray Paint
The earliest use of which medium was in prehistoric cave painting?
Acrylic
Which medium is a mixture of pigment and a plastic vehicle?
Oil
The slow drying of which medium facilitates the reworking of problem areas?
Gouache
______________ is watercolor mixed with a high concentration of vehicle and an opaque ingredient such as chalk
True
(T/F) The boundaries between drawing and painting is sometimes blurred.
True
(T/F) Pigments are derived from chemicals and minerals found in plant and animal life.
True
(T/F) Fresco paintings are beautiful in color; however, some pigments will not form chemical bonds with the lime ground.
False
il, acrylic, tempera, and watercolor paint all use a gesso ground.
桑田岛
10楼
9999999999999
Sergi Einstein's film The Battleship Potemkin iwas an International hit. It is noted for its:
innovative editing techniques
A major difference between the video works of Nam June Paik and the films of modern filmmakers is
Paik's elect
According to the author, "the individual most responsible for establishing photography as an art form" was:
Alfred Steiglitz.
The widespread use by artists of the camera obscura in the 16th century was tied to the developement of lenses that could
focus the image it projected.
Jean Luc Godard, because of his personal stamp on the movies he made:
fit the concept of auteur in filmmaking.
Julia Margaret Cameron's portraits may be characterized by the photographer's preference for:
***NOT***a pictorialist approach to portraiture.
Early examples of art photography often imitated:
the narrative (or storytelling) form of painting.
In 1878, Eadweard Muybridge photographed a galloping horse, and discovered that:
horses occasionally gallop with all four hooves off the ground.
True or False? Thomas Edison created a one hour movie entitled Fred Ott's Sneeze in 1894 .
False
The photographic style which was formed after World War I and focused on the unconscious was:
Dada
Despite an enthusiastic public acceptance, the success of the daguerreotype was limited by:
the inability to make multiple images from one negative.
In 1888 the Kodak camera changed the history of photography
by making photography easily accessible to the general public.
True or False? Alfred Steiglitz was a photographer who stated that "...photography should not try to be painting"
True
In Raghubir Singh work was unusual because of his use of
color
The film, "A Trip to the Moon", by Georges Melies was created using
real actors and painted scenery
The Farm Security Administration of the U.S. Department of Agriculture:
paid photographers like Dorothea Lange to document the Great Depression.
The term for a director whose films are marked by consistent individual style is auteur
True
Richard Throssel's Crow Camp is remarkable because it is so
unremarkable and self reflective.
The artist who poses herself as a variety of female archtypes, like the abandoned girlfriend, the vengeful hussy, the pert secretary and many others is _________.
Cindy Sherman
The photograph by Henry Peach Robinson
used manipulation and a combination of different photographic images in one work
Initially artists primarily used the camera obscura to:
as a drawing tool
True or False? The revolutionary nature of Breathless lies in it's story.
False
True or False? The issue of censorship of the arts was brought to public attention in 1989 when an exhibit of photographs by Robert Mapplethorpe was canceled.
True
The work of a "pure" or "straight" photographer, such as Alfred Steiglitz refers to:
not crop or manipulate the image in the darkroom
Man Ray was originally trained as a
painter
Andy Warhol's Campbell's Soup Cans
is a portrait of graphic design.
The American graphic designer who created some of the most memorable logos for IBM, UPS, and ABC is
Paul Rand
Which graphic design team developed the familiar set of symbols used today to communicate information across language barriers to international travelers?
Cook and Shanosky
The video about the Audi TT sedan by designers Matt Pyke at Universal Everything and Karsten Schmidt at PostSpectacular
used a programming language called Processing; never actually showed the car; and did not require production work after it was originally shot.
In 1525, with the advent of moveable type, ________ created a unified alphabet that could be mass-produced.
Albrecht Dürer
The development of ________ in the 19th century introduced the widespread use of color in posters.
color lithography
One of the most effective and easiest ways for a company to change its image is
to redesign its logo
Barbara Kruger uses the familiar look of graphic design to create
to convey unexpected and unsettling messages
A ________ is often the first and key element in creating a complete corporate identity.
logo
One of the most celebrated 19th-century artists, Henri de Toulouse-Lautrec, created posters for the famous dance hall called
the Moulin Rouge
An image created to accompany words is called
an illustration
Which graphic artist used texts from first person accounts of political terror in El Salvadore, fragmenting and layering their words.
Joan Dobkin
Cassidy Curtis's Graffiti Archaeology is organized by ________ to effectively display its subject.
location and time
With the digital revolution a new element was added for designers to work with ________ by means of an interface.
interacttivity
The ancient symbol from Chinese philosophy that embodies a worldview of mutual interdependence is the ________ symbol.
yin-yang
The ________ first made it possible to devise a notice that could be reproduced in large numbers and distributed widely.
The Printing press
The video about the Audi TT sedan by designers Matt Pyke at Universal Everything and Karsten Schmidt at PostSpectacular
used a programming language called Processing; never actually showed the car; and did not require production work after it was originally shot. (all answers correct)
A designer's blueprint for books and magazines and other works in print is called
a layout
The task of the Graphic design (your text states) has as its goal
to limit interpretation and control meaning as much as possible.
According to the author, graphic design as we know it today has its roots in two developments. They are
the printing press and the Industrial Revolution.
Relief sculpture is:
all of the above.
Because Kiki Smith's sculpture is made out of beeswax it
all of the above
True or False? Gilded is the term used to indicate that a work has been covered with a thin layer of gold.
True
The ______ process, also known as cire-perdue, produces a hollow sculpture and dates back to the 3rd millennium BCE.
lost-wax
In Yayoi Kusama's installation, he created a room literally composed of :
mirrors and a reflecting pools
Which one of these techniques is a subtractive process :
carving
In contrast to modeling, casting seems like a (an) ______ method.
indirect
In the earthworks of __________, the element of time moves to center stage because they ephemeral.
Andy Goldsworthy
The sculpture by Kosho depicts a Buddist monk with little buddahs emerging from his mouth each one representing
the syllable of a chant to help people enter paradise
The Serpent Mound in Ohio was once thought to be:
an ancient Hopewell Indian site.
True or False? The Serpent Mound, found near Locust Grove Ohio was found to contain no burials.
True
________ is a sculptural process of bringing together individual pieces, segments, or objects to form a sculpture.
Assemblage
Four basic methods for making a sculpture are:
modeling, casting, carving, and assembling.
The process of lost-wax casting uses a ________
core of specially prepared clay with a layer of wax.
The artworks of Christo and Jeanne-Claude are intended:
all of the above
Many of Andy Goldsworthy's sculptures often last
no more than a few hours
True or False? In creating the Colossal Head, Olmec artists used the lost-wax method of sculpting.
False
The Indian sculpture Durga Fighting the Buffalo Demon is an example of:
high-relief sculpture.
Thomas Hirschhorn's artwork is assembled from among other things
transparent plastic foil, books, chains, basins,
Contrapposto (meaning counter poise or counterbalance) was developed by ________ as a pose for sculptures of the human figure.
ancient Greeks
The gates by Christo and Jeanne Claude was carried out using
hundreds of paid workers helped build temporary installation
True or False? A sculpture by Michelangelo could be used to illustrate contrapposto.
True
True or False? The term earthwork refers to a work created for a particular site and specifically by an ancient civilization.
False
Spirit Spouse is a 20th century carving from Baule and is made to keep a spouse from the spirit world ____.
happy and un-jealous
Fired clay is sometimes called:
terra cotta
Although symbols convey information and embody ideas,
they have no meaning in themselves; their meaning is invented by cultural use; and the ideas they embody may change radically with time
Sergi Einstein's film The Battleship Potemkin iwas an International hit. It is noted for its:
innovative editing techniques
A major difference between the video works of Nam June Paik and the films of modern filmmakers is
Paik's elect
According to the author, "the individual most responsible for establishing photography as an art form" was:
Alfred Steiglitz.
The widespread use by artists of the camera obscura in the 16th century was tied to the developement of lenses that could
focus the image it projected.
Jean Luc Godard, because of his personal stamp on the movies he made:
fit the concept of auteur in filmmaking.
Julia Margaret Cameron's portraits may be characterized by the photographer's preference for:
***NOT***a pictorialist approach to portraiture.
Early examples of art photography often imitated:
the narrative (or storytelling) form of painting.
In 1878, Eadweard Muybridge photographed a galloping horse, and discovered that:
horses occasionally gallop with all four hooves off the ground.
True or False? Thomas Edison created a one hour movie entitled Fred Ott's Sneeze in 1894 .
False
The photographic style which was formed after World War I and focused on the unconscious was:
Dada
Despite an enthusiastic public acceptance, the success of the daguerreotype was limited by:
the inability to make multiple images from one negative.
In 1888 the Kodak camera changed the history of photography
by making photography easily accessible to the general public.
True or False? Alfred Steiglitz was a photographer who stated that "...photography should not try to be painting"
True
In Raghubir Singh work was unusual because of his use of
color
The film, "A Trip to the Moon", by Georges Melies was created using
real actors and painted scenery
The Farm Security Administration of the U.S. Department of Agriculture:
paid photographers like Dorothea Lange to document the Great Depression.
The term for a director whose films are marked by consistent individual style is auteur
True
Richard Throssel's Crow Camp is remarkable because it is so
unremarkable and self reflective.
The artist who poses herself as a variety of female archtypes, like the abandoned girlfriend, the vengeful hussy, the pert secretary and many others is _________.
Cindy Sherman
The photograph by Henry Peach Robinson
used manipulation and a combination of different photographic images in one work
Initially artists primarily used the camera obscura to:
as a drawing tool
True or False? The revolutionary nature of Breathless lies in it's story.
False
True or False? The issue of censorship of the arts was brought to public attention in 1989 when an exhibit of photographs by Robert Mapplethorpe was canceled.
True
The work of a "pure" or "straight" photographer, such as Alfred Steiglitz refers to:
not crop or manipulate the image in the darkroom
Man Ray was originally trained as a
painter
Andy Warhol's Campbell's Soup Cans
is a portrait of graphic design.
The American graphic designer who created some of the most memorable logos for IBM, UPS, and ABC is
Paul Rand
Which graphic design team developed the familiar set of symbols used today to communicate information across language barriers to international travelers?
Cook and Shanosky
The video about the Audi TT sedan by designers Matt Pyke at Universal Everything and Karsten Schmidt at PostSpectacular
used a programming language called Processing; never actually showed the car; and did not require production work after it was originally shot.
In 1525, with the advent of moveable type, ________ created a unified alphabet that could be mass-produced.
Albrecht Dürer
The development of ________ in the 19th century introduced the widespread use of color in posters.
color lithography
One of the most effective and easiest ways for a company to change its image is
to redesign its logo
Barbara Kruger uses the familiar look of graphic design to create
to convey unexpected and unsettling messages
A ________ is often the first and key element in creating a complete corporate identity.
logo
One of the most celebrated 19th-century artists, Henri de Toulouse-Lautrec, created posters for the famous dance hall called
the Moulin Rouge
An image created to accompany words is called
an illustration
Which graphic artist used texts from first person accounts of political terror in El Salvadore, fragmenting and layering their words.
Joan Dobkin
Cassidy Curtis's Graffiti Archaeology is organized by ________ to effectively display its subject.
location and time
With the digital revolution a new element was added for designers to work with ________ by means of an interface.
interacttivity
The ancient symbol from Chinese philosophy that embodies a worldview of mutual interdependence is the ________ symbol.
yin-yang
The ________ first made it possible to devise a notice that could be reproduced in large numbers and distributed widely.
The Printing press
The video about the Audi TT sedan by designers Matt Pyke at Universal Everything and Karsten Schmidt at PostSpectacular
used a programming language called Processing; never actually showed the car; and did not require production work after it was originally shot. (all answers correct)
A designer's blueprint for books and magazines and other works in print is called
a layout
The task of the Graphic design (your text states) has as its goal
to limit interpretation and control meaning as much as possible.
According to the author, graphic design as we know it today has its roots in two developments. They are
the printing press and the Industrial Revolution.
Relief sculpture is:
all of the above.
Because Kiki Smith's sculpture is made out of beeswax it
all of the above
True or False? Gilded is the term used to indicate that a work has been covered with a thin layer of gold.
True
The ______ process, also known as cire-perdue, produces a hollow sculpture and dates back to the 3rd millennium BCE.
lost-wax
In Yayoi Kusama's installation, he created a room literally composed of :
mirrors and a reflecting pools
Which one of these techniques is a subtractive process :
carving
In contrast to modeling, casting seems like a (an) ______ method.
indirect
In the earthworks of __________, the element of time moves to center stage because they ephemeral.
Andy Goldsworthy
The sculpture by Kosho depicts a Buddist monk with little buddahs emerging from his mouth each one representing
the syllable of a chant to help people enter paradise
The Serpent Mound in Ohio was once thought to be:
an ancient Hopewell Indian site.
True or False? The Serpent Mound, found near Locust Grove Ohio was found to contain no burials.
True
________ is a sculptural process of bringing together individual pieces, segments, or objects to form a sculpture.
Assemblage
Four basic methods for making a sculpture are:
modeling, casting, carving, and assembling.
The process of lost-wax casting uses a ________
core of specially prepared clay with a layer of wax.
The artworks of Christo and Jeanne-Claude are intended:
all of the above
Many of Andy Goldsworthy's sculptures often last
no more than a few hours
True or False? In creating the Colossal Head, Olmec artists used the lost-wax method of sculpting.
False
The Indian sculpture Durga Fighting the Buffalo Demon is an example of:
high-relief sculpture.
Thomas Hirschhorn's artwork is assembled from among other things
transparent plastic foil, books, chains, basins,
Contrapposto (meaning counter poise or counterbalance) was developed by ________ as a pose for sculptures of the human figure.
ancient Greeks
The gates by Christo and Jeanne Claude was carried out using
hundreds of paid workers helped build temporary installation
True or False? A sculpture by Michelangelo could be used to illustrate contrapposto.
True
True or False? The term earthwork refers to a work created for a particular site and specifically by an ancient civilization.
False
Spirit Spouse is a 20th century carving from Baule and is made to keep a spouse from the spirit world ____.
happy and un-jealous
Fired clay is sometimes called:
terra cotta
Although symbols convey information and embody ideas,
they have no meaning in themselves; their meaning is invented by cultural use; and the ideas they embody may change radically with time
桑田岛
11楼
10
picture plane
The two-dimensional surface on which shapes are organized into a composition.
hieratic scaling
A composition in which the size of figures is determined by their thematic importance.
overlapping
A device for creating an illusion of depth in which some shapes are in front of and partially hide or obscure others.
horizon line (eye level)
The farthest point we can see where the delineation between the sky and ground becomes distinct. The line on the picture plane that indicates the extent of illusionistic space and on which are located the vanishing points.
aerial perspective (atmospheric)
The perception of less distinct contours and value contrasts as forms recede into the background. Colors appear to be washed out in the distance of take on the color of the atmosphere. Also called atmospheric perspective.
linear perspective
A spatial system used in two-dimensional artworks to create the illusion of space. It is based on the perception that if parallel lines are extended to the horizon line, they appear to converge and meet at a common point, called the vanishing point.
one point perspective
A system of spatial illusion in two-dimensional art based on the convergence of parallel lines to a common vanishing point usually on the horizon.
two point perspective
A scene that is viewed through an angle, with no objects parallel to the picture plane and with edges receding on two points on the horizon line.
multi point perspective
A system of spatial illusion with different vanishing points for different sets of parallel lines.
amplified perspective
A dynamic and dramatic illusionistic effect created when an object is pointed directly at the viewer
juxtaposition
When one image or shape is placed next to or in comparison to another image or shape.
isometric projection
A spatial illusion that occurs when lines receding on the diagonal remain parallel instead of converging toward a common vanishing point. Used commonly in Oriental and Far Eastern art.
open form
The placement of elements in a composition so that they are cut off by the boundary of the design. This implies that the picture is a partial view of a larger scene.
closed form
The placement of objets by which a composition keeps the viewer's attention within the picture.
transparency
A situation in which an object or form allows light to pass through it. In two-dimensional art, two forms overlap, but they are both seen in their entirety.
equivocal space
An ambiguous space in which it is hard to distinguish the foreground from the background. Your perception seems to alternate from one to the other.
picture plane
The two-dimensional surface on which shapes are organized into a composition.
hieratic scaling
A composition in which the size of figures is determined by their thematic importance.
overlapping
A device for creating an illusion of depth in which some shapes are in front of and partially hide or obscure others.
horizon line (eye level)
The farthest point we can see where the delineation between the sky and ground becomes distinct. The line on the picture plane that indicates the extent of illusionistic space and on which are located the vanishing points.
aerial perspective (atmospheric)
The perception of less distinct contours and value contrasts as forms recede into the background. Colors appear to be washed out in the distance of take on the color of the atmosphere. Also called atmospheric perspective.
linear perspective
A spatial system used in two-dimensional artworks to create the illusion of space. It is based on the perception that if parallel lines are extended to the horizon line, they appear to converge and meet at a common point, called the vanishing point.
one point perspective
A system of spatial illusion in two-dimensional art based on the convergence of parallel lines to a common vanishing point usually on the horizon.
two point perspective
A scene that is viewed through an angle, with no objects parallel to the picture plane and with edges receding on two points on the horizon line.
multi point perspective
A system of spatial illusion with different vanishing points for different sets of parallel lines.
amplified perspective
A dynamic and dramatic illusionistic effect created when an object is pointed directly at the viewer
juxtaposition
When one image or shape is placed next to or in comparison to another image or shape.
isometric projection
A spatial illusion that occurs when lines receding on the diagonal remain parallel instead of converging toward a common vanishing point. Used commonly in Oriental and Far Eastern art.
open form
The placement of elements in a composition so that they are cut off by the boundary of the design. This implies that the picture is a partial view of a larger scene.
closed form
The placement of objets by which a composition keeps the viewer's attention within the picture.
transparency
A situation in which an object or form allows light to pass through it. In two-dimensional art, two forms overlap, but they are both seen in their entirety.
equivocal space
An ambiguous space in which it is hard to distinguish the foreground from the background. Your perception seems to alternate from one to the other.
桑田岛
12楼
11
kinetic
Artworks that actually move or having moving parts.
Op Art
A style of art and design that emphasizes the optical phenomena.
kinesthetic empathy
A mental process in which the viewer consciously or unconsciously recreates or feels an action or motion he or she only observes.
anticipated movement
The implication of movement on a static two-dimensional surface caused by the viewer's past experience with a similar situation.
repeating a figure
A compositional device in which a recognizable figure appears within the same composition in different positions and situations so as to relate a narrative to the viewer.
blurred outlines
A visual device in which most details and the edges of a form are lot in the rapidity of the implied movement.
multiple image
A visual device used to suggest the movement that occurs when a figure is shown in a sequence of slightly overlapping poses in which each successive position suggests movement from the prior position.
lines of force
Lines that show the pathway of movement and add strong visual emphasis to a suggestion of motion.
kinetic
Artworks that actually move or having moving parts.
Op Art
A style of art and design that emphasizes the optical phenomena.
kinesthetic empathy
A mental process in which the viewer consciously or unconsciously recreates or feels an action or motion he or she only observes.
anticipated movement
The implication of movement on a static two-dimensional surface caused by the viewer's past experience with a similar situation.
repeating a figure
A compositional device in which a recognizable figure appears within the same composition in different positions and situations so as to relate a narrative to the viewer.
blurred outlines
A visual device in which most details and the edges of a form are lot in the rapidity of the implied movement.
multiple image
A visual device used to suggest the movement that occurs when a figure is shown in a sequence of slightly overlapping poses in which each successive position suggests movement from the prior position.
lines of force
Lines that show the pathway of movement and add strong visual emphasis to a suggestion of motion.
桑田岛
13楼
11
kinetic
Artworks that actually move or having moving parts.
Op Art
A style of art and design that emphasizes the optical phenomena.
kinesthetic empathy
A mental process in which the viewer consciously or unconsciously recreates or feels an action or motion he or she only observes.
anticipated movement
The implication of movement on a static two-dimensional surface caused by the viewer's past experience with a similar situation.
repeating a figure
A compositional device in which a recognizable figure appears within the same composition in different positions and situations so as to relate a narrative to the viewer.
blurred outlines
A visual device in which most details and the edges of a form are lot in the rapidity of the implied movement.
multiple image
A visual device used to suggest the movement that occurs when a figure is shown in a sequence of slightly overlapping poses in which each successive position suggests movement from the prior position.
lines of force
Lines that show the pathway of movement and add strong visual emphasis to a suggestion of motion
kinetic
Artworks that actually move or having moving parts.
Op Art
A style of art and design that emphasizes the optical phenomena.
kinesthetic empathy
A mental process in which the viewer consciously or unconsciously recreates or feels an action or motion he or she only observes.
anticipated movement
The implication of movement on a static two-dimensional surface caused by the viewer's past experience with a similar situation.
repeating a figure
A compositional device in which a recognizable figure appears within the same composition in different positions and situations so as to relate a narrative to the viewer.
blurred outlines
A visual device in which most details and the edges of a form are lot in the rapidity of the implied movement.
multiple image
A visual device used to suggest the movement that occurs when a figure is shown in a sequence of slightly overlapping poses in which each successive position suggests movement from the prior position.
lines of force
Lines that show the pathway of movement and add strong visual emphasis to a suggestion of motion
桑田岛
14楼
What is kinetic art?
Art that includes actively moving parts.
Why do artists try to create compositional movement within their two-dimensional designs?
It created interest.
What is a type of rhythm?
Unexpected
What is a way of generating compositional movement?
Emphasis
What are two ways to record or indicate actual movement on a flat surface?
Contrast and repetition
Similar to rythme and music and dance.
Visual movement
Who made brightly painted paper cut outs?
Matisse
What is an example of visual rythm?
Alternating
What adds movement to a composition?
Curving and diagonal lines
When is a rhythm progressive?
When its repeated motifs change in a predictable or regular way
Art that includes actively moving parts.
Why do artists try to create compositional movement within their two-dimensional designs?
It created interest.
What is a type of rhythm?
Unexpected
What is a way of generating compositional movement?
Emphasis
What are two ways to record or indicate actual movement on a flat surface?
Contrast and repetition
Similar to rythme and music and dance.
Visual movement
Who made brightly painted paper cut outs?
Matisse
What is an example of visual rythm?
Alternating
What adds movement to a composition?
Curving and diagonal lines
When is a rhythm progressive?
When its repeated motifs change in a predictable or regular way
桑田岛
15楼
桑田岛
16楼
桑田岛
17楼
Additive sculpture process
artists build something up
modeling
additive process (usually w/ clay) ex: Tomb of emperor
casting
involves a mold in which molten material is poured and allowed to hard ex: Burghers of Calias
assemblage
process of bring individual objects together to form one lager one ex: Puppy, Cloud Gate, Pleasure Point
earthworks
ex: Spiral Jetty
craft
functional object ex: the event of a thread
ceramics
clay objects either hollow or flat ex: Raku tea bowl, Jar
glassblowing
ex: Mille Fiori
fiber vertical threads
warp
fiber horizontal threads
weft or woof
tapestry
weaving which the weft is several colors
metal
ex: Urban Lights
shell system
one basic material providing both structural support and outside covering
skeleton and skin building
basic interior frame that supports a fragile outer covering ex: wind v Eiffel Tower
load bearing
walls bear weight of the roof
post and lintel construction
consists of a horizontal beam supported at each end by a vertical post
fluting
grooves in columns that run up and down
entasis
tapered columns, narrow
acropolis
center of civic life
colonnades
rows of columns
artists build something up
modeling
additive process (usually w/ clay) ex: Tomb of emperor
casting
involves a mold in which molten material is poured and allowed to hard ex: Burghers of Calias
assemblage
process of bring individual objects together to form one lager one ex: Puppy, Cloud Gate, Pleasure Point
earthworks
ex: Spiral Jetty
craft
functional object ex: the event of a thread
ceramics
clay objects either hollow or flat ex: Raku tea bowl, Jar
glassblowing
ex: Mille Fiori
fiber vertical threads
warp
fiber horizontal threads
weft or woof
tapestry
weaving which the weft is several colors
metal
ex: Urban Lights
shell system
one basic material providing both structural support and outside covering
skeleton and skin building
basic interior frame that supports a fragile outer covering ex: wind v Eiffel Tower
load bearing
walls bear weight of the roof
post and lintel construction
consists of a horizontal beam supported at each end by a vertical post
fluting
grooves in columns that run up and down
entasis
tapered columns, narrow
acropolis
center of civic life
colonnades
rows of columns
桑田岛
18楼
桑田岛
19楼
777777777777777777
Silverpoint
The discovery of graphite in the 1500's helped to largely replace _____________.
Silverpoint
With this drawing implement, the artist draws by dragging a silver-tipped implement over a surface coated with a ground of bone dust or chalk mixed with gum, water, and pigment.
Pencil
A___________ consists of a mixture of graphite powder (a form of carbon) and clay that is baked and hardened and encased in wood or paper.
Wax Crayon
____________ moves easily over a surface, creating lines that have a characteristic sheen.
Charcoal
The controlled charring of special hard woods forms this drawing material.
Pastel
Ground chalk mixed with powdered pigments and a binder creates this drawing material.
Crayon
Conté is one of the most popular forms of this material.
Pen and Wash
This medium is capable of combining the gestural vitality of the pen line with a watery quality.
Full-scale preliminary drawings for larger scale works such as fresco paintings
Today the word "cartoon" usually means a humorous or satirical picture; originally the word referred to ________.
Carbon black and water
The oldest known type of ink is India or China ink. It is a solution of ________.
True
(T/F) Lucas Samara Head #12 (Fig. 7.10) is an example of how pastels are manipulated in countless ways to create different effects.
False
(T/F) Claudio Bravo's Package (Fig. 7.8) bears almost no indication of the "dusty" quality of the media-primarily ink and pastel.
False
(T/F) Silverpoint, pencil, chalk, pastel, and wax crayon are called wet media in drawing.
True
(T/F) Drawing is traditional to the art experience.
桑田岛
20楼
Oil
The ground pigment in which painting material combines with a linseed oil vehicle and turpentine medium?
True Fresco
In which painting technique is paint applied to damp lime plaster?
Encaustic
______________is a mixture of ground pigments and a hot, molten wax vehicle applied to a prepared surface.
Acrylic
Unlike oil paint, __________ is fast drying and can be used on a variety of surfaces that need no special preparation.
Watercolor
White does not exist in this painting technique; white must be derived by allowing the white of the paper to "shine" through.
Tempera
Which technique uses a vehicle of egg yolk or whole eggs thinned with water?
Fresco
In true ________ the paint must be applied to fresh, damp plaster, artists must work in small sections, preparing a surface that can be completed in a single day.
The ground pigment in which painting material combines with a linseed oil vehicle and turpentine medium?
True Fresco
In which painting technique is paint applied to damp lime plaster?
Encaustic
______________is a mixture of ground pigments and a hot, molten wax vehicle applied to a prepared surface.
Acrylic
Unlike oil paint, __________ is fast drying and can be used on a variety of surfaces that need no special preparation.
Watercolor
White does not exist in this painting technique; white must be derived by allowing the white of the paper to "shine" through.
Tempera
Which technique uses a vehicle of egg yolk or whole eggs thinned with water?
Fresco
In true ________ the paint must be applied to fresh, damp plaster, artists must work in small sections, preparing a surface that can be completed in a single day.
桑田岛
21楼
Watercolor
________ is the technique name commonly used for aquarelle.
Pigment
The color in paint derives from its ________.
Vehicle
Which material is the binding agent of paint?
Medium
Which material provides fluency and pliability to the paint?
Spray Paint
The earliest use of which medium was in prehistoric cave painting?
________ is the technique name commonly used for aquarelle.
Pigment
The color in paint derives from its ________.
Vehicle
Which material is the binding agent of paint?
Medium
Which material provides fluency and pliability to the paint?
Spray Paint
The earliest use of which medium was in prehistoric cave painting?
桑田岛
22楼
Acrylic
Which medium is a mixture of pigment and a plastic vehicle?
Oil
The slow drying of which medium facilitates the reworking of problem areas?
Gouache
______________ is watercolor mixed with a high concentration of vehicle and an opaque ingredient such as chalk
True
(T/F) The boundaries between drawing and painting is sometimes blurred.
True
(T/F) Pigments are derived from chemicals and minerals found in plant and animal life.
True
(T/F) Fresco paintings are beautiful in color; however, some pigments will not form chemical bonds with the lime ground.
False
oil, acrylic, tempera, and watercolor paint all use a gesso ground.
Which medium is a mixture of pigment and a plastic vehicle?
Oil
The slow drying of which medium facilitates the reworking of problem areas?
Gouache
______________ is watercolor mixed with a high concentration of vehicle and an opaque ingredient such as chalk
True
(T/F) The boundaries between drawing and painting is sometimes blurred.
True
(T/F) Pigments are derived from chemicals and minerals found in plant and animal life.
True
(T/F) Fresco paintings are beautiful in color; however, some pigments will not form chemical bonds with the lime ground.
False
oil, acrylic, tempera, and watercolor paint all use a gesso ground.
桑田岛
23楼
Woodcut is considered what type of printmaking process?
a. relief
b. intaglio
c. planographic
d. engraving
e. etching
a. relief
Engraving is a type of ________ process.
a. relief
b. intaglio
c. planographic
d. matrix
e. burin
b. intaglio
The wood engraving is considered what type of process?
a. etching
b. intaglio
c. laminated
d. burin
e. relief
e. relief
Drypoint printmaking is considered a(n) ________ process.
a. relief
b. intaglio
c. planographic
d. laminated
e. serigraph
b. intaglio
________ is the oldest form of printmaking.
a. Woodcut
b. Engraving
c. Etching
d. Drypoint
e. Serigraphy
a. Woodcut
Which printmaking process uses acid to make the lines?
a. woodcut
b. engraving
c. etching
d. serigraphy
e. wood engraving
c. etching
The printmaking process begins with a design or image made in or on a surface by hitting or pressing with a ________.
a. special ink
b. roller
c. tool
d. matrix
e. paper
c. tool
Printmaking processes are divided into four major categories: relief, intaglio, lithography, and ________.
a. engraving
b. serigraphy
c. drypoint
d. lithography
e. aquatint
b. serigraphy
Prints are generally less ________ than unique works by the same artist.
a. expensive
b. interesting
c. difficult
d. trouble
e. available
a. expensive
The working surface, or ________, of prints varies according to the printmaking technique.
a. matrix
b. flat
c. place
d. paper
e. hatching
a. matrix
The images in printmaking are usually rendered in ________.
a. paint
b. gesso
c. ink
d. watercolor
e. acid
c. ink
Unlike the case with other graphic processes, serigraphy images can be rendered in ________ as well as in ink.
a. tar
b. paint
c. stone
d. acid
e. color
b. paint
After the invention of the ________, woodcut assumed an important role in book illustration.
a. printing press
b. quill
c. copper plate
d. paper
e. burin
a. printing press
Engraving, drypoint, and etching are essentially ________ media.
a. tonal
b. linear
c. painting
d. printed
e. hatched
b. linear
Recently a serigraphic process called ________ silk-screen has been developed which allows the artist to create photographic images on a screen covered with a light-sensitive gel.
a. photo
b. serial
c. etched
d. stenciled
e. transfer
a. photo
The working surface of any printmaking process is called the matrix.
a. True
b. False
a. True
The earliest engravings printed on paper did not appear until the 17th century.
a. True
b. False
b. False
In serigraphy, stencils are used to create the design or image.
a. True
b. False
a. True
Printmaking was not possible before the invention of the printing press.
a. True
b. False
b. False
In etching, the metal plate is covered with a liquid, acid-resisting ground.
a. True
b. False
a. Tru
a. relief
b. intaglio
c. planographic
d. engraving
e. etching
a. relief
Engraving is a type of ________ process.
a. relief
b. intaglio
c. planographic
d. matrix
e. burin
b. intaglio
The wood engraving is considered what type of process?
a. etching
b. intaglio
c. laminated
d. burin
e. relief
e. relief
Drypoint printmaking is considered a(n) ________ process.
a. relief
b. intaglio
c. planographic
d. laminated
e. serigraph
b. intaglio
________ is the oldest form of printmaking.
a. Woodcut
b. Engraving
c. Etching
d. Drypoint
e. Serigraphy
a. Woodcut
Which printmaking process uses acid to make the lines?
a. woodcut
b. engraving
c. etching
d. serigraphy
e. wood engraving
c. etching
The printmaking process begins with a design or image made in or on a surface by hitting or pressing with a ________.
a. special ink
b. roller
c. tool
d. matrix
e. paper
c. tool
Printmaking processes are divided into four major categories: relief, intaglio, lithography, and ________.
a. engraving
b. serigraphy
c. drypoint
d. lithography
e. aquatint
b. serigraphy
Prints are generally less ________ than unique works by the same artist.
a. expensive
b. interesting
c. difficult
d. trouble
e. available
a. expensive
The working surface, or ________, of prints varies according to the printmaking technique.
a. matrix
b. flat
c. place
d. paper
e. hatching
a. matrix
The images in printmaking are usually rendered in ________.
a. paint
b. gesso
c. ink
d. watercolor
e. acid
c. ink
Unlike the case with other graphic processes, serigraphy images can be rendered in ________ as well as in ink.
a. tar
b. paint
c. stone
d. acid
e. color
b. paint
After the invention of the ________, woodcut assumed an important role in book illustration.
a. printing press
b. quill
c. copper plate
d. paper
e. burin
a. printing press
Engraving, drypoint, and etching are essentially ________ media.
a. tonal
b. linear
c. painting
d. printed
e. hatched
b. linear
Recently a serigraphic process called ________ silk-screen has been developed which allows the artist to create photographic images on a screen covered with a light-sensitive gel.
a. photo
b. serial
c. etched
d. stenciled
e. transfer
a. photo
The working surface of any printmaking process is called the matrix.
a. True
b. False
a. True
The earliest engravings printed on paper did not appear until the 17th century.
a. True
b. False
b. False
In serigraphy, stencils are used to create the design or image.
a. True
b. False
a. True
Printmaking was not possible before the invention of the printing press.
a. True
b. False
b. False
In etching, the metal plate is covered with a liquid, acid-resisting ground.
a. True
b. False
a. Tru
桑田岛
24楼
In writing about Un Chien Andalou (Fig. 10.38), Luis Buñuel claimed that his aims were to evoke instinctive reactions of attraction and glorification in the audience.
F
Muybridge
He proved that a galloping horse has all four feet off the ground at once during parts of the gallop.
Personae
Artist Cindy Sherman, a photographer and filmmaker, adopts diverse ________ for her work.
Social
The Grapes of Wrath (Fig. 10.36) is an example of film as ________ commentary.
True
(T/F) Migrant Mother (Fig. 10.12) was a product of Dorothea Lange's camera and the sponsorship of the Farm Security Administration, a U.S. government agency.
False
(T/F) Leni Riefenstahl made what is considered one of the greatest travelogue films of all time, Triumph of the Will (Fig. 10.34).
True
(T/F) While many American actors were embattled in Europe and the Pacific during World War II, Ronald Reagan was making films for the United States that depicted the valor of the Allied soldiers.
True
(T/F) As World War II was drawing to an end in Europe, photographer Margaret Bourke-White arrived at the Nazi concentration camp of Buchenwald in time for its liberation.
F
Muybridge
He proved that a galloping horse has all four feet off the ground at once during parts of the gallop.
Personae
Artist Cindy Sherman, a photographer and filmmaker, adopts diverse ________ for her work.
Social
The Grapes of Wrath (Fig. 10.36) is an example of film as ________ commentary.
True
(T/F) Migrant Mother (Fig. 10.12) was a product of Dorothea Lange's camera and the sponsorship of the Farm Security Administration, a U.S. government agency.
False
(T/F) Leni Riefenstahl made what is considered one of the greatest travelogue films of all time, Triumph of the Will (Fig. 10.34).
True
(T/F) While many American actors were embattled in Europe and the Pacific during World War II, Ronald Reagan was making films for the United States that depicted the valor of the Allied soldiers.
True
(T/F) As World War II was drawing to an end in Europe, photographer Margaret Bourke-White arrived at the Nazi concentration camp of Buchenwald in time for its liberation.
桑田岛
25楼
10
Photography
The word ________ is derived from Greek roots meaning, "to write with light."
Mobile
Film pioneer D. W. Griffith is credited with making the film camera ________.
Spaces
Telephoto lenses magnify faraway objects and tend to collapse the ________ between distant objects that recede from us.
Reversal
There are two basic kinds of color film: color ________ film and color negative film.
Muybridge
________ is credited with performing the first successful experiments in making motion pictures.
Niepce
The daguerreotype was an effort between two French inventors Daguerre and________.
Niépce
Bitumen or asphalt residue was used by________.
Narrative
In ________ editing multiple cameras are used during the progress of the same scene or story location-then shots are selected from various vantage points and projected in sequence.
Autochrome
In 1907, Louis Lumière introduced the ________ process.
Wegman
In which artist's photographs was his dog, Man Ray, a principal subject?
Sherman
Dress designers began to ask ________ to use their haute couture in her photographs.
Flash-Forward
In the ________, editing permits the audience glimpses of the future.
Photography
The word ________ is derived from Greek roots meaning, "to write with light."
Mobile
Film pioneer D. W. Griffith is credited with making the film camera ________.
Spaces
Telephoto lenses magnify faraway objects and tend to collapse the ________ between distant objects that recede from us.
Reversal
There are two basic kinds of color film: color ________ film and color negative film.
Muybridge
________ is credited with performing the first successful experiments in making motion pictures.
Niepce
The daguerreotype was an effort between two French inventors Daguerre and________.
Niépce
Bitumen or asphalt residue was used by________.
Narrative
In ________ editing multiple cameras are used during the progress of the same scene or story location-then shots are selected from various vantage points and projected in sequence.
Autochrome
In 1907, Louis Lumière introduced the ________ process.
Wegman
In which artist's photographs was his dog, Man Ray, a principal subject?
Sherman
Dress designers began to ask ________ to use their haute couture in her photographs.
Flash-Forward
In the ________, editing permits the audience glimpses of the future.
桑田岛
26楼
Metal
Metal has been used by sculptors for thousands of years. Metals have been cast, extruded, forged, stamped, drilled, filed, and burnished. The process of producing cast bronze sculptures has changed little over the centuries. But in recent years, artists have also assembled direct-metal sculptures by welding, riveting, and soldering. Modern adhesives have also made it possible to glue sections of metal together into three-dimensional constructions.
Different metals have different properties. Bronze, an alloy of copper, has been the most popular casting material because of its surface and color characteristics. Bronze surfaces can be made dull or glossy. Chemical treatments can produce colors ranging from greenish blacks to golden or deep browns. Because of oxidation, bronze and copper surfaces age to form rich green or greenish blue patinas.
Richard Serra has worked with steel, an alloy of iron, to create minimalist sculpture that expresses the physical properties and capabilities of his material. Like the site-specific work at Storm King Mountain ( Fig. 11.18 ), many of his works have been monumental in size and site specific. Serra’s steel surfaces grow more richly textured as time and oxidation work their effects upon them, serving as an apt metaphor for the effect on the visitor’s memory that the experience of the work might h
Metal has been used by sculptors for thousands of years. Metals have been cast, extruded, forged, stamped, drilled, filed, and burnished. The process of producing cast bronze sculptures has changed little over the centuries. But in recent years, artists have also assembled direct-metal sculptures by welding, riveting, and soldering. Modern adhesives have also made it possible to glue sections of metal together into three-dimensional constructions.
Different metals have different properties. Bronze, an alloy of copper, has been the most popular casting material because of its surface and color characteristics. Bronze surfaces can be made dull or glossy. Chemical treatments can produce colors ranging from greenish blacks to golden or deep browns. Because of oxidation, bronze and copper surfaces age to form rich green or greenish blue patinas.
Richard Serra has worked with steel, an alloy of iron, to create minimalist sculpture that expresses the physical properties and capabilities of his material. Like the site-specific work at Storm King Mountain ( Fig. 11.18 ), many of his works have been monumental in size and site specific. Serra’s steel surfaces grow more richly textured as time and oxidation work their effects upon them, serving as an apt metaphor for the effect on the visitor’s memory that the experience of the work might h
桑田岛
27楼
11
A pliable material, such as clay or wax, is shaped into a three-dimensional form in ________.
a. carving
b. modeling
c. casting
d. construction
e. assemblage
b. modeling
A liquid material is poured into a mold in which sculpture process?
a. casting
b. carving
c. construction
d. modeling
e. readymade
a. casting
The lost-wax technique pertains to which sculpture process?
a. carving
b. modeling
c. construction
d. casting
e. readymade
d. casting
Readymades invest an object with a new ________.
a. burnishing
b. idea
c. carved surface
d. patina
e. process
b. idea
With a ________________material is removed from the original, raw mass to define a figure or an image.
a. construction sculpture
b. modeling process
c. additive process
d. assemblage sculpture
e. subtractive process
e. subtractive process
With an ____________ material is added or built up to reach a desired form. These processes are linked to a wide variety of sculptural techniques.
a. additive process
b. subtractive process
c. modeling process
d. carving process
e. readymade sculpture
a. additive process
Michelangelo believed that the ________ process liberated forms that already existed.
a. carving
b. modeling
c. casting
d. assemblage
e. construction
a. carving
The term used in connection with sculptures that actually move is ________.
a. ecological
b. optical
c. mechanical
d. malleable
e. kinetic
e. kinetic
In the casting process__________ has been used most frequently because of its appealing surface and color characteristics.
a. plastic
b. charcoal
c. bronze
d. iron
e. concrete
c. bronze
Dan Flavin's untitled (Fig. 11.13) is a good example of ________ sculpture.
a. kinetic
b. light
c. Styrofoam
d. chocolate
e. bronze
b. light
Sheet metal is a common material in the sculpture technique called ________.
a. carving
b. construction
c. casting
d. modeling
e. mechanical
b. construction
A last step in the casting process after the projections are removed, the surface of the bronze is ______________.
a. gates
b. investiture
c. burnished
d. kiln
e. mold
c. burnished
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Sherrie Levine's Fountains after Duchamp (Fig. 11.8) is a series of urinals in ________.
a. bronze
b. styrofoam
c. porcelain
d. steel
e. marble
a. bronze
George Rickey's Five Open Squares Gyratory turn effortlessly ___________.
a. light
b. tossed stones
c. in light breezes
d. engines
e. heat
c. in light breezes
eorge Segal produced ghostlike replicas of ___________by means of plaster casts.
a. birds
b. human beings
c. appropriated statues
d. found objects
e. toys
b. human beings
Louise Bourgeois' Eyes (Fig. 11.14) is made from ________.
a. marble
b. wood
c. bronze
d. clay
e. found objects
a. marble
Sylvie Fleury uses consumer products such as___________ to make her sculptures.
a. yard
b. trash
c. styrofoam
d. paper
e. wood
c. styrofoam
Land art is site-specific work that is created or marked by an artist within natural surroundings. Examples of land art include
a. desert trenches and drawings
b. bulldozed configurations of earth and rock
c. compositions of ice, twigs, and leaves
d. all of the above
e. a and c only
d. all of the above
One of the most spectacular examples of land art that combines nature and man-made materials is ______________________.
a. The Gates, Central Park
b. Untitled from the "Volcano" series
c. The Lightning Field
d. all of the above
e. a and b only
c. The Lightning Field
In earthworks or land art, large amounts of earth or land are shaped into a sculpture.
a. True
b. False
a. True
Sculptors have always been concerned with the portrayal of movement, but kinetic sculptures actually move.
a. True
b. False
a. True
As bronze and copper sculptures age, the surface is affected by oxidation; the resulting surface alteration is called rust.
a. True
b. False
b. False
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The term ephemeral art is used specifically to describe works that have a temporal immediacy or are built with the recognition that they will disintegrate.
a. True
b. False
a. True
As with all of Christo and Jeanne-Claude's works of environmental art, every aspect of The Gates (Fig. 11.30) project was financed and fought for by the public.
a. True
b. False
b. False
A pliable material, such as clay or wax, is shaped into a three-dimensional form in ________.
a. carving
b. modeling
c. casting
d. construction
e. assemblage
b. modeling
A liquid material is poured into a mold in which sculpture process?
a. casting
b. carving
c. construction
d. modeling
e. readymade
a. casting
The lost-wax technique pertains to which sculpture process?
a. carving
b. modeling
c. construction
d. casting
e. readymade
d. casting
Readymades invest an object with a new ________.
a. burnishing
b. idea
c. carved surface
d. patina
e. process
b. idea
With a ________________material is removed from the original, raw mass to define a figure or an image.
a. construction sculpture
b. modeling process
c. additive process
d. assemblage sculpture
e. subtractive process
e. subtractive process
With an ____________ material is added or built up to reach a desired form. These processes are linked to a wide variety of sculptural techniques.
a. additive process
b. subtractive process
c. modeling process
d. carving process
e. readymade sculpture
a. additive process
Michelangelo believed that the ________ process liberated forms that already existed.
a. carving
b. modeling
c. casting
d. assemblage
e. construction
a. carving
The term used in connection with sculptures that actually move is ________.
a. ecological
b. optical
c. mechanical
d. malleable
e. kinetic
e. kinetic
In the casting process__________ has been used most frequently because of its appealing surface and color characteristics.
a. plastic
b. charcoal
c. bronze
d. iron
e. concrete
c. bronze
Dan Flavin's untitled (Fig. 11.13) is a good example of ________ sculpture.
a. kinetic
b. light
c. Styrofoam
d. chocolate
e. bronze
b. light
Sheet metal is a common material in the sculpture technique called ________.
a. carving
b. construction
c. casting
d. modeling
e. mechanical
b. construction
A last step in the casting process after the projections are removed, the surface of the bronze is ______________.
a. gates
b. investiture
c. burnished
d. kiln
e. mold
c. burnished
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Sherrie Levine's Fountains after Duchamp (Fig. 11.8) is a series of urinals in ________.
a. bronze
b. styrofoam
c. porcelain
d. steel
e. marble
a. bronze
George Rickey's Five Open Squares Gyratory turn effortlessly ___________.
a. light
b. tossed stones
c. in light breezes
d. engines
e. heat
c. in light breezes
eorge Segal produced ghostlike replicas of ___________by means of plaster casts.
a. birds
b. human beings
c. appropriated statues
d. found objects
e. toys
b. human beings
Louise Bourgeois' Eyes (Fig. 11.14) is made from ________.
a. marble
b. wood
c. bronze
d. clay
e. found objects
a. marble
Sylvie Fleury uses consumer products such as___________ to make her sculptures.
a. yard
b. trash
c. styrofoam
d. paper
e. wood
c. styrofoam
Land art is site-specific work that is created or marked by an artist within natural surroundings. Examples of land art include
a. desert trenches and drawings
b. bulldozed configurations of earth and rock
c. compositions of ice, twigs, and leaves
d. all of the above
e. a and c only
d. all of the above
One of the most spectacular examples of land art that combines nature and man-made materials is ______________________.
a. The Gates, Central Park
b. Untitled from the "Volcano" series
c. The Lightning Field
d. all of the above
e. a and b only
c. The Lightning Field
In earthworks or land art, large amounts of earth or land are shaped into a sculpture.
a. True
b. False
a. True
Sculptors have always been concerned with the portrayal of movement, but kinetic sculptures actually move.
a. True
b. False
a. True
As bronze and copper sculptures age, the surface is affected by oxidation; the resulting surface alteration is called rust.
a. True
b. False
b. False
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The term ephemeral art is used specifically to describe works that have a temporal immediacy or are built with the recognition that they will disintegrate.
a. True
b. False
a. True
As with all of Christo and Jeanne-Claude's works of environmental art, every aspect of The Gates (Fig. 11.30) project was financed and fought for by the public.
a. True
b. False
b. False
桑田岛
28楼
12
_______ is very strong and durable and is therefore commonly used for cookware, dinnerware, and much ceramic sculpture.
a. Earthenware
b. Terra-cotta
c. Stoneware
d. Porcelain
e. Bisque
c. Stoneware
___________is hard, nonporous, and usually white or gray in color. It is made from minerals such as feldspar, quartz, and flint in various proportions.
a. Earthenware
b. Terra-cotta
c. Stoneware
d. Porcelain
e. Bisque
d. Porcelain
________ hard-baked red clay that has been fired at higher temperatures is used to create pottery, sculpture, building bricks, tile roofs, and architectural ornamentation with a characteristic reddish-brown hue.
a. Earthenware
b. Terra-cotta
c. Stoneware
d. Porcelain
e. Bisque
b. Terra-cotta
The basic recipe for making glass ________.
a. is extremely complicated
b. could not have been accomplished before the
18th century
c. is quite simple
d. was invented by Charles Glass between 1790
and 1892
e. has its start in the Gothic cathedrals
c. is quite simple
Molten glass can be modeled, pressed, ________, blown, and even spun into threads.
a. thrown on a wheel
b. rolled
c. eaten
d. carved
e. hatched
b. rolled
Fiberglass can be ________.
a. woven
b. used as paint
c. rolled
d. thrown on a wheel
e. quilted
a. woven
An early example of glassware is the Portland Vase (Fig. 12.14), which ________.
a. is in a museum in Oregon
b. is made of glazed ceramic
c. was created by a skilled Greek glassblower
d. was made by a skilled Roman glassblower
e. was created by a Phoenician glassblower
d. was made by a skilled Roman glassblower
Sandwich glass was pressed into molds to take on the appearance of ________.
a. a deli sandwich
b. porcelain
c. carved glass
d. basketry from the Sandwich Islands
e. Venetian glass
c. carved glass
During the second half of the nineteenth century, the name of Louis Comfort Tiffany became synonymous with expert handling of glass as a medium.
a. Maria Martinez
b. Louis Comfort Tiffany
c. Faith Ringgold
d. Kiff Slemmons
e. Dale Chihuly
b. Louis Comfort Tiffany
The strongest and simplest of weaves is the ________.
a. plain weave
b. satin weave
c. twill weave
d. pile weaving
e. reverse weave
a. plain weave
Loops or knots are tied and the ends are cut to make an even surface in a ________.
a. plain weave
b. satin weave
c. twill weave
d. pile weaving
e. reverse weave
d. pile weaving
Warp and woof form broken diagonal patterns in a ________.
a. plain weave
b. satin weave
c. twill weave
d. pile weaving
e. reverse weave
c. twill weave
Applications of wax prevent the dye from coloring sections of the fabric in ________.
a. printing
b. embroidery
c. tie-dyeing
d. weaving
e. batik
e. batik
In ________, a design is applied to cloth with a carved wooden block that has been inked.
a. printing
b. embroidery
c. tie-dyeing
d. batik
e. weaving
a. printing
In ________ the design is made by needlework.
a. printing
b. embroidery
c. tie-dyeing
d. batik
e. weaving
b. embroidery
Sewing or tying folds in the cloth prevents dye from coloring certain sections of the fabric when using ________.
a. printing
b. embroidery
c. tie-dyeing
d. batik
e. weaving
c. tie-dyeing
To achieve hard, durable, and waterproof vessels, clay must be exposed to heat or fire.
a. True
b. False
a. True
Dry glazes cannot be used on clay, but liquid glazes can be brushed, sprayed, poured, or spattered onto the surface.
a. True
b. False
b. False
In glass blowing, air is blown through the tube, causing the hot glass to expand to form a spherical bubble whose contours are shaped through rolling and pulling with various tools.
a. True
b. False
a. True
Native American weaver Dorica Jackson, using a power loom wove the Alaskan Chilkat robe, illustrated in this chapter.
a. True
b. False
b. False
The nose ornament from Peru was fashioned of gold, silver, and turquoise inlay.
a. True
b. False
a. True
_______ is very strong and durable and is therefore commonly used for cookware, dinnerware, and much ceramic sculpture.
a. Earthenware
b. Terra-cotta
c. Stoneware
d. Porcelain
e. Bisque
c. Stoneware
___________is hard, nonporous, and usually white or gray in color. It is made from minerals such as feldspar, quartz, and flint in various proportions.
a. Earthenware
b. Terra-cotta
c. Stoneware
d. Porcelain
e. Bisque
d. Porcelain
________ hard-baked red clay that has been fired at higher temperatures is used to create pottery, sculpture, building bricks, tile roofs, and architectural ornamentation with a characteristic reddish-brown hue.
a. Earthenware
b. Terra-cotta
c. Stoneware
d. Porcelain
e. Bisque
b. Terra-cotta
The basic recipe for making glass ________.
a. is extremely complicated
b. could not have been accomplished before the
18th century
c. is quite simple
d. was invented by Charles Glass between 1790
and 1892
e. has its start in the Gothic cathedrals
c. is quite simple
Molten glass can be modeled, pressed, ________, blown, and even spun into threads.
a. thrown on a wheel
b. rolled
c. eaten
d. carved
e. hatched
b. rolled
Fiberglass can be ________.
a. woven
b. used as paint
c. rolled
d. thrown on a wheel
e. quilted
a. woven
An early example of glassware is the Portland Vase (Fig. 12.14), which ________.
a. is in a museum in Oregon
b. is made of glazed ceramic
c. was created by a skilled Greek glassblower
d. was made by a skilled Roman glassblower
e. was created by a Phoenician glassblower
d. was made by a skilled Roman glassblower
Sandwich glass was pressed into molds to take on the appearance of ________.
a. a deli sandwich
b. porcelain
c. carved glass
d. basketry from the Sandwich Islands
e. Venetian glass
c. carved glass
During the second half of the nineteenth century, the name of Louis Comfort Tiffany became synonymous with expert handling of glass as a medium.
a. Maria Martinez
b. Louis Comfort Tiffany
c. Faith Ringgold
d. Kiff Slemmons
e. Dale Chihuly
b. Louis Comfort Tiffany
The strongest and simplest of weaves is the ________.
a. plain weave
b. satin weave
c. twill weave
d. pile weaving
e. reverse weave
a. plain weave
Loops or knots are tied and the ends are cut to make an even surface in a ________.
a. plain weave
b. satin weave
c. twill weave
d. pile weaving
e. reverse weave
d. pile weaving
Warp and woof form broken diagonal patterns in a ________.
a. plain weave
b. satin weave
c. twill weave
d. pile weaving
e. reverse weave
c. twill weave
Applications of wax prevent the dye from coloring sections of the fabric in ________.
a. printing
b. embroidery
c. tie-dyeing
d. weaving
e. batik
e. batik
In ________, a design is applied to cloth with a carved wooden block that has been inked.
a. printing
b. embroidery
c. tie-dyeing
d. batik
e. weaving
a. printing
In ________ the design is made by needlework.
a. printing
b. embroidery
c. tie-dyeing
d. batik
e. weaving
b. embroidery
Sewing or tying folds in the cloth prevents dye from coloring certain sections of the fabric when using ________.
a. printing
b. embroidery
c. tie-dyeing
d. batik
e. weaving
c. tie-dyeing
To achieve hard, durable, and waterproof vessels, clay must be exposed to heat or fire.
a. True
b. False
a. True
Dry glazes cannot be used on clay, but liquid glazes can be brushed, sprayed, poured, or spattered onto the surface.
a. True
b. False
b. False
In glass blowing, air is blown through the tube, causing the hot glass to expand to form a spherical bubble whose contours are shaped through rolling and pulling with various tools.
a. True
b. False
a. True
Native American weaver Dorica Jackson, using a power loom wove the Alaskan Chilkat robe, illustrated in this chapter.
a. True
b. False
b. False
The nose ornament from Peru was fashioned of gold, silver, and turquoise inlay.
a. True
b. False
a. True
桑田岛
29楼
Pendentives would be found as part of ________.
a. post-and-lintel construction
b. an arch
c. a dome
d. piers
e. veneers
c. a dome
In ________ construction two uprights support a horizontal piece.
a. dome
b. arch
c. vault
d. post-and-lintel
e. pier
d. post-and-lintel
Falling Water (Fig. 13.18), the popular name of a house designed by Frank Lloyd Wright, is properly called the ________.
a. Lever House
b. Griswold House
c. Kaufmann House
d. Farnsworth House
e. Robie House
c. Kaufmann House
Stonehenge (Fig. 14.3), the Temple of Amen-Re in Egypt (Fig. 13.4), and the Parthenon (Fig. 15.9) in Greece were all built using which of the following techniques?
a. post-and-lintel
b. truss
c. vaulting
d. truss
e. dome
a. post-and-lintel
Ribs are a feature of which of the following?
a. post-and-lintel
b. arch
c. vault
d. truss
e. dome
c. vault
Lengths of wood, iron, or steel pieced together in triangular shapes in order to expand the abilities of these materials to span distances best fits which of the following?
a. post-and-beam construction
b. truss construction
c. balloon framing
d. barrel vaulting
e. groin vault
b. truss construction
The wedge-shaped blocks of stone in an arch are called ________.
a. keystones
b. centering
c. trusses
d. centering
e. voussoirs
e. voussoirs
Vertical and horizontal timbers are pieced together (similar to post-and-lintel) in which of the following types of construction?
a. post -and beam
b. truss
c. balloon framing
d. dry masonry
e. pendentives
a. post -and beam
A product of the industrial revolution, dates back to the beginning of the twentieth century is called____________________.
a. shell architecture
b. post-and-beam construction
c. balloon framing
d. dry masonry
e. prefab
c. balloon framing
Which of the following is a lightweight replacement for masonry domes?
a. cast-iron
b. reinforced concrete
c. shell architecture
d. post and lintel
e. pilaster
c. shell architecture
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Which of the following techniques is based on riveted, welded I-beams?
a. steel cage
b. reinforced concrete
c. steel cable
d. pilaster
e. ferro concrete
a. steel cage
A flying buttress would most likely be found on a ________.
a. Roman temple
b. Romanesque church
c. Gothic cathedral
d. Greek temple
e. Native American temple
c. Gothic cathedral
The first material to allow the erection of tall buildings with relatively slender walls was ________.
a. cast iron
b. reinforced concrete
c. steel cable
d. steel cage
e. wood
a. cast iron
Many parallel wires share the stress of support in which of the following techniques?
a. cast iron
b. reinforced concrete
c. steel cable
d. ferro concrete
e. siding
c. steel cable
Dry masonry is stone construction without the benefit of ________.
a. mortar
b. planning
c. large stones
d. wood frames
e. veneers
a. mortar
The Eiffel Tower (Fig. 13.13) and the Crystal Palace (Fig. 13.12) are early examples of which of the following techniques?
a. cast-iron
b. reinforced concrete
c. steel cable
d. steel cage
e. vault technology
a. cast-iron
At Mesa Verde, Colorado, circular, underground ________ served as community centers for early Native American inhabitants.
a. cafes
b. kivas
c. caves
d. temples
e. storage
b. kivas
Arches have many functions, including supporting other structures and serving as actual and symbolic ________.
a. arches
b. floors
c. gateways
d. areas of worship
e. buildings
c. gateways
The new towns of the Roman Empire were laid out largely on a circular grid.
a. True
b. False
b. False
Very early humans found rather than built their shelters.
a. True
b. False
a. True
Architecture is a branch of engineering and not one of the arts.
a. True
b. False
b. False
Steel cable is also flexible, allowing the roadway beneath to sway, within limits, in response to changing weather and traffic conditions.
a. True
b. False
a. True
Reinforced concrete cannot span greater distances than stone, and does not support more weight than steel.
a. True
b. False
b. False
a. post-and-lintel construction
b. an arch
c. a dome
d. piers
e. veneers
c. a dome
In ________ construction two uprights support a horizontal piece.
a. dome
b. arch
c. vault
d. post-and-lintel
e. pier
d. post-and-lintel
Falling Water (Fig. 13.18), the popular name of a house designed by Frank Lloyd Wright, is properly called the ________.
a. Lever House
b. Griswold House
c. Kaufmann House
d. Farnsworth House
e. Robie House
c. Kaufmann House
Stonehenge (Fig. 14.3), the Temple of Amen-Re in Egypt (Fig. 13.4), and the Parthenon (Fig. 15.9) in Greece were all built using which of the following techniques?
a. post-and-lintel
b. truss
c. vaulting
d. truss
e. dome
a. post-and-lintel
Ribs are a feature of which of the following?
a. post-and-lintel
b. arch
c. vault
d. truss
e. dome
c. vault
Lengths of wood, iron, or steel pieced together in triangular shapes in order to expand the abilities of these materials to span distances best fits which of the following?
a. post-and-beam construction
b. truss construction
c. balloon framing
d. barrel vaulting
e. groin vault
b. truss construction
The wedge-shaped blocks of stone in an arch are called ________.
a. keystones
b. centering
c. trusses
d. centering
e. voussoirs
e. voussoirs
Vertical and horizontal timbers are pieced together (similar to post-and-lintel) in which of the following types of construction?
a. post -and beam
b. truss
c. balloon framing
d. dry masonry
e. pendentives
a. post -and beam
A product of the industrial revolution, dates back to the beginning of the twentieth century is called____________________.
a. shell architecture
b. post-and-beam construction
c. balloon framing
d. dry masonry
e. prefab
c. balloon framing
Which of the following is a lightweight replacement for masonry domes?
a. cast-iron
b. reinforced concrete
c. shell architecture
d. post and lintel
e. pilaster
c. shell architecture
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Which of the following techniques is based on riveted, welded I-beams?
a. steel cage
b. reinforced concrete
c. steel cable
d. pilaster
e. ferro concrete
a. steel cage
A flying buttress would most likely be found on a ________.
a. Roman temple
b. Romanesque church
c. Gothic cathedral
d. Greek temple
e. Native American temple
c. Gothic cathedral
The first material to allow the erection of tall buildings with relatively slender walls was ________.
a. cast iron
b. reinforced concrete
c. steel cable
d. steel cage
e. wood
a. cast iron
Many parallel wires share the stress of support in which of the following techniques?
a. cast iron
b. reinforced concrete
c. steel cable
d. ferro concrete
e. siding
c. steel cable
Dry masonry is stone construction without the benefit of ________.
a. mortar
b. planning
c. large stones
d. wood frames
e. veneers
a. mortar
The Eiffel Tower (Fig. 13.13) and the Crystal Palace (Fig. 13.12) are early examples of which of the following techniques?
a. cast-iron
b. reinforced concrete
c. steel cable
d. steel cage
e. vault technology
a. cast-iron
At Mesa Verde, Colorado, circular, underground ________ served as community centers for early Native American inhabitants.
a. cafes
b. kivas
c. caves
d. temples
e. storage
b. kivas
Arches have many functions, including supporting other structures and serving as actual and symbolic ________.
a. arches
b. floors
c. gateways
d. areas of worship
e. buildings
c. gateways
The new towns of the Roman Empire were laid out largely on a circular grid.
a. True
b. False
b. False
Very early humans found rather than built their shelters.
a. True
b. False
a. True
Architecture is a branch of engineering and not one of the arts.
a. True
b. False
b. False
Steel cable is also flexible, allowing the roadway beneath to sway, within limits, in response to changing weather and traffic conditions.
a. True
b. False
a. True
Reinforced concrete cannot span greater distances than stone, and does not support more weight than steel.
a. True
b. False
b. False
桑田岛
30楼
Classical
The Parthenon in Athens is an example of the _________ style of architecture.
Hellenistic
Theatricality in sculpture is a characteristic of the __________ period.
Classical
Polykleito's canon of proportions was developed in the ________ period.
Early Classical
Myron's Discobulus (Discus Thrower) was one of the most widely copied works of the _________ period.
Late Classical
Hermes and Dionysus by Praxiteles is an undisputed work of the _________ era.
Archaic
The François Vase is from the _________ period.
Sculpture
The weight-shift principle in __________ created a diagonal balance across the body.
Black
The reducing phase in vase painting creates the _________ figures.
Architecture
Stylobate is used in _________ as a support or base.
Sculpture
S curve results from double weight shift and enhanced a naturalistic effect in __________.
In vase painting
A volute krater is usually divided to help depict scenes ___________.
Metopes
The Doric frieze is divided vertically into compartments called __________.
Aqueduct
A Roman engineering device used to carry water over long distances was called a(n) __________.
Oculus
The sole source of light in the Pantheon is its __________.
Idealism
During the Empire period of Roman history, the pure realism of Republican portrait busts was modified toward something akin to Greek _________.
Equestrian
A(n) ___________ portrait shows the person on horseback.
Doric, Ionic, Corinthian
There were three styles, or orders, in Greek architecture ___________.
Naturalistic
The Late Classical period of Greek art brought a more humanistic and __________ style.
Lysippos
___________ was court sculptor to Alexander the Great.
Alexander the Great
Greek art entered the Hellenistic period under the reign of __________.
Severe
The Early Classical style of Greek art is sometimes called the __________ style.
Domestic dwellings
The interiors of Etruscan tombs were constructed to resemble ____________.
True
The representations of firms according to an accepted notion of beauty or perfection is called idealism.
True
The swelling of the shaft of a column is called entasis.
True
In the Hermes and Dionysus by Praxiteles, we see use of a double weight-shift principle that results in a stance known as an S-curve.
False
In Roman portraiture we see Rome's unique contributions to the arts--that of idealism.
True
At the same time that the Roman Republic ruled in the West, the Qin Dynasty of China--under the First Emperor of Qin, Shi Huangdi--emerged as a dominant power in the East.
The Parthenon in Athens is an example of the _________ style of architecture.
Hellenistic
Theatricality in sculpture is a characteristic of the __________ period.
Classical
Polykleito's canon of proportions was developed in the ________ period.
Early Classical
Myron's Discobulus (Discus Thrower) was one of the most widely copied works of the _________ period.
Late Classical
Hermes and Dionysus by Praxiteles is an undisputed work of the _________ era.
Archaic
The François Vase is from the _________ period.
Sculpture
The weight-shift principle in __________ created a diagonal balance across the body.
Black
The reducing phase in vase painting creates the _________ figures.
Architecture
Stylobate is used in _________ as a support or base.
Sculpture
S curve results from double weight shift and enhanced a naturalistic effect in __________.
In vase painting
A volute krater is usually divided to help depict scenes ___________.
Metopes
The Doric frieze is divided vertically into compartments called __________.
Aqueduct
A Roman engineering device used to carry water over long distances was called a(n) __________.
Oculus
The sole source of light in the Pantheon is its __________.
Idealism
During the Empire period of Roman history, the pure realism of Republican portrait busts was modified toward something akin to Greek _________.
Equestrian
A(n) ___________ portrait shows the person on horseback.
Doric, Ionic, Corinthian
There were three styles, or orders, in Greek architecture ___________.
Naturalistic
The Late Classical period of Greek art brought a more humanistic and __________ style.
Lysippos
___________ was court sculptor to Alexander the Great.
Alexander the Great
Greek art entered the Hellenistic period under the reign of __________.
Severe
The Early Classical style of Greek art is sometimes called the __________ style.
Domestic dwellings
The interiors of Etruscan tombs were constructed to resemble ____________.
True
The representations of firms according to an accepted notion of beauty or perfection is called idealism.
True
The swelling of the shaft of a column is called entasis.
True
In the Hermes and Dionysus by Praxiteles, we see use of a double weight-shift principle that results in a stance known as an S-curve.
False
In Roman portraiture we see Rome's unique contributions to the arts--that of idealism.
True
At the same time that the Roman Republic ruled in the West, the Qin Dynasty of China--under the First Emperor of Qin, Shi Huangdi--emerged as a dominant power in the East.
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31楼
Early Medieval
The Lindisfarne Gospels are from the _________ period.
Romanesque
An example of _________ architecture, St. Sernin, Toulouse is composed of blocky forms.
Early Christian
The basilica form of Old St. Peter's in Rome is characteristic of __________ architecture.
Byzantine
The _________ Church San Vitale, Ravenna, has a central plan.
Early Medieval
The great "Barbarian Migrations" influenced _________ art.
Gothic
The ________ Cathedral of Chartres has a three-level wall elevation.
Early Medieval
Ottonian Period was a period of the _________ era.
Narthex
A portal, or series of portals, leading to the interior of the church is called a(n) __________.
Apse
The _________ is a semicircular projection at the eastern end of a church.
Transept
A crossing arm at the eastern end of a church, the _________ was often extended in length to resemble a cross.
Nave
The _________ is the long central aisle of a church.
Gothic
The ________ style made extensive use of the pointed arch.
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Gothic
Flying buttresses are found on _________ style architecture.
Romanesque
The rectangular bay system is a development of the _________ style.
Women
The Bayeux Tapestry was almost certainly created by a team of _________ on the commission of Odo, the Bishop of Bayeux.
Istanbul
When Constantine moved his capital to the eastern port city of Byzantium, the city became known as Constantinople; today the city is called _________.
Aachen
Charlemagne established his court at _________, a western German city on the border of present-day Belgium.
San Vitale
Charlemagne's Palatine Chapel has a design that was inspired by Roman architecture and by the Byzantine church of __________ in Ravenna.
Redemption
If the chief iconographic theme of Romanesque sculpture had been damnation, the chief Gothic theme was __________.
Windows
Although the dome of Hagia Sophia is massive, it appears to be light and graceful due to the placement of a ring of _________ at its base.
True
The figures of Mary and Elizabeth on the west portals of Reims Cathedral display a stance called contrapposto.
True
The term Gothic originated among historians who believed that the Goths were responsible for the style of the period.
True
Many works of Christian art from the Early Middle Ages combine characteristics of the small carvings and metalwork of these warrior tribes with symbols of the Christian Faith.
False
The Romanesque style appeared in the closing decades of the tenth century.
False
Hinduism combines ritualized worship of one god with an intellectual tradition that tries to comprehend the meaning of people and the cosmos.
The Lindisfarne Gospels are from the _________ period.
Romanesque
An example of _________ architecture, St. Sernin, Toulouse is composed of blocky forms.
Early Christian
The basilica form of Old St. Peter's in Rome is characteristic of __________ architecture.
Byzantine
The _________ Church San Vitale, Ravenna, has a central plan.
Early Medieval
The great "Barbarian Migrations" influenced _________ art.
Gothic
The ________ Cathedral of Chartres has a three-level wall elevation.
Early Medieval
Ottonian Period was a period of the _________ era.
Narthex
A portal, or series of portals, leading to the interior of the church is called a(n) __________.
Apse
The _________ is a semicircular projection at the eastern end of a church.
Transept
A crossing arm at the eastern end of a church, the _________ was often extended in length to resemble a cross.
Nave
The _________ is the long central aisle of a church.
Gothic
The ________ style made extensive use of the pointed arch.
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Gothic
Flying buttresses are found on _________ style architecture.
Romanesque
The rectangular bay system is a development of the _________ style.
Women
The Bayeux Tapestry was almost certainly created by a team of _________ on the commission of Odo, the Bishop of Bayeux.
Istanbul
When Constantine moved his capital to the eastern port city of Byzantium, the city became known as Constantinople; today the city is called _________.
Aachen
Charlemagne established his court at _________, a western German city on the border of present-day Belgium.
San Vitale
Charlemagne's Palatine Chapel has a design that was inspired by Roman architecture and by the Byzantine church of __________ in Ravenna.
Redemption
If the chief iconographic theme of Romanesque sculpture had been damnation, the chief Gothic theme was __________.
Windows
Although the dome of Hagia Sophia is massive, it appears to be light and graceful due to the placement of a ring of _________ at its base.
True
The figures of Mary and Elizabeth on the west portals of Reims Cathedral display a stance called contrapposto.
True
The term Gothic originated among historians who believed that the Goths were responsible for the style of the period.
True
Many works of Christian art from the Early Middle Ages combine characteristics of the small carvings and metalwork of these warrior tribes with symbols of the Christian Faith.
False
The Romanesque style appeared in the closing decades of the tenth century.
False
Hinduism combines ritualized worship of one god with an intellectual tradition that tries to comprehend the meaning of people and the cosmos.
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32楼
Jan Van Eyck
Giovanni arnolfini and his bride was painted by _______
Robert campin
The merode alter piece was painted by _______
Jan van Eyck
_______ created a genre painting about a marriage.
Italian renaissance
Sandro botticelli was a(n) __________ painter known for the birth of venus
Mannerisms
A representative of the _________, jacopo pontormo used most of its style principles
Northern renaissance
The _________ artist Albrecht durer traveled extensively
Matthias Grunewald
Which artist painted the Isenheim Alterpiece one of the most dramatic in the history of art?
Donatello
This artist was the first to create sculptures that combined classicism with realism
Michelangelo
The famed ceiling that is the vault of the chapel of pope sixtus IV was painted by ______________
Leonardo da vinci
______________ excelled at everything; his capabilities in engineering, the natural sciences music, and the arts seemed unlimited.
Piero della francesca
________ was trained in mathematics and is credited with writing the first theoretical treatise on the construction of systematic perspective in art.
Raphael
The school of athens was painted by_______
Titian
A venetian master, ____________ had more in common with artists who would follow him than with his renaissance contemporaries in Florence and Rome
Florence
The early italian renaissance took root and flourished most successfully in the city of ___________
Botticelli
During the latter years of the 15th century in italy, a painter whose work stands in opposition to the prevailing trends was _________, a master of line
Alberti
Some of the purest examples of renaissance classicism lie in The buildings this designed by ______
Orthogonal's
In Leonardo's last supper the viewer is first attracted to the central triangular form of Jesus by _________ that coverage at the head of Jesus
Closed
As was the case and Donatello's David Michael Angelos version was conceived of as a ____________ form
Glazing
Titians venus of urbino is one of the most beautiful examples of the oil _______ technique
Titoretto
Perhaps no other venetian artist anticipated the Baroque style as strongly as __________
Mannerism
During the latter 16th century some Italian artist took the ideals of the high renaissance and turned them around creating the style called _______
International style
Which was a manner of painting common throughout Europe in the late 14th and early 15th centuries?
Printing press
The development of the ___________ made it possible for a durer to disseminate the works of the Italian masters throughout northern Europe
Roman
Florence and Rome witnessed a resurgence of classicism as __________ ruins were excavated in ancient sites
Verrocchio
Leonardo Divinci along with other young artists worked in the shop ran by _________, and innovative sculptor
True
T/F Flanders corresponds to modern day Belgium and the Netherlands
False he assimilated from Leonardo da Vinci
T/F Rafe Al clearly assimilated lessons from the older hi Renaissance artist El Greco
True
T/F the competition for the doors of the baptistery or Florence specified that artists use the Quaterfoil format
True
T/F Piero Della Francescas resurrectiom reveals the artists obsession with order and geometry
True
T/F Brunelleschi was one of the pioneers and the development of systematic laws of one point linear perspective
Giovanni arnolfini and his bride was painted by _______
Robert campin
The merode alter piece was painted by _______
Jan van Eyck
_______ created a genre painting about a marriage.
Italian renaissance
Sandro botticelli was a(n) __________ painter known for the birth of venus
Mannerisms
A representative of the _________, jacopo pontormo used most of its style principles
Northern renaissance
The _________ artist Albrecht durer traveled extensively
Matthias Grunewald
Which artist painted the Isenheim Alterpiece one of the most dramatic in the history of art?
Donatello
This artist was the first to create sculptures that combined classicism with realism
Michelangelo
The famed ceiling that is the vault of the chapel of pope sixtus IV was painted by ______________
Leonardo da vinci
______________ excelled at everything; his capabilities in engineering, the natural sciences music, and the arts seemed unlimited.
Piero della francesca
________ was trained in mathematics and is credited with writing the first theoretical treatise on the construction of systematic perspective in art.
Raphael
The school of athens was painted by_______
Titian
A venetian master, ____________ had more in common with artists who would follow him than with his renaissance contemporaries in Florence and Rome
Florence
The early italian renaissance took root and flourished most successfully in the city of ___________
Botticelli
During the latter years of the 15th century in italy, a painter whose work stands in opposition to the prevailing trends was _________, a master of line
Alberti
Some of the purest examples of renaissance classicism lie in The buildings this designed by ______
Orthogonal's
In Leonardo's last supper the viewer is first attracted to the central triangular form of Jesus by _________ that coverage at the head of Jesus
Closed
As was the case and Donatello's David Michael Angelos version was conceived of as a ____________ form
Glazing
Titians venus of urbino is one of the most beautiful examples of the oil _______ technique
Titoretto
Perhaps no other venetian artist anticipated the Baroque style as strongly as __________
Mannerism
During the latter 16th century some Italian artist took the ideals of the high renaissance and turned them around creating the style called _______
International style
Which was a manner of painting common throughout Europe in the late 14th and early 15th centuries?
Printing press
The development of the ___________ made it possible for a durer to disseminate the works of the Italian masters throughout northern Europe
Roman
Florence and Rome witnessed a resurgence of classicism as __________ ruins were excavated in ancient sites
Verrocchio
Leonardo Divinci along with other young artists worked in the shop ran by _________, and innovative sculptor
True
T/F Flanders corresponds to modern day Belgium and the Netherlands
False he assimilated from Leonardo da Vinci
T/F Rafe Al clearly assimilated lessons from the older hi Renaissance artist El Greco
True
T/F the competition for the doors of the baptistery or Florence specified that artists use the Quaterfoil format
True
T/F Piero Della Francescas resurrectiom reveals the artists obsession with order and geometry
True
T/F Brunelleschi was one of the pioneers and the development of systematic laws of one point linear perspective
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33楼
This artist reconciled the divergent styles of harsh Classical and the vibrant Baroque.
a. élisabeth Vigée-Lebrun
b. Nicolas Poussin
c. Caravaggio
d. Jean-Honoré Fragonard
e. Peter Paul Rubens
Nicolas Poussin
Elisabeth Vigée-Lebrun, a(n) ________ artist, was a sucess during her lifetime and was the portrait painter for Marie Antoinette.
a. Flemish
b. Austrian
c. French
d. Dutch
e. Spanish
French
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Caravaggio, a(n) ________ artist, demonstrated theatrical drama and passion in his paintings.
a. Flemish
b. Italian
c. French
d. Dutch
e. Spanish
Italian
Peter Paul Rubens, a(n) ________ artist, created canvases imbued with the dynamic energy and unleashed passions we link to the Baroque era.
a. Flemish
b. Italian
c. French
d. Dutch
e. Spanish
Flemish
This artist painted many pictures of Judith and Holofernes; in some the violence is graphic.
a. Gianlorenzo Bernini
b. Francesco Borromini
c. Artemisia Gentileschi
d. Baciccio
e. Carravagio
Artemisia Gentileschi
Diego Velázquez had contempt for idealized images and preferred to use common folk in his paintings like Caravaggio. Velázquez painted in ________.
a. Flanders
b. Italy
c. France
d. Holland
e. Spain
Spain
Which architect incorporated the Baroque elements of motion, space, and light in buildings?
a. Jules Harduin-Mansart
b. Francesco Borromini
c. Artemisia Gentileschi
d. Baciccio
e. Carlo Maderno
Francesco Borromini
The palace at Versailles is built in a Classical style and is in ________.
a. Flanders
b. Italy
c. France
d. Holland
e. Spain
France
Diego Velázquez's method of creating dissolving forms and recreating the play of light on the surface of objects is the foundation for ________.
a. Classicism
b. Modernism
c. Impressionism
d. Rocco
e. Baroque
Impressionism
Because ________ was Protestant, Rembrandt painted secular subjects.
a. Flanders
b. Italy
c. France
d. Holland
e. Spain
Holland
Nicolas Poussin was a(n) ________ artist who spent much of his early years in Rome painting.
a. Flemish
b. Italian
c. French
d. Dutch
e. Spanish
French
Tenebrism was created during the ________ period.
a. Rococo
b. Roman
c. Classical
d. Renaissance
e. Baroque
Baroque
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The Piazza of St. Peter's (Fig. 17-2) is an example of ________ style of architecture.
a. Rococo
b. Hellenistic
c. Mannerist
d. Renaissance
e. Baroque
Baroque
Church of San Carlo alle Quattro Fontane (Fig. 17-14) in Rome is a ________ style church.
a. Rococo
b. Hellenistic
c. Classical
d. Renaissance
e. Baroque
Baroque
The Italian Baroque artist who acquired a lengthy police record for such things as attacking a man with a sword, carrying weapons without a permit, and breaking windows was ________.
a. Caravaggio
b. Rubens
c. Borromini
d. Gentileschi
e. Bernini
Caravaggio
Rubens' style combined the sculptural qualities of ________'s figures with the painterliness and coloration of the Venetians.
a. Borromini
b. Gentileschi
c. Bernini
d. Michelangelo
e. Donatello
Michelangelo
Louis XIV preferred a ________ style of art.
a. Italian Baroque
b. Hellenistic
c. Roman
d. Classical
e. Rococo
Classical
St. Peter's in Rome (Fig. 17-2) brings together work of the finest artists of both the Renaissance and the Baroque, Michelangelo and ________.
a. Poussin
b. Carravagio
c. Borromini
d. Maderno
e. Bernini
Bernini
In Jean-Honoré Fragonard's Happy Accidents of the Swing (Fig. 17-24), we are offered a glimpse of the love games of the ________.
a. religious
b. leisure class
c. working
d. artistic
e. secular
leisure class
If there is a single artist who typifies the Dutch interest in paintings of scenes of daily life, it is ________.
a. Rubens
b. Poussin
c. Vigée-Lebrun
d. Rembrandt
e. Vermeer
Vermeer
Louis XIV guaranteed adherence to his favorite style by forming ________ of art that perpetuated this style.
a. rules
b. clubs
c. requirements
d. academies
e. memberships
academies
While the typical Renaissance ceiling painting was stable--organized by compartments or "frames"—during the Baroque, artists such as Baciccio attempted to create the illusion of a ceiling vault ________ to the heavens.
a. open
b. similar to the Romans
c. with stairs
d. closed
e. that had ladders
open
The Baroque period spans roughly the years from ________.
a. 1600 to 1650
b. 1750 to 1800
c. 1650 to 1700
d. 1600 to 1750
e. 1500 to 1600
1600 to 1750
The word Baroque probably derives from the Portuguese barroco, meaning ________.
a. irregularly shaped pearl
b. genius
c. barracks
d. uncut diamond
e. broken
irregularly shaped pearl
The characteristic(s) of Baroque art is/are ________.
a. space
b. All of these choices.
c. light and theatricality
d. time
e. motion
All of these choices.
Because ________ was Protestant, Rembrandt painted secular subjects.
a. Flanders
b. Italy
c. France
d. Holland
e. Spain
Holland
a. élisabeth Vigée-Lebrun
b. Nicolas Poussin
c. Caravaggio
d. Jean-Honoré Fragonard
e. Peter Paul Rubens
Nicolas Poussin
Elisabeth Vigée-Lebrun, a(n) ________ artist, was a sucess during her lifetime and was the portrait painter for Marie Antoinette.
a. Flemish
b. Austrian
c. French
d. Dutch
e. Spanish
French
IBM
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Learn how to implement a cloud and data strategy to drive business automation and streamline business processes.
See more
Caravaggio, a(n) ________ artist, demonstrated theatrical drama and passion in his paintings.
a. Flemish
b. Italian
c. French
d. Dutch
e. Spanish
Italian
Peter Paul Rubens, a(n) ________ artist, created canvases imbued with the dynamic energy and unleashed passions we link to the Baroque era.
a. Flemish
b. Italian
c. French
d. Dutch
e. Spanish
Flemish
This artist painted many pictures of Judith and Holofernes; in some the violence is graphic.
a. Gianlorenzo Bernini
b. Francesco Borromini
c. Artemisia Gentileschi
d. Baciccio
e. Carravagio
Artemisia Gentileschi
Diego Velázquez had contempt for idealized images and preferred to use common folk in his paintings like Caravaggio. Velázquez painted in ________.
a. Flanders
b. Italy
c. France
d. Holland
e. Spain
Spain
Which architect incorporated the Baroque elements of motion, space, and light in buildings?
a. Jules Harduin-Mansart
b. Francesco Borromini
c. Artemisia Gentileschi
d. Baciccio
e. Carlo Maderno
Francesco Borromini
The palace at Versailles is built in a Classical style and is in ________.
a. Flanders
b. Italy
c. France
d. Holland
e. Spain
France
Diego Velázquez's method of creating dissolving forms and recreating the play of light on the surface of objects is the foundation for ________.
a. Classicism
b. Modernism
c. Impressionism
d. Rocco
e. Baroque
Impressionism
Because ________ was Protestant, Rembrandt painted secular subjects.
a. Flanders
b. Italy
c. France
d. Holland
e. Spain
Holland
Nicolas Poussin was a(n) ________ artist who spent much of his early years in Rome painting.
a. Flemish
b. Italian
c. French
d. Dutch
e. Spanish
French
Tenebrism was created during the ________ period.
a. Rococo
b. Roman
c. Classical
d. Renaissance
e. Baroque
Baroque
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The Piazza of St. Peter's (Fig. 17-2) is an example of ________ style of architecture.
a. Rococo
b. Hellenistic
c. Mannerist
d. Renaissance
e. Baroque
Baroque
Church of San Carlo alle Quattro Fontane (Fig. 17-14) in Rome is a ________ style church.
a. Rococo
b. Hellenistic
c. Classical
d. Renaissance
e. Baroque
Baroque
The Italian Baroque artist who acquired a lengthy police record for such things as attacking a man with a sword, carrying weapons without a permit, and breaking windows was ________.
a. Caravaggio
b. Rubens
c. Borromini
d. Gentileschi
e. Bernini
Caravaggio
Rubens' style combined the sculptural qualities of ________'s figures with the painterliness and coloration of the Venetians.
a. Borromini
b. Gentileschi
c. Bernini
d. Michelangelo
e. Donatello
Michelangelo
Louis XIV preferred a ________ style of art.
a. Italian Baroque
b. Hellenistic
c. Roman
d. Classical
e. Rococo
Classical
St. Peter's in Rome (Fig. 17-2) brings together work of the finest artists of both the Renaissance and the Baroque, Michelangelo and ________.
a. Poussin
b. Carravagio
c. Borromini
d. Maderno
e. Bernini
Bernini
In Jean-Honoré Fragonard's Happy Accidents of the Swing (Fig. 17-24), we are offered a glimpse of the love games of the ________.
a. religious
b. leisure class
c. working
d. artistic
e. secular
leisure class
If there is a single artist who typifies the Dutch interest in paintings of scenes of daily life, it is ________.
a. Rubens
b. Poussin
c. Vigée-Lebrun
d. Rembrandt
e. Vermeer
Vermeer
Louis XIV guaranteed adherence to his favorite style by forming ________ of art that perpetuated this style.
a. rules
b. clubs
c. requirements
d. academies
e. memberships
academies
While the typical Renaissance ceiling painting was stable--organized by compartments or "frames"—during the Baroque, artists such as Baciccio attempted to create the illusion of a ceiling vault ________ to the heavens.
a. open
b. similar to the Romans
c. with stairs
d. closed
e. that had ladders
open
The Baroque period spans roughly the years from ________.
a. 1600 to 1650
b. 1750 to 1800
c. 1650 to 1700
d. 1600 to 1750
e. 1500 to 1600
1600 to 1750
The word Baroque probably derives from the Portuguese barroco, meaning ________.
a. irregularly shaped pearl
b. genius
c. barracks
d. uncut diamond
e. broken
irregularly shaped pearl
The characteristic(s) of Baroque art is/are ________.
a. space
b. All of these choices.
c. light and theatricality
d. time
e. motion
All of these choices.
Because ________ was Protestant, Rembrandt painted secular subjects.
a. Flanders
b. Italy
c. France
d. Holland
e. Spain
Holland
桑田岛
34楼
Eugène Delacroix's art reflected the extreme emotion in ________; Death of Sardanapalus (Fig. 19-5) is an example of the exciting literary themes used.
Romanticism
Jean-August-Dominique Ingres, in his exotic nudes, flattened the space in his compositions by placing his imagery in the foreground. This is an example of ________.
Neoclassicism
Claude Monet was a fervent follower of ________ techniques.
Impressionist
Jacques-Louis David was the official painter of the French Revolution. His paintings are considered ________.
Neoclassicism
Gustave Courbet was considered the father of the ________ movement.
Realist
Berthe Morisot, a(n) ________ painter, was the grand daughter of Jean-Honoré Fragonard.
Impressionist
Pierre-Auguste Renoir, a(n) ________ artist, was primarily interested in the effect of light as it played across the surface of objects.
Impressionist
________'s theory of art was illustrated in Vision after the Sermon (Fig. 19-27) (Jacob Wrestling with the Angel).
Paul Gauguin
Edgar Degas's Ballet Rehearsal (Fig. 19-22) (Adagio) shows the influence of photography and Japanese prints on his ________ artwork.
Impressionist
________ is credited with leading the change to abstraction in modern art.
Paul Cézanne
The Post-Impressionist artist ________ left the spontaneity of Impressionist painting for a tightly controlled and scientific approach.
Georges Seurat
________ epitomizes the cliché of the artist who receives recognition only after he dies.
Vincent van Gogh
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The Boating Party (Fig. 19-31) illustrates ________'s interest in merging Impressionism with elements of Japanese art.
Mary Cassatt
Expressionistic painting was adopted by the Norwegian ________, who studied Gauguin's work in Paris.
Edvard Munch
Francisco Goya's most famous depiction of war is the Third of May, 1808 (Fig. 19-6). This painting commemorates the massacre of the citizens of ________.
Madrid, Spain
At the Moulin Rouge (Fig. 19-28) by ________ contains Japanese inspired oblique perspective found in his posters.
Henri de Toulouse-Lautrec
Auguste Rodin, a(n) ________ artist, has sculptures that captured the play of light like the Impressionists were working with.
French
The leader of the Hudson River School was ________.
Thomas Cole
Although born in Pittsburgh, ________ spent most of life in France.
Mary Cassatt
The Gross Clinic (Fig. 19-33) comes from ________'s endeavors to excel at human anatomy by working with live models and dissecting corpses.
Thomas Eakins
Arrangement in Black and Gray (Fig. 19-32) exhibits the influence of Gustave Courbet and Japanese prints on ________'s art.
James Abbott McNeill Whistler
The artists of the 15th century looked upon their art as ________.
modern
Jacques-Louis David set the course for modern art with his sudden and decisive break from the ornate and frivolity of the ________.
Rococo
In Neoclassicism, the ________ Empire was often chosen as the model to emulate.
Roman
Romanticism
Jean-August-Dominique Ingres, in his exotic nudes, flattened the space in his compositions by placing his imagery in the foreground. This is an example of ________.
Neoclassicism
Claude Monet was a fervent follower of ________ techniques.
Impressionist
Jacques-Louis David was the official painter of the French Revolution. His paintings are considered ________.
Neoclassicism
Gustave Courbet was considered the father of the ________ movement.
Realist
Berthe Morisot, a(n) ________ painter, was the grand daughter of Jean-Honoré Fragonard.
Impressionist
Pierre-Auguste Renoir, a(n) ________ artist, was primarily interested in the effect of light as it played across the surface of objects.
Impressionist
________'s theory of art was illustrated in Vision after the Sermon (Fig. 19-27) (Jacob Wrestling with the Angel).
Paul Gauguin
Edgar Degas's Ballet Rehearsal (Fig. 19-22) (Adagio) shows the influence of photography and Japanese prints on his ________ artwork.
Impressionist
________ is credited with leading the change to abstraction in modern art.
Paul Cézanne
The Post-Impressionist artist ________ left the spontaneity of Impressionist painting for a tightly controlled and scientific approach.
Georges Seurat
________ epitomizes the cliché of the artist who receives recognition only after he dies.
Vincent van Gogh
升級以移除廣告
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The Boating Party (Fig. 19-31) illustrates ________'s interest in merging Impressionism with elements of Japanese art.
Mary Cassatt
Expressionistic painting was adopted by the Norwegian ________, who studied Gauguin's work in Paris.
Edvard Munch
Francisco Goya's most famous depiction of war is the Third of May, 1808 (Fig. 19-6). This painting commemorates the massacre of the citizens of ________.
Madrid, Spain
At the Moulin Rouge (Fig. 19-28) by ________ contains Japanese inspired oblique perspective found in his posters.
Henri de Toulouse-Lautrec
Auguste Rodin, a(n) ________ artist, has sculptures that captured the play of light like the Impressionists were working with.
French
The leader of the Hudson River School was ________.
Thomas Cole
Although born in Pittsburgh, ________ spent most of life in France.
Mary Cassatt
The Gross Clinic (Fig. 19-33) comes from ________'s endeavors to excel at human anatomy by working with live models and dissecting corpses.
Thomas Eakins
Arrangement in Black and Gray (Fig. 19-32) exhibits the influence of Gustave Courbet and Japanese prints on ________'s art.
James Abbott McNeill Whistler
The artists of the 15th century looked upon their art as ________.
modern
Jacques-Louis David set the course for modern art with his sudden and decisive break from the ornate and frivolity of the ________.
Rococo
In Neoclassicism, the ________ Empire was often chosen as the model to emulate.
Roman
桑田岛
35楼
High art and low culture includes popular music, tattoo art, and kitsch.
False
As we consider works of art in the 21st century, we will add to our critical rubric concepts such as:
e. all of the above
Adi Nes' Untitled (Fig. 22.16) recreates_____________.
b. the last supper
The nations of the Caribbean and Latin America have a common history of:
d. all of the above
Cuban artist ________________work is a commentary on the irony that while his country builds its new socialist society, its jewels—like the capital city of Havana— lie in disrepair.
Alexandre Arrechea's
One of Emily Jacir's most literal artworks is a tent stitched with the names of ______________________ villages (Fig. 22.18) that have been depopulated over long years of conflict with Israel.
Palestinian
Among the 21st century women architects to become infamous includes:
Zaha Hadid
The word globalization has become ubiquitous in contemporary life, politics, economics, and art.
True
In the visual arts, one of the effects of globalization is hybridity, or the mixing of the traditions of different cultures to create new blends and new connections.
True
Some aspects of globalization in the arts are a reaction to the retreat of the Asian empires that ruled much of the world throughout the middle of the twentieth century.
False
An artist whose work embraces the concept of hybridity includes:
Takashi Murakami
El Anatsui lives and works in___________,
Nigeria
False
As we consider works of art in the 21st century, we will add to our critical rubric concepts such as:
e. all of the above
Adi Nes' Untitled (Fig. 22.16) recreates_____________.
b. the last supper
The nations of the Caribbean and Latin America have a common history of:
d. all of the above
Cuban artist ________________work is a commentary on the irony that while his country builds its new socialist society, its jewels—like the capital city of Havana— lie in disrepair.
Alexandre Arrechea's
One of Emily Jacir's most literal artworks is a tent stitched with the names of ______________________ villages (Fig. 22.18) that have been depopulated over long years of conflict with Israel.
Palestinian
Among the 21st century women architects to become infamous includes:
Zaha Hadid
The word globalization has become ubiquitous in contemporary life, politics, economics, and art.
True
In the visual arts, one of the effects of globalization is hybridity, or the mixing of the traditions of different cultures to create new blends and new connections.
True
Some aspects of globalization in the arts are a reaction to the retreat of the Asian empires that ruled much of the world throughout the middle of the twentieth century.
False
An artist whose work embraces the concept of hybridity includes:
Takashi Murakami
El Anatsui lives and works in___________,
Nigeria
桑田岛
36楼
Museum Visit and Report Guidelines
Overview:
To truly become familiar with and to understand art, I believe it is necessary that you gain personal experience with it. Reading about art in a textbook can only help so much. Therefore, one of the requirements for this course is for you to visit an art museum and write a report on your experience there. The museum visit and subsequent written report will reflect your firsthand encounter with the original work of art from a time period we will be studying. Firsthand encounter does not mean you should touch the art!!!
You will turn in the paper online in Blackboard where a spot will be made available. It is highly suggested that you not put off writing the report until that last week since you will need sufficient time to visit the museum and actually write the paper. You may hand in a rough draft to me before the paper is due, if you desire. I will review it and then offer suggestions.
Written Requirements:
To fulfill the assignment, you should examine the collections and pick a work of art in the museum from one of the time periods we will be studying. Then write a reflection paper based on your experience and that work of art. The paper should be a minimum of 2 pages and include the following:
1. Cover Sheet
The cover sheet should simply include your name, the title of your paper and the date
2. Intro
Try to make it a little interesting even though you’ll just cover the basics of the paper. The intro should include the title, artist, date, medium (oil painting, marble sculpture etc.), size and location (what museum holds it?). You should also include a description of the work. Finally end with a thesis statement. Something like: “this work has helped give me a better understanding of the Baroque period art.”
3. Describe your experience going to the museum.
This should be the easiest part of the assignment. Just talk about what it was like as you went through the different galleries. What stood out to you? What was it like wandering through the museum? Finally, just point out the work of art that most stood out to you and what it was like seeing the work in person. And then simply point out the image from the text that you think relates to that work.
4. Describe the works of art
Give me detailed descriptions of the work of art. Talk about the style, the subject matter and what you think the meaning might be. Don’t worry about doing any research here. I am more interested in you explaining what you take away from the work of art.
Throughout the paper you should be supporting your thesis statement with arguments and examples. In this particular section, it would be good to point out how the works of art relate to what you have learned in lecture. Again, I don’t need you to do research here. Just recall what we learned in class and how the works fit into their time periods.
Take into consideration the following questions when writing this section (you don’t necessarily have to discuss each one and it would help if you considered others not listed):
What is the symbolism?
Does the work have a particular function?
Analyze its composition:
oPaintings / reliefs: (Arrangement of form, color, composition, etc.)
oSculpture: Balance of parts, closed or open composition, space, use of light and dark,
attention to surface detail, additive or subtractive, type of stone- easy to carve?
Is it naturalistic? Realistic? Idealistic?
Is there emotional content?
5. Description of what made you choose that work and your experience observing it
Be sure to include your personal view of the work. Why did you choose that particular work of art? Has it helped you gain an appreciation for the time period? The people? How?
6. Conclusion
Nothing special. Just reiterate how the experience has helped you, and briefly restate your introduction.
7. Attach the following to your paper:
Reproduction(s) of the work(s) of art discussed which cannot be found in the book.
A receipt from the museum
This is an observation paper. There is little research required unless you research the “type”
of artwork (i.e. sphinx, sarcophagus, vase, relief etc). Citations must then be used.
Stylistic Requirements:
1.5 pages
Report should include both an introduction and conclusion
12 pt. font
1-inch margins
Cover page (not counted as one of the 2 pages)
Final Notes:
Works of art should be written in italics.
Ideas or quotes from other sources MUST be cited. The paper does not have to be MLA format, but it must be clear if you are using citations.
Eliminate spelling and grammatical errors.
Be sure it is well organized.
Please see me if a trip to a museum is not possible.
Overview:
To truly become familiar with and to understand art, I believe it is necessary that you gain personal experience with it. Reading about art in a textbook can only help so much. Therefore, one of the requirements for this course is for you to visit an art museum and write a report on your experience there. The museum visit and subsequent written report will reflect your firsthand encounter with the original work of art from a time period we will be studying. Firsthand encounter does not mean you should touch the art!!!
You will turn in the paper online in Blackboard where a spot will be made available. It is highly suggested that you not put off writing the report until that last week since you will need sufficient time to visit the museum and actually write the paper. You may hand in a rough draft to me before the paper is due, if you desire. I will review it and then offer suggestions.
Written Requirements:
To fulfill the assignment, you should examine the collections and pick a work of art in the museum from one of the time periods we will be studying. Then write a reflection paper based on your experience and that work of art. The paper should be a minimum of 2 pages and include the following:
1. Cover Sheet
The cover sheet should simply include your name, the title of your paper and the date
2. Intro
Try to make it a little interesting even though you’ll just cover the basics of the paper. The intro should include the title, artist, date, medium (oil painting, marble sculpture etc.), size and location (what museum holds it?). You should also include a description of the work. Finally end with a thesis statement. Something like: “this work has helped give me a better understanding of the Baroque period art.”
3. Describe your experience going to the museum.
This should be the easiest part of the assignment. Just talk about what it was like as you went through the different galleries. What stood out to you? What was it like wandering through the museum? Finally, just point out the work of art that most stood out to you and what it was like seeing the work in person. And then simply point out the image from the text that you think relates to that work.
4. Describe the works of art
Give me detailed descriptions of the work of art. Talk about the style, the subject matter and what you think the meaning might be. Don’t worry about doing any research here. I am more interested in you explaining what you take away from the work of art.
Throughout the paper you should be supporting your thesis statement with arguments and examples. In this particular section, it would be good to point out how the works of art relate to what you have learned in lecture. Again, I don’t need you to do research here. Just recall what we learned in class and how the works fit into their time periods.
Take into consideration the following questions when writing this section (you don’t necessarily have to discuss each one and it would help if you considered others not listed):
What is the symbolism?
Does the work have a particular function?
Analyze its composition:
oPaintings / reliefs: (Arrangement of form, color, composition, etc.)
oSculpture: Balance of parts, closed or open composition, space, use of light and dark,
attention to surface detail, additive or subtractive, type of stone- easy to carve?
Is it naturalistic? Realistic? Idealistic?
Is there emotional content?
5. Description of what made you choose that work and your experience observing it
Be sure to include your personal view of the work. Why did you choose that particular work of art? Has it helped you gain an appreciation for the time period? The people? How?
6. Conclusion
Nothing special. Just reiterate how the experience has helped you, and briefly restate your introduction.
7. Attach the following to your paper:
Reproduction(s) of the work(s) of art discussed which cannot be found in the book.
A receipt from the museum
This is an observation paper. There is little research required unless you research the “type”
of artwork (i.e. sphinx, sarcophagus, vase, relief etc). Citations must then be used.
Stylistic Requirements:
1.5 pages
Report should include both an introduction and conclusion
12 pt. font
1-inch margins
Cover page (not counted as one of the 2 pages)
Final Notes:
Works of art should be written in italics.
Ideas or quotes from other sources MUST be cited. The paper does not have to be MLA format, but it must be clear if you are using citations.
Eliminate spelling and grammatical errors.
Be sure it is well organized.
Please see me if a trip to a museum is not possible.
桑田岛
37楼
Project virtual art gallery
rough Draft
Jane
Artists throughout time have been fascinated with capturing the visual imagery of the people who surround them.
I choose human portrait as my project to see what the change is through different art movements.
PART 1 OUTLINE
10 Objects:
PART 2 INTRODUCTION
PART 2.1
Title: Standing female worshiper.
Date: Early Dynastic IIIa (ca. 2600–2500 B.C.)
Culture: Sumerian
Medium: inlaid with shell and lapis lazuli
Dimensions: H. 9 15/16 x W. 3 3/8 x D. 2 1/16 in. (25.2 x 8.5 x 5.2 cm)
Classification: Ancient
Citations：Metmuseum.org, 2021, www.metmuseum.org/blogs/collection-insights/2020/art-for-resilience.
This worn, fragile-looking statue of a Sumerian woman from 2600 B.C. Excavated at the site of Nippur, in Iraq, the statue was one among many sculptures discovered in a temple dedicated to Inanna, the Sumerian goddess of love, abundance, and war. The statues all represented mortal beings—most likely the elite citizens of Nippur—who commissioned images of themselves to stand in perpetual prayer before the deity.
Sources:(Bibliography/Works Cited/References/Works Consulted page after the essay)
PART 2.2
Title: Madonna and Child
Artist: Simone Martini
Date: 1326
Culture: Miedival
Medium: Tempera on wood, gold ground
Dimensions: Overall 23 1/8 x 15 1/2 in. (58.7 x 39.4 cm); painted surface 22 1/2 x 15 1/8 in. (57.2 x 38.4 cm)Classification: Paintings
Citations：Metmuseum.org, 2020, www.metmuseum.org/art/collection/search/459136.
The Madonna and Child is understood to be an intimate, devotional image. Some evocations of this understanding come from the burnt edges on the bottom of the original engaged frame caused by burning candles that likely would have sat just beneath
For example, the parapet that sits at the bottom of the painting works as a visual enticement for the viewer to look past and into the moment that is captured between the Virgin and Christ Child. At the same time, the parapet also acts as a barrier between the vernacular world and the sacred
PART 2.3
Title: Fragment of a Floor Mosaic with a Personification of Ktisis
Artist: unknown
Date: 500–550
Culture: Byzantine Medium: Oil on wood
Dimensions: 59 1/2 x 78 5/8 x 1 in. (151.1 x 199.7 x 2.5 cm)
Citations：Metmuseum.org, 2019, www.metmuseum.org/art/collection/search/469960..
The bejeweled woman, holding the measuring tool for the Roman foot, is identified by the restored Greek inscription as Ktisis, a figure personifying the act of generous donation or foundation. The man with a cornucopia, originally one of a pair flanking her, has the Greek inscription “good” by his head, half of a text that probably said, “good wishes.” The fragment, made of marble and glass tesserae (small pieces of colored material), is typical of the exceptional mosaics created throughout the Byzantine world in the 500s.
PART 2.4
Title: Portrait of a Woman
Artist: Agnolo Bronzino
Date: 1550
Medium: Oil on wood
Dimensions: Framed: 81.5 x 68.5 x 5 cm (32 1/16 x 26 15/16 x 1 15/16 in.); Unframed: 60 x 48.8 cm (23 5/8 x 19 3/16 in.)
Classification: Renasaince
Citations：Anonymous. “Portrait of a Woman.” Cleveland Museum of Art, 31 Oct. 2018, www.clevelandart.org/art/1972.121.
Bronzino was court painter to Cosimo I de’Medici, the Duke of Florence. Though the woman cannot be definitively identified, she was likely affiliated with the Medici court. As in most of the portraits in this gallery, Bronzino emphasizes wealth, status, and courtly refinement above personality or individualized expression. The plain background further accentuates the work’s monumentality and grandeur, despite its small scale. The hand placed against the chest with elegantly spread fingers extends back to an ancient Greek pose of modesty, here emphasizing the proper comportment of a woman of high status. The sitter wears a linen partlet (collar) delicately embroidered in matt stitch, part of which is, like her cuffs, trimmed in fine lace.
PART 2.5
Full title: Allegory of Patience
Artist: Giorgio Vasari
Artist dates: 1511 - 1574
Date made: 1552
Medium: Oil on canvas
Dimensions 197.8 × 108.8 cm
Citations：
“Giorgio Vasari | Allegory of Patience | L1270 | National Gallery, www.nationalgallery.org.uk/paintings/giorgio-vasari-allegory-of-patience.
The woman, huddling in the cold, personifies the virtue of patience. She waits as drops from the water clock, ever so slowly, wear out the stone, while the inscribed motto translates as 'enduring patience'. The monumentality of the figure and iridescent colours are indebted to Michelangelo, who likely provided its design.
PART 2.6
Title: Madame Roulin and Her Baby
Artist: Vincent van Gogh
Date: 1888
Medium: Oil on canvas
Dimensions: 25 x 20 1/8 in.
Classification: Paintings
Classification: Impressionism
Citations：
Metmuseum.org, 2021, www.metmuseum.org/art/collection/search/459123. Accessed 19 Jan. 2021.
This vigorously painted portrait of Augustine Roulin and her infant daughter, Marcelle, is one of Van Gogh’s many evocative renderings of the Roulin family, undertaken some six months after the artist relocated from Paris to Arles. Van Gogh painted the entire family of the local postman Joseph Roulin. Here, the chubbycheeked infant is the focus of the enterprise. Her heightened expression in thickly painted brushwork suggests that the baby may have posed for van Gogh, swaddled in her mother’s embrace. Augustine Roulin, by contrast, is an abbreviated presence.
PART 2.7
Title: Woman with a Rake
Artist:Jean-François
Date: probably 1856
Medium: Oil on canvas
Dimensions: 15 5/8 x 13 1/2 in. (39.7 x 34.3 cm)
Classification:Realism Paintings
Citations：
Metmuseum.org, 2021, www.metmuseum.org/art/collection/search/437099. Accessed 19 Jan. 2021.
Millet first treated this subject in a woodcut, one of ten in the series Labors of the Fields that were published in a popular periodical in 1853. The art dealer Martinet, in whose gallery such avant-garde artists as Courbet and Manet exhibited, included this painting in a show in 1860.
PART 2.8
Title: Maria
Artist: Kees van Dongen (Dutch, Delfshaven, The Netherlands 1877–1968 Monte Carlo)
Date: 1907–10
Medium: Oil on canvas
Dimensions: 25 1/2 x 21 3/8 in. (64.8 x 54.3 cm.)
Classification:Fauvism Paintings
Citations：
Metmuseum.org, 2020, www.metmuseum.org/art/collection/search/461689.
This portrait entitled Maria, presumably after the model who sat for the picture, captures the direct gaze of the sitter. The painting was quickly rendered with a large brush and intense, unblended color. Van Dongen’s use of unblended color reflects his exposure to and general association with Fauvism and Expressionism, two artistic movements in Paris characterized by bold, sometimes violent use of color. Painted with a certain stylization, Van Dongen’s female sitters often resemble one another with their large, blackened eyes and pale white flesh tones.
PART 2.9
Title: Self-Portrait with a Cigar
Artist: Edvard Munch (Norwegian, Løten 1863–1944 Ekely)
Date: 1908–9
Medium: Lithograph
Dimensions: plate: 22 5/16 x 17 15/16 inches (56.7 x 45.6 cm)
Classification:Expressionism Prints
Citations：
Metmuseum.org, 2020, www.metmuseum.org/art/collection/search/352328.
Self-Portrait with a CigarSelf-Portrait with Cigarette is loaded with subtle contradictions. Lacking an identifiable environment and depicting the artist viewed frontally and slightly from below, the self-portrait represents Munch as a man directly engaging his viewer yet distanced from the world.
PART 2.10
Title: Marilyn
Artist: Andy Warhol
Printer: Aetna Silkscreen Products, Inc.
Printer: Du-Art Displays
Date: 1967
Medium: Screenprint
Dimensions: Sheet: 6 x 6 in. (15.2 x 15.2 cm)
Classification: Pop Art Prints
Citations：Metmuseum.org, 2020, www.metmuseum.org/art/collection/search/352328.
Around 1962, Warhol adopted a more graphic and detached style comprising bold and often contrasting colors, crisp outlines, and commercial imagery. Screenprinting was well suited for his art as it enabled him to repeat images derived from photographic sources multiple times—even within the same painting or print—in a variety of media and colors. It also allowed him to highlight both the detached quality of the process and the imperfections (such uneven tone, smudges, gaps, and signs of irregular printing) often found in commercial production.
Part 3. references
1.Benzel, K., 2020. Art For Resilience: Sumerian Standing Female Worshipper And More. [online] Metmuseum.org. Available at: <https://www.metmuseum.org/blogs/collection-insights/2020/art-for-resilience>
2.Martini, S., 2019. Madonna And Child. [online] Metmuseum.org. Available at: <https://www.metmuseum.org/art/collection/search/459136>
3.Metmuseum.org. 2020. Fragment Of A Floor Mosaic With A Personification Of Ktisis500–550, With Modern Restoration. [online] Available at: <https://www.metmuseum.org/art/collection/search/469960?searchField=All&sortBy=Relevance&ft=Byzantine+art++collection&offset=0&rpp=20&pos=20>
4.Cleveland Museum of Art. 2021. Portrait Of A Woman. [online] Available at: <https://www.clevelandart.org/art/1972.121> [Accessed 20 January 2021].
The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1978. Cleveland, OH: The Cleveland Museum of Art, 1978. Reproduced: p. 112 archive.org
The Cleveland Museum of Art. The Cleveland Museum of Art Catalogue of Paintings, Part 3: European Paintings of the 16th, 17th, and 18th Centuries. Cleveland, OH: The Cleveland Museum of Art, 1982. Mentioned: p. 310-312; Reproduced: p. 311
5.The National Gallery, L., n.d. Giorgio Vasari | Allegory Of Patience | L1270 | National Gallery, London. [online] Nationalgallery.org.uk. Available at: <https://www.nationalgallery.org.uk/paintings/giorgio-vasari-allegory-of-patience>
6.Metmuseum.org. n.d. Madame Roulin And Her Baby. [online] Available at: <https://www.metmuseum.org/art/collection/search/459123>
7. Metmuseum.org. n.d. Woman With A Rake. [online] Available at: <https://www.metmuseum.org/art/collection/search/437099>
8.Metmuseum.org. n.d. Maria. [online] Available at: <https://www.metmuseum.org/art/collection/search/461689>
9. Metmuseum.org. n.d. Self-Portrait With A Cigar. [online] Available at: <https://www.metmuseum.org/art/collection/search/360176>3
10.Metmuseum.org. n.d. Marilyn. [online] Available at: <https://www.metmuseum.org/art/collection/search/352328> [Accessed 20 January 2021].
rough Draft
Jane
Artists throughout time have been fascinated with capturing the visual imagery of the people who surround them.
I choose human portrait as my project to see what the change is through different art movements.
PART 1 OUTLINE
10 Objects:
PART 2 INTRODUCTION
PART 2.1
Title: Standing female worshiper.
Date: Early Dynastic IIIa (ca. 2600–2500 B.C.)
Culture: Sumerian
Medium: inlaid with shell and lapis lazuli
Dimensions: H. 9 15/16 x W. 3 3/8 x D. 2 1/16 in. (25.2 x 8.5 x 5.2 cm)
Classification: Ancient
Citations：Metmuseum.org, 2021, www.metmuseum.org/blogs/collection-insights/2020/art-for-resilience.
This worn, fragile-looking statue of a Sumerian woman from 2600 B.C. Excavated at the site of Nippur, in Iraq, the statue was one among many sculptures discovered in a temple dedicated to Inanna, the Sumerian goddess of love, abundance, and war. The statues all represented mortal beings—most likely the elite citizens of Nippur—who commissioned images of themselves to stand in perpetual prayer before the deity.
Sources:(Bibliography/Works Cited/References/Works Consulted page after the essay)
PART 2.2
Title: Madonna and Child
Artist: Simone Martini
Date: 1326
Culture: Miedival
Medium: Tempera on wood, gold ground
Dimensions: Overall 23 1/8 x 15 1/2 in. (58.7 x 39.4 cm); painted surface 22 1/2 x 15 1/8 in. (57.2 x 38.4 cm)Classification: Paintings
Citations：Metmuseum.org, 2020, www.metmuseum.org/art/collection/search/459136.
The Madonna and Child is understood to be an intimate, devotional image. Some evocations of this understanding come from the burnt edges on the bottom of the original engaged frame caused by burning candles that likely would have sat just beneath
For example, the parapet that sits at the bottom of the painting works as a visual enticement for the viewer to look past and into the moment that is captured between the Virgin and Christ Child. At the same time, the parapet also acts as a barrier between the vernacular world and the sacred
PART 2.3
Title: Fragment of a Floor Mosaic with a Personification of Ktisis
Artist: unknown
Date: 500–550
Culture: Byzantine Medium: Oil on wood
Dimensions: 59 1/2 x 78 5/8 x 1 in. (151.1 x 199.7 x 2.5 cm)
Citations：Metmuseum.org, 2019, www.metmuseum.org/art/collection/search/469960..
The bejeweled woman, holding the measuring tool for the Roman foot, is identified by the restored Greek inscription as Ktisis, a figure personifying the act of generous donation or foundation. The man with a cornucopia, originally one of a pair flanking her, has the Greek inscription “good” by his head, half of a text that probably said, “good wishes.” The fragment, made of marble and glass tesserae (small pieces of colored material), is typical of the exceptional mosaics created throughout the Byzantine world in the 500s.
PART 2.4
Title: Portrait of a Woman
Artist: Agnolo Bronzino
Date: 1550
Medium: Oil on wood
Dimensions: Framed: 81.5 x 68.5 x 5 cm (32 1/16 x 26 15/16 x 1 15/16 in.); Unframed: 60 x 48.8 cm (23 5/8 x 19 3/16 in.)
Classification: Renasaince
Citations：Anonymous. “Portrait of a Woman.” Cleveland Museum of Art, 31 Oct. 2018, www.clevelandart.org/art/1972.121.
Bronzino was court painter to Cosimo I de’Medici, the Duke of Florence. Though the woman cannot be definitively identified, she was likely affiliated with the Medici court. As in most of the portraits in this gallery, Bronzino emphasizes wealth, status, and courtly refinement above personality or individualized expression. The plain background further accentuates the work’s monumentality and grandeur, despite its small scale. The hand placed against the chest with elegantly spread fingers extends back to an ancient Greek pose of modesty, here emphasizing the proper comportment of a woman of high status. The sitter wears a linen partlet (collar) delicately embroidered in matt stitch, part of which is, like her cuffs, trimmed in fine lace.
PART 2.5
Full title: Allegory of Patience
Artist: Giorgio Vasari
Artist dates: 1511 - 1574
Date made: 1552
Medium: Oil on canvas
Dimensions 197.8 × 108.8 cm
Citations：
“Giorgio Vasari | Allegory of Patience | L1270 | National Gallery, www.nationalgallery.org.uk/paintings/giorgio-vasari-allegory-of-patience.
The woman, huddling in the cold, personifies the virtue of patience. She waits as drops from the water clock, ever so slowly, wear out the stone, while the inscribed motto translates as 'enduring patience'. The monumentality of the figure and iridescent colours are indebted to Michelangelo, who likely provided its design.
PART 2.6
Title: Madame Roulin and Her Baby
Artist: Vincent van Gogh
Date: 1888
Medium: Oil on canvas
Dimensions: 25 x 20 1/8 in.
Classification: Paintings
Classification: Impressionism
Citations：
Metmuseum.org, 2021, www.metmuseum.org/art/collection/search/459123. Accessed 19 Jan. 2021.
This vigorously painted portrait of Augustine Roulin and her infant daughter, Marcelle, is one of Van Gogh’s many evocative renderings of the Roulin family, undertaken some six months after the artist relocated from Paris to Arles. Van Gogh painted the entire family of the local postman Joseph Roulin. Here, the chubbycheeked infant is the focus of the enterprise. Her heightened expression in thickly painted brushwork suggests that the baby may have posed for van Gogh, swaddled in her mother’s embrace. Augustine Roulin, by contrast, is an abbreviated presence.
PART 2.7
Title: Woman with a Rake
Artist:Jean-François
Date: probably 1856
Medium: Oil on canvas
Dimensions: 15 5/8 x 13 1/2 in. (39.7 x 34.3 cm)
Classification:Realism Paintings
Citations：
Metmuseum.org, 2021, www.metmuseum.org/art/collection/search/437099. Accessed 19 Jan. 2021.
Millet first treated this subject in a woodcut, one of ten in the series Labors of the Fields that were published in a popular periodical in 1853. The art dealer Martinet, in whose gallery such avant-garde artists as Courbet and Manet exhibited, included this painting in a show in 1860.
PART 2.8
Title: Maria
Artist: Kees van Dongen (Dutch, Delfshaven, The Netherlands 1877–1968 Monte Carlo)
Date: 1907–10
Medium: Oil on canvas
Dimensions: 25 1/2 x 21 3/8 in. (64.8 x 54.3 cm.)
Classification:Fauvism Paintings
Citations：
Metmuseum.org, 2020, www.metmuseum.org/art/collection/search/461689.
This portrait entitled Maria, presumably after the model who sat for the picture, captures the direct gaze of the sitter. The painting was quickly rendered with a large brush and intense, unblended color. Van Dongen’s use of unblended color reflects his exposure to and general association with Fauvism and Expressionism, two artistic movements in Paris characterized by bold, sometimes violent use of color. Painted with a certain stylization, Van Dongen’s female sitters often resemble one another with their large, blackened eyes and pale white flesh tones.
PART 2.9
Title: Self-Portrait with a Cigar
Artist: Edvard Munch (Norwegian, Løten 1863–1944 Ekely)
Date: 1908–9
Medium: Lithograph
Dimensions: plate: 22 5/16 x 17 15/16 inches (56.7 x 45.6 cm)
Classification:Expressionism Prints
Citations：
Metmuseum.org, 2020, www.metmuseum.org/art/collection/search/352328.
Self-Portrait with a CigarSelf-Portrait with Cigarette is loaded with subtle contradictions. Lacking an identifiable environment and depicting the artist viewed frontally and slightly from below, the self-portrait represents Munch as a man directly engaging his viewer yet distanced from the world.
PART 2.10
Title: Marilyn
Artist: Andy Warhol
Printer: Aetna Silkscreen Products, Inc.
Printer: Du-Art Displays
Date: 1967
Medium: Screenprint
Dimensions: Sheet: 6 x 6 in. (15.2 x 15.2 cm)
Classification: Pop Art Prints
Citations：Metmuseum.org, 2020, www.metmuseum.org/art/collection/search/352328.
Around 1962, Warhol adopted a more graphic and detached style comprising bold and often contrasting colors, crisp outlines, and commercial imagery. Screenprinting was well suited for his art as it enabled him to repeat images derived from photographic sources multiple times—even within the same painting or print—in a variety of media and colors. It also allowed him to highlight both the detached quality of the process and the imperfections (such uneven tone, smudges, gaps, and signs of irregular printing) often found in commercial production.
Part 3. references
1.Benzel, K., 2020. Art For Resilience: Sumerian Standing Female Worshipper And More. [online] Metmuseum.org. Available at: <https://www.metmuseum.org/blogs/collection-insights/2020/art-for-resilience>
2.Martini, S., 2019. Madonna And Child. [online] Metmuseum.org. Available at: <https://www.metmuseum.org/art/collection/search/459136>
3.Metmuseum.org. 2020. Fragment Of A Floor Mosaic With A Personification Of Ktisis500–550, With Modern Restoration. [online] Available at: <https://www.metmuseum.org/art/collection/search/469960?searchField=All&sortBy=Relevance&ft=Byzantine+art++collection&offset=0&rpp=20&pos=20>
4.Cleveland Museum of Art. 2021. Portrait Of A Woman. [online] Available at: <https://www.clevelandart.org/art/1972.121> [Accessed 20 January 2021].
The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1978. Cleveland, OH: The Cleveland Museum of Art, 1978. Reproduced: p. 112 archive.org
The Cleveland Museum of Art. The Cleveland Museum of Art Catalogue of Paintings, Part 3: European Paintings of the 16th, 17th, and 18th Centuries. Cleveland, OH: The Cleveland Museum of Art, 1982. Mentioned: p. 310-312; Reproduced: p. 311
5.The National Gallery, L., n.d. Giorgio Vasari | Allegory Of Patience | L1270 | National Gallery, London. [online] Nationalgallery.org.uk. Available at: <https://www.nationalgallery.org.uk/paintings/giorgio-vasari-allegory-of-patience>
6.Metmuseum.org. n.d. Madame Roulin And Her Baby. [online] Available at: <https://www.metmuseum.org/art/collection/search/459123>
7. Metmuseum.org. n.d. Woman With A Rake. [online] Available at: <https://www.metmuseum.org/art/collection/search/437099>
8.Metmuseum.org. n.d. Maria. [online] Available at: <https://www.metmuseum.org/art/collection/search/461689>
9. Metmuseum.org. n.d. Self-Portrait With A Cigar. [online] Available at: <https://www.metmuseum.org/art/collection/search/360176>3
10.Metmuseum.org. n.d. Marilyn. [online] Available at: <https://www.metmuseum.org/art/collection/search/352328> [Accessed 20 January 2021].
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