a*c
2 楼
...
y*2
3 楼
看这几个装中国人的外国人我怎么想起吸血鬼来了呢。。。
【在 a*****c 的大作中提到】
: ...
【在 a*****c 的大作中提到】
: ...
L*g
4 楼
MD太有才了！
g*e
5 楼
第一张太祖抱的是尼克松夫人？那个久有凌云志的牌坊太狗血了。
【在 a*****c 的大作中提到】
: ...
【在 a*****c 的大作中提到】
: ...
a*c
6 楼
I guess太祖抱江青。
【在 g********e 的大作中提到】
: 第一张太祖抱的是尼克松夫人？那个久有凌云志的牌坊太狗血了。
【在 g********e 的大作中提到】
: 第一张太祖抱的是尼克松夫人？那个久有凌云志的牌坊太狗血了。
d*r
7 楼
好玩，哪能看到？
w*s
8 楼
这个东西有年头了，只是中国从来不宣传。
【在 a*****c 的大作中提到】
: ...
【在 a*****c 的大作中提到】
: ...
t*y
9 楼
我以为是尼克松抱江青呢, 纳闷中
g*e
10 楼
Youtube上面有，好玩。
John Adams
Operas[show]
v · d · e
Nixon in China is an opera in three acts by John Adams, with a libretto by
Alice Goodman. Adams' first opera, it was inspired by the 1972 visit to
China by US President Richard Nixon. The work premiered at the Houston Grand
Opera on October 22, 1987, in a production by Peter Sellars with
choreography by Mark Morris. When Sellars approached Adams with the idea for
the opera in 1985, Adams was initially reluctant, but eventually decided
that the work could be a study in how myths come to be, and accepted the
project. Goodman's libretto was the result of considerable research into
Nixon's visit, though she disregarded most sources published after 1972.
To create the sounds he sought, Adams augmented the orchestra with a large
saxophone section, additional percussion, and electronic synthesizers.
Although sometimes described as "minimalist", the score displays a variety
of musical styles, embracing minimalism after the manner of Philip Glass
alongside passages echoing 19th century composers such as Wagner and Johann
Strauss. With these ingredients, Adams mixes Stravinskian 20th century
neoclassicism, jazz references, and big band sounds reminiscent of Nixon's
youth in the 1930s. The combination of these elements varies frequently, to
reflect changes in the onstage action.
Following the 1987 premiere, the opera received mixed reviews; some critics
dismissed the work, predicting it would soon vanish. However, it has been
presented on many occasions since, in Europe as well as in North America,
and has been recorded twice. In 2011, the opera received its Metropolitan
Opera debut, a production based on the original sets, and in the same year
was given an abstract production in Toronto by the Canadian Opera Company.
Recent critical opinion has tended to recognize the work as a significant
and lasting contribution to American opera.
【在 d*******r 的大作中提到】
: 好玩，哪能看到？
John Adams
Operas[show]
v · d · e
Nixon in China is an opera in three acts by John Adams, with a libretto by
Alice Goodman. Adams' first opera, it was inspired by the 1972 visit to
China by US President Richard Nixon. The work premiered at the Houston Grand
Opera on October 22, 1987, in a production by Peter Sellars with
choreography by Mark Morris. When Sellars approached Adams with the idea for
the opera in 1985, Adams was initially reluctant, but eventually decided
that the work could be a study in how myths come to be, and accepted the
project. Goodman's libretto was the result of considerable research into
Nixon's visit, though she disregarded most sources published after 1972.
To create the sounds he sought, Adams augmented the orchestra with a large
saxophone section, additional percussion, and electronic synthesizers.
Although sometimes described as "minimalist", the score displays a variety
of musical styles, embracing minimalism after the manner of Philip Glass
alongside passages echoing 19th century composers such as Wagner and Johann
Strauss. With these ingredients, Adams mixes Stravinskian 20th century
neoclassicism, jazz references, and big band sounds reminiscent of Nixon's
youth in the 1930s. The combination of these elements varies frequently, to
reflect changes in the onstage action.
Following the 1987 premiere, the opera received mixed reviews; some critics
dismissed the work, predicting it would soon vanish. However, it has been
presented on many occasions since, in Europe as well as in North America,
and has been recorded twice. In 2011, the opera received its Metropolitan
Opera debut, a production based on the original sets, and in the same year
was given an abstract production in Toronto by the Canadian Opera Company.
Recent critical opinion has tended to recognize the work as a significant
and lasting contribution to American opera.
【在 d*******r 的大作中提到】
: 好玩，哪能看到？
a*e
11 楼
第4张那个条幅到底写的啥啊？
T*u
12 楼
老外穿文革一幅特别像二傻子
l*g
13 楼
哪能看？
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