【JFO】 · 民乐 · 西洋专场音乐会 —— 节目单第二弹!
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JFO民乐 · 西洋专场音乐会
节目单第二弹:西洋曲目!
临近Final Week,在日益紧张的学业压力下,你是否感觉到精神需要一次放松?欢迎来到
JFO乐团2023年度春季民乐西洋专场音乐会!
在大家的千呼万唤之下,咱们的节目单揭晓来到第二弹咯!今天我们来介绍西洋曲目,让我们来一一介绍吧!
2023年4月11日晚上7点
Foellinger Auditorium
无需门票免费入场!
为爱发电!!
Part.01 大曲目
Major Tracks
《西西里舞曲》
Sicilienne, Op.78
《西西里舞曲》是法国作曲家加布里埃尔·福莱(Gabriel Fauré)于1893年创作的一首钢琴小品,后来由钢琴改编为各种不同的乐器版本。该作品轻柔而甜蜜,仿佛一叶扁舟荡漾在波光粼粼的河面上,在乐句流转间,月光和晨雾又悄然为它披上一层精致的银纱,静待世人发现流淌于这蜿蜒长河中的奥秘。虽然该曲的构成与推进依赖主旋律的重复,它极具朦胧之美的旋律还是赢得了广泛的认可和喜爱。现在,它被广泛运用于电影、电视剧、广告等领域,并成为了古典音乐中的经典之作。
Sicilienne, Op.78 was composed by the French composer Gabriel Fauré in 1893, first as a short piano piece and was later adapted by the piano to various instrumental versions. The work is mystically enchanting, like a thin boat swinging on a shimmering river. In the repetition of musical phrases, the moonlight and the morning mist quietly cover it with a delicate silver veil, waiting for the world to discover the tenderness that has penetrated the stream. Although the composition and advancement of the piece rely largely on the repetition of the main melody, its hazy beauty has won wide recognition and fame. It is now widely used in movies, TV dramas, commercials, and other fields, and has always become a classic.
《胜利》
Victory
Two Steps from Hell所制作的Victory是一首史诗级音乐作品。这首曲目展现了强烈的音乐性和激情,运用了有力的鼓点、嘹亮的号角和电子合成器,配以磅礴的管弦乐声,营造出一种让人仿佛置身于战争前线的氛围。其魔性的旋律和强劲的节奏构建出令人热血沸腾的强势氛围,好像胜利的到来似乎就在霎那之间。Victory不仅是一首出色的音乐作品,更是一种激励人心的精神力量,因其出色的情感表达被广泛地应用于体育赛事、广告等领域。该曲目能够深深地打动人们的心灵,产生持久的共鸣。
Victory by "Two Steps from Hell" is an epic piece of music. The track is intensely musical and passionate, using powerful drums, loud horns, and electronic synths with majestic orchestral sounds to create an atmosphere that feels like being on the front lines of a war. Its magical melodies and rhythms create a powerful atmosphere that makes it seem like victory is just a matter of moments away. Victory is not merely a great piece of music but also a spiritual inspiration that has been widely used in sporting events, commercials, and other areas for its emotional expression. The track has the ability to touch people's hearts and resonate with them in a lasting way.
《狮子王组曲》
Lion King Medley
《狮子王》动画电影的主题曲Medley是由作曲家汉斯·季默(Hans Zimmer)于1994年为电影《狮子王》所作的一组音乐。该组音乐包括了经典的主题曲The Circle of Life、I Just Can't Wait to Be King和Can You Feel the Love Tonight等。它结合了非洲音乐和西方古典音乐的元素,时而像令人置身一望无际的非洲草原,释放野性,在湛蓝天空下肆意奔跑嬉闹,时而又回到黄昏时分的栖息地,微风吹拂,与另一半享受恬静而又灵动的夜晚。该电影一经上映便为世界各地的观众创造了难忘的音乐体验。这组音乐不仅在电影中取得了巨大的成功,而且还成为华特·迪斯尼电影公司音乐史上的杰作之一,现在已经变成了该公司繁星般闪耀的其中一枚音乐遗迹。
The theme song Medley of The Lion King, an animated movie is a set of music composed by Elton John and lyrics written by Tim Rice for the movie in 1994. The set of music includes the classic theme song The Circle of Life, I Just Can't Wait to Be King, Can You Feel the Love Tonight, etc., which combines elements of African music and Western classical music to create an unforgettable musical experience for its audience around the world. This group of music not only achieved great success in the film but also became one of the masterpieces in the musical history of Walt Disney Pictures musical and has now turned into a musical relic of many animated movies of the company.
Part.02 小曲目
Minor Tracks
《起风了》
The Wind Rises: Yakimochi
《起风了》(ヤキモチ)是日本作曲家久石让为宫崎骏动画电影《起风了》所作的一首插曲。电影中,才华横溢的主角和他远大的航天梦想与被战争撕裂、险象横生的世界产生鲜明对比。即使主角在日以继夜地辛劳汗水中得以成就,他的命运却似乎偏航,与最初的理想渐行渐远。这首音乐曲与剧情相伴而生,生动刻画了主人公在吐露心声时微妙的情愫,高歌中的一次次叹息使得在柔软的旋律中夹杂了些许忧郁,逐渐丰富的情感层次也让听者不断靠近主人公的内心。久石让为《起风了》所创作的配乐曾获得“日本电影学院奖”中的最佳配乐奖,并被誉为久石让的代表作之一。
Yakimochi is an episode song composed by Japanese composer Jean Hisaishi for Hayao Miyazaki's animated film The Wind Rises. In the film, the talented protagonist and his ambitious dream of spaceflight are contrasted with a world torn apart by war and danger. Even though he is able to give back to his country with his hard work, his destiny seems to yaw and drift away from his original ideal. The music accompanies the plot and vividly portrays the subtle feelings of the protagonist when he reveals his complicated thoughts of love, and the repeated sighs in the pitch further bring in a melancholy touch to the soft melody. The gradual enrichment of emotional layers seeks out the protagonist's heart. Hisaishi's score for "The Wind Rises" won the Best Soundtrack Award at the Japan Film Academy Awards and is regarded as one of Hisaishi's masterpieces.
《原神:午日的眺望》
Genshin Impact: Midday Prospects
《午日的眺望》由陈致逸作曲,是人气角色扮演游戏《原神》中的背景音乐之一。音乐以温和舒缓的旋律开始,逐渐发展到更加活泼和有节奏的部分,好似旭日初升时,整装待发的冒险者正对未来的旅程满怀憧憬。伴随着游戏中冒险家莱纳德的独白,这首悦耳的田园诗将提瓦特大陆上广阔而壮丽的风景娓娓道来,并慷慨地激励着冒险者们勇于尝试的决心和战胜艰险路途的毅力。正如莱纳德在他的独白中所说:“人类在未知面前凝为一体,只要活着,人终会抵达所有可见之地。”
Midday Prospects is a serene and uplifting music piece from the popular action role-playing game Genshin Impact. Composed by Yu-Peng Chen, this track features a mix of traditional Chinese elements together with modern orchestral components, adding a distinct cultural sensation. The music starts with a gentle and soothing melody that gradually builds up to a more lively and rhythmic section as if the adventurers are gearing up for the journey ahead at the dawn of the sun. Accompanied by the monologue of Leonard, a historical adventurer in the game, this pleasant idyll shares its memory with the vast and beautiful scenery of Teyvat, generously inspiring the adventurers' determination to try and persevere in spite of the hardships. just like how Leonard put it: "Against the unknown, humanity stands as one. To be alive is to seek and set foot in every place the eye can see."
巴赫《g小调无伴奏小提琴第一奏鸣曲组曲》柔版
J.S. Bach: Sonata for Violin Solo No. 1 in g Minor, BWV 1001 - 1. Adagio
巴赫是巴洛克时期最负有盛名的作曲家之一,对西方古典音乐留下了不可磨灭的印记。《g小调无伴奏小提琴第一奏鸣曲组曲》在1720年左右作成,是西方古典音乐中无可或缺的经典之一,其中柔板(Adagio)更是其重要的组成部分。此乐章的旋律优美流畅,含蓄的情感穿梭于这一乐章细腻的和弦中,仿佛让听者进入一个恍如隔世的空灵境界,既丰富又深邃。
Bach is one of the most famous composers of the Baroque period, leaving an indelible mark on Western classical music. Sonata No. 1 in G minor for solo violin was composed around 1720 and is one of the indispensable classics in Western classical music, with the Adagio movement being an important part of it. The melody of this movement is beautifully written, with subtle emotions gently woven into the delicate chords of the movement, as if inviting the listener into an ethereal realm of the music itself.
最后,2023年4月11日晚上7点
我们Foellinger Auditorium见!
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