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There is some mystery in Ysaye’s solo violin sonatas: How come a set of violin works that is impelled by mechanism and exercises filled with space, time and wildness? Maybe the answer lies in Menuhin’s autobiography “Unfinished Journey”: Violin has a soul while piano is mechanical. If that is true, then Ysaye’s solo violin works is written not only for virtuosity-proving but also soul-searching.
Ysaye’s violin sonatas show his homage to both Bach and Paganini. But Ysaye’s work is more emotional
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