g*a
2 楼
http://www.facebook.com/xyzacruzbacaniphotography
http://www.cnn.com/2015/01/06/asia/domestic-worker-photographer
Bacani, 27, is a migrant domestic worker or "helper" (菲佣) who moonlights
as a photographer.
She posts new images on Facebook or her blog almost daily. That's how she
caught the attention of Filipino documentary photographer Rick Rocamora who
introduced her to a community of mentors. Soon after, doors began to open --
first, a profile in The New York Times' Lens blog, then a Fuji Film
sponsorship and an exhibition at the Philippines Consulate General in Hong
Kong.
http://www.cnn.com/2015/01/06/asia/domestic-worker-photographer
Bacani, 27, is a migrant domestic worker or "helper" (菲佣) who moonlights
as a photographer.
She posts new images on Facebook or her blog almost daily. That's how she
caught the attention of Filipino documentary photographer Rick Rocamora who
introduced her to a community of mentors. Soon after, doors began to open --
first, a profile in The New York Times' Lens blog, then a Fuji Film
sponsorship and an exhibition at the Philippines Consulate General in Hong
Kong.
E*r
3 楼
哈哈,welcome to the stock market! :) FCEL会涨起来的。我也没想到PLUG会飚
这么久,上周进去参乎了一脚,赚了点就跑路了。
这么久,上周进去参乎了一脚,赚了点就跑路了。
E*n
4 楼
羞愧难当,果然多拍是王道
moonlights
who
【在 g****a 的大作中提到】![](/moin_static193/solenoid/img/up.png)
: http://www.facebook.com/xyzacruzbacaniphotography
: http://www.cnn.com/2015/01/06/asia/domestic-worker-photographer
: Bacani, 27, is a migrant domestic worker or "helper" (菲佣) who moonlights
: as a photographer.
: She posts new images on Facebook or her blog almost daily. That's how she
: caught the attention of Filipino documentary photographer Rick Rocamora who
: introduced her to a community of mentors. Soon after, doors began to open --
: first, a profile in The New York Times' Lens blog, then a Fuji Film
: sponsorship and an exhibition at the Philippines Consulate General in Hong
: Kong.
moonlights
who
【在 g****a 的大作中提到】
![](/moin_static193/solenoid/img/up.png)
: http://www.facebook.com/xyzacruzbacaniphotography
: http://www.cnn.com/2015/01/06/asia/domestic-worker-photographer
: Bacani, 27, is a migrant domestic worker or "helper" (菲佣) who moonlights
: as a photographer.
: She posts new images on Facebook or her blog almost daily. That's how she
: caught the attention of Filipino documentary photographer Rick Rocamora who
: introduced her to a community of mentors. Soon after, doors began to open --
: first, a profile in The New York Times' Lens blog, then a Fuji Film
: sponsorship and an exhibition at the Philippines Consulate General in Hong
: Kong.
l*3
5 楼
明暗掌握得真好!
a*g
6 楼
主题是王道。再好的画质, 没有主题,没有思想也是渣。
就好比没有灵魂。
个人认为摄影的最高境界是思想。 器材只是辅助
就好比没有灵魂。
个人认为摄影的最高境界是思想。 器材只是辅助
b*g
8 楼
虽然一直讨厌唯器材论,但这个问题还得客观看,人文纪实类题材对器材要求是很低的。
只要这么想,D90出现的几年前,很多职业记者、纪实摄影师用的都是D100/D200,不是
照样用6mp甚至不到的画质拍了很多好片么。
只要这么想,D90出现的几年前,很多职业记者、纪实摄影师用的都是D100/D200,不是
照样用6mp甚至不到的画质拍了很多好片么。
D*3
9 楼
X100T?
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