这年头在北美唱输情慢歌好像是没什么出路的。LMAFO可以靠一首搞笑的Sexy and i know it在各大排行榜占据首位很久,可是唱慢歌的就都不行了,甚至连Colbie Caillat都装嗲卖乖的改格去唱“I do"了。到是有几位男歌首在唱慢歌,好像听起来很 gay很苦逼的Jason Mraz前不久出了首慢歌还很意外的跑到itunes榜首了一阵。Michael Buble也唱慢歌,旋律到是很优美,不过红就红不起来了(好像从前在某个版上看到说 Michael Buble的歌迷都是大妈。真是有趣) 不过2011终于给了我们一个惊喜: Christina Perri 很有趣的是Christina Perri不只对普通歌迷来说是惊喜,我在好多城市都听到DJ们很 兴奋地谈论去年(2010年)Christina Perri曾经到他们那里开演唱会但当时大家都不知 道这位是谁云云。看来这娱乐圈红和不红相差真是天上地下。 对一般歌迷来说,Christina Perri成名是她给Twilight4配的歌One thousand years 说起这首歌还是很有趣的。当时是在down It will rain时看见了顺手down下来的。然 后没听就burn盘了。第2天早上第一次听这首歌时立马就觉得不对,听了一句还以为是 错把Colbie Caillat的哪首旧歌给burn了。听到第3句才反应过来这是Christina Perri 的那首新歌。 One thousand years还是比较不错的。不过我更喜欢Christina Perri之前推出自己的 碟里的歌。其中最喜欢的是Arms 不过好像这首并不是很红,没准是这歌名不怎么impressive。她较早推出的另一首Jar of hearts到是红了一阵,尤其是在vh1上。 这首名字很有诗意但我感觉比Arms略差,一个原因没准是因为Arms较有动歌的成份。现 在Christina Perri成名了。不知道她唱慢歌可以唱多久,会不会最后也像Colbie Caillat那样转向快歌路线。
给你贴个影评节选吧. Despite the warm reception the film is receiving among many in the Hmong community, the depictions of the Hmong characters in “Gran Torino” are closely aligned with stereotypical representations of Asian Americans. Sue and Thao Lor, part of the family that live next door to Kowalski, and most of the members of the Hmong characters in the film, are depicted as people who are unable to care for and protect themselves and thus desperately need Kowalski’s intervention. There are no Hmong
【在 m*******y 的大作中提到】 : 这个片子都能看出白人至上色彩……佩服佩服
z*n
46 楼
总之白人是大救星 本版人士经常说这个那个片子“辱华”,从那个逻辑看,这个片子绝对是辱苗
Sue need who to
【在 j***b 的大作中提到】 : 给你贴个影评节选吧. : Despite the warm reception the film is receiving among many in the Hmong : community, the depictions of the Hmong characters in “Gran Torino” are : closely aligned with stereotypical representations of Asian Americans. Sue : and Thao Lor, part of the family that live next door to Kowalski, and most : of the members of the Hmong characters in the film, are depicted as people : who are unable to care for and protect themselves and thus desperately need : Kowalski’s intervention. There are no Hmong