g*y
2 楼
没看这片,不能评论;旁听之余,感慨:这是电视剧还是广播剧啊,这旁白,不尽长江
滚滚来啊
滚滚来啊
t*s
3 楼
不会。你父母要清楚您的情况,问道了如实说。
a*e
5 楼
看了几集看不下去了,太装了这片子
a*m
8 楼
弃之可惜,食之无味。。。
if [ -s 比它更好的国产剧 ]; then
echo "tell me the name!"
else
echo "请支持国货!"
fi
if [ -s 比它更好的国产剧 ]; then
echo "tell me the name!"
else
echo "请支持国货!"
fi
x*n
74 楼
关键是怎么拍才叫会拍啊?周小平那样拍得也太没技术含量了…
个就是写时下题材的例子 —— 现实,尖锐,比什么挖掘坟墓古人戏的题材要高几个层
次啊。
不用借古讽今,不用遮遮掩掩,今天,当下,这类题材就在那儿:没说不能讲,没说不
让拍,关键看你怎么讲会不会拍。。。
【在 p****s 的大作中提到】
: 那个会计也演得好啊,虽然脸谱化,可这种基层小俗吏的形象真是像~
: 谁说现在天朝不让拍现实题材只能天天上小三戏宫斗戏乃至抗日大辫子了?马向阳这个就是写时下题材的例子 —— 现实,尖锐,比什么挖掘坟墓古人戏的题材要高几个层次啊。
: 中国本质就是个初具城市化的农业社会国家,因此仍然只有扎根农村才能读懂中国。不用借古讽今,不用遮遮掩掩,今天,当下,这类题材就在那儿:没说不能讲,没说不让拍,关键看你怎么讲会不会拍。。。
个就是写时下题材的例子 —— 现实,尖锐,比什么挖掘坟墓古人戏的题材要高几个层
次啊。
不用借古讽今,不用遮遮掩掩,今天,当下,这类题材就在那儿:没说不能讲,没说不
让拍,关键看你怎么讲会不会拍。。。
【在 p****s 的大作中提到】
: 那个会计也演得好啊,虽然脸谱化,可这种基层小俗吏的形象真是像~
: 谁说现在天朝不让拍现实题材只能天天上小三戏宫斗戏乃至抗日大辫子了?马向阳这个就是写时下题材的例子 —— 现实,尖锐,比什么挖掘坟墓古人戏的题材要高几个层次啊。
: 中国本质就是个初具城市化的农业社会国家,因此仍然只有扎根农村才能读懂中国。不用借古讽今,不用遮遮掩掩,今天,当下,这类题材就在那儿:没说不能讲,没说不让拍,关键看你怎么讲会不会拍。。。
l*m
76 楼
必须是啊。我查了一下主要演员,基本都是山东籍的(吴秀波是北京,告状那个丫头是
陕西),而且都是很有来头的,虽然脸可能不太熟。比如二叔内角,中戏87级的,之
后在人艺演了好多年的话剧。演逃跑的村领导的内位,是高英培的儿子。。。
这个片虽然漏洞不少,但主线和心思很不错,尤其是借农村这个号称中国“最民主”的
地方说事儿---不是赵本山那种纯粹耍宝的那种---非常以小见大啊。村子里面各
种传统势力和从上面派下来的新兴力量的较量,互相的利用,引导民意并操纵投票结果
,我刚一看就说,咦,介不一中国农村版的纸牌屋吗。。。
个就是写时下题材的例子 —— 现实,尖锐,比什么挖掘坟墓古人戏的题材要高几个层
次啊。
不用借古讽今,不用遮遮掩掩,今天,当下,这类题材就在那儿:没说不能讲,没说不
让拍,关键看你怎么讲会不会拍。。。
【在 p****s 的大作中提到】
: 那个会计也演得好啊,虽然脸谱化,可这种基层小俗吏的形象真是像~
: 谁说现在天朝不让拍现实题材只能天天上小三戏宫斗戏乃至抗日大辫子了?马向阳这个就是写时下题材的例子 —— 现实,尖锐,比什么挖掘坟墓古人戏的题材要高几个层次啊。
: 中国本质就是个初具城市化的农业社会国家,因此仍然只有扎根农村才能读懂中国。不用借古讽今,不用遮遮掩掩,今天,当下,这类题材就在那儿:没说不能讲,没说不让拍,关键看你怎么讲会不会拍。。。
陕西),而且都是很有来头的,虽然脸可能不太熟。比如二叔内角,中戏87级的,之
后在人艺演了好多年的话剧。演逃跑的村领导的内位,是高英培的儿子。。。
这个片虽然漏洞不少,但主线和心思很不错,尤其是借农村这个号称中国“最民主”的
地方说事儿---不是赵本山那种纯粹耍宝的那种---非常以小见大啊。村子里面各
种传统势力和从上面派下来的新兴力量的较量,互相的利用,引导民意并操纵投票结果
,我刚一看就说,咦,介不一中国农村版的纸牌屋吗。。。
个就是写时下题材的例子 —— 现实,尖锐,比什么挖掘坟墓古人戏的题材要高几个层
次啊。
不用借古讽今,不用遮遮掩掩,今天,当下,这类题材就在那儿:没说不能讲,没说不
让拍,关键看你怎么讲会不会拍。。。
【在 p****s 的大作中提到】
: 那个会计也演得好啊,虽然脸谱化,可这种基层小俗吏的形象真是像~
: 谁说现在天朝不让拍现实题材只能天天上小三戏宫斗戏乃至抗日大辫子了?马向阳这个就是写时下题材的例子 —— 现实,尖锐,比什么挖掘坟墓古人戏的题材要高几个层次啊。
: 中国本质就是个初具城市化的农业社会国家,因此仍然只有扎根农村才能读懂中国。不用借古讽今,不用遮遮掩掩,今天,当下,这类题材就在那儿:没说不能讲,没说不让拍,关键看你怎么讲会不会拍。。。
p*s
83 楼
这个二叔,我瞅着怎么感觉好像演过大宅门?
【在 l******m 的大作中提到】
: 必须是啊。我查了一下主要演员,基本都是山东籍的(吴秀波是北京,告状那个丫头是
: 陕西),而且都是很有来头的,虽然脸可能不太熟。比如二叔内角,中戏87级的,之
: 后在人艺演了好多年的话剧。演逃跑的村领导的内位,是高英培的儿子。。。
: 这个片虽然漏洞不少,但主线和心思很不错,尤其是借农村这个号称中国“最民主”的
: 地方说事儿---不是赵本山那种纯粹耍宝的那种---非常以小见大啊。村子里面各
: 种传统势力和从上面派下来的新兴力量的较量,互相的利用,引导民意并操纵投票结果
: ,我刚一看就说,咦,介不一中国农村版的纸牌屋吗。。。
:
: 个就是写时下题材的例子 —— 现实,尖锐,比什么挖掘坟墓古人戏的题材要高几个层
: 次啊。
【在 l******m 的大作中提到】
: 必须是啊。我查了一下主要演员,基本都是山东籍的(吴秀波是北京,告状那个丫头是
: 陕西),而且都是很有来头的,虽然脸可能不太熟。比如二叔内角,中戏87级的,之
: 后在人艺演了好多年的话剧。演逃跑的村领导的内位,是高英培的儿子。。。
: 这个片虽然漏洞不少,但主线和心思很不错,尤其是借农村这个号称中国“最民主”的
: 地方说事儿---不是赵本山那种纯粹耍宝的那种---非常以小见大啊。村子里面各
: 种传统势力和从上面派下来的新兴力量的较量,互相的利用,引导民意并操纵投票结果
: ,我刚一看就说,咦,介不一中国农村版的纸牌屋吗。。。
:
: 个就是写时下题材的例子 —— 现实,尖锐,比什么挖掘坟墓古人戏的题材要高几个层
: 次啊。
a*m
87 楼
这拨儿灌完了?
b*s
96 楼
现实主义有没有无所谓,关键是国人影视的fantasy 和 sci fi 太弱。历史剧也不好好
搞,真正好看的,例如金瓶梅也不拍……
个就是写时下题材的例子 —— 现实,尖锐,比什么挖掘坟墓古人戏的题材要高几个层
次啊。
【在 p****s 的大作中提到】
: 那个会计也演得好啊,虽然脸谱化,可这种基层小俗吏的形象真是像~
: 谁说现在天朝不让拍现实题材只能天天上小三戏宫斗戏乃至抗日大辫子了?马向阳这个就是写时下题材的例子 —— 现实,尖锐,比什么挖掘坟墓古人戏的题材要高几个层次啊。
: 中国本质就是个初具城市化的农业社会国家,因此仍然只有扎根农村才能读懂中国。不用借古讽今,不用遮遮掩掩,今天,当下,这类题材就在那儿:没说不能讲,没说不让拍,关键看你怎么讲会不会拍。。。
搞,真正好看的,例如金瓶梅也不拍……
个就是写时下题材的例子 —— 现实,尖锐,比什么挖掘坟墓古人戏的题材要高几个层
次啊。
【在 p****s 的大作中提到】
: 那个会计也演得好啊,虽然脸谱化,可这种基层小俗吏的形象真是像~
: 谁说现在天朝不让拍现实题材只能天天上小三戏宫斗戏乃至抗日大辫子了?马向阳这个就是写时下题材的例子 —— 现实,尖锐,比什么挖掘坟墓古人戏的题材要高几个层次啊。
: 中国本质就是个初具城市化的农业社会国家,因此仍然只有扎根农村才能读懂中国。不用借古讽今,不用遮遮掩掩,今天,当下,这类题材就在那儿:没说不能讲,没说不让拍,关键看你怎么讲会不会拍。。。
b*s
108 楼
戏要拍得好,是不是人类,是不是在地球上都木有关系。基层啊啥的都是overrated。
BSG秒杀你们这些基层啥的,虽说不是human,不是在太阳系,但是够shakespearean……
个就是写时下题材的例子 —— 现实,尖锐,比什么挖掘坟墓古人戏的题材要高几个层
次啊。
不用借古讽今,不用遮遮掩掩,今天,当下,这类题材就在那儿:没说不能讲,没说不
让拍,关键看你怎么讲会不会拍。。。
【在 p****s 的大作中提到】
: 那个会计也演得好啊,虽然脸谱化,可这种基层小俗吏的形象真是像~
: 谁说现在天朝不让拍现实题材只能天天上小三戏宫斗戏乃至抗日大辫子了?马向阳这个就是写时下题材的例子 —— 现实,尖锐,比什么挖掘坟墓古人戏的题材要高几个层次啊。
: 中国本质就是个初具城市化的农业社会国家,因此仍然只有扎根农村才能读懂中国。不用借古讽今,不用遮遮掩掩,今天,当下,这类题材就在那儿:没说不能讲,没说不让拍,关键看你怎么讲会不会拍。。。
BSG秒杀你们这些基层啥的,虽说不是human,不是在太阳系,但是够shakespearean……
个就是写时下题材的例子 —— 现实,尖锐,比什么挖掘坟墓古人戏的题材要高几个层
次啊。
不用借古讽今,不用遮遮掩掩,今天,当下,这类题材就在那儿:没说不能讲,没说不
让拍,关键看你怎么讲会不会拍。。。
【在 p****s 的大作中提到】
: 那个会计也演得好啊,虽然脸谱化,可这种基层小俗吏的形象真是像~
: 谁说现在天朝不让拍现实题材只能天天上小三戏宫斗戏乃至抗日大辫子了?马向阳这个就是写时下题材的例子 —— 现实,尖锐,比什么挖掘坟墓古人戏的题材要高几个层次啊。
: 中国本质就是个初具城市化的农业社会国家,因此仍然只有扎根农村才能读懂中国。不用借古讽今,不用遮遮掩掩,今天,当下,这类题材就在那儿:没说不能讲,没说不让拍,关键看你怎么讲会不会拍。。。
b*s
109 楼
BSG里面gaius操纵民意才是大师……
【在 l******m 的大作中提到】
: 必须是啊。我查了一下主要演员,基本都是山东籍的(吴秀波是北京,告状那个丫头是
: 陕西),而且都是很有来头的,虽然脸可能不太熟。比如二叔内角,中戏87级的,之
: 后在人艺演了好多年的话剧。演逃跑的村领导的内位,是高英培的儿子。。。
: 这个片虽然漏洞不少,但主线和心思很不错,尤其是借农村这个号称中国“最民主”的
: 地方说事儿---不是赵本山那种纯粹耍宝的那种---非常以小见大啊。村子里面各
: 种传统势力和从上面派下来的新兴力量的较量,互相的利用,引导民意并操纵投票结果
: ,我刚一看就说,咦,介不一中国农村版的纸牌屋吗。。。
:
: 个就是写时下题材的例子 —— 现实,尖锐,比什么挖掘坟墓古人戏的题材要高几个层
: 次啊。
【在 l******m 的大作中提到】
: 必须是啊。我查了一下主要演员,基本都是山东籍的(吴秀波是北京,告状那个丫头是
: 陕西),而且都是很有来头的,虽然脸可能不太熟。比如二叔内角,中戏87级的,之
: 后在人艺演了好多年的话剧。演逃跑的村领导的内位,是高英培的儿子。。。
: 这个片虽然漏洞不少,但主线和心思很不错,尤其是借农村这个号称中国“最民主”的
: 地方说事儿---不是赵本山那种纯粹耍宝的那种---非常以小见大啊。村子里面各
: 种传统势力和从上面派下来的新兴力量的较量,互相的利用,引导民意并操纵投票结果
: ,我刚一看就说,咦,介不一中国农村版的纸牌屋吗。。。
:
: 个就是写时下题材的例子 —— 现实,尖锐,比什么挖掘坟墓古人戏的题材要高几个层
: 次啊。
b*s
115 楼
演戏就追求这个效果。果酱一开始说的House of Cards,就是很shakespearean:
Frank's breaking of the fourth wall parallels "Richard III": Some of
Shakespeare's characters break the fourth wall (they talk to the audience,
indicated in Shakespeare's plays with the reference Aside:), notably Richard
III and also Iago, the villain from "Othello." In many ways, this makes
characters that are, essentially, villains, much more palatable to the
audience. They say funny things and create a rapport with us. They make us
feel like they're our close friends. But be careful! If you let your guard
down, they might just stab you (or push you in onto a subway platform in
front of a moving train).
Frank, like Richard III and sometimes even Iago, is a likable villain: A
character breaking the fourth wall, no matter what kind of crimes and
murders he is committing, makes us feel like we are in his inner circle,
like we are confidantes. Frank, Richard III, and Iago also make fun of all
the idiots around them, and we don't want to be in that pool, do we? As
Paula C. Blank notes in The Washington Post, "We can’t help but identify
with him — because otherwise we’d identify with the fools."
There are major parallels between Claire Underwood and Lady Macbeth: Claire
Underwood, like Lady Macbeth, is as power hungry, if not more so, than her
husband. She, too, supports his rise to power by whatever means necessary.
She, too, has no children (though in "Macbeth," there is one reference that
Lady Macbeth might have formerly had a child, this child is not present in
any way in the play, so it is likely that if there was a child, it died at a
young age). She, too, is not particularly nurturing. She, too, is extremely
scheming and cunning. She manages to turn what could have been a major
media mess (admitting she had had an abortion on live TV) into a discussion
about the prevalence of undisclosed rapes that happen in the army. We wonder
if we will begin to see her unravel, as Lady Macbeth does.
There are major parallels between Claire and Frank Underwood's marriage and
the Macbeth's marriage: The only people that Claire and Frank seem to care
about other than themselves are each other. They really do seem to be in
love (in our opinion). They support each other through thick and thin. They
are open about their affairs. They calculate and plan together. And they
both ultimately have the same goal: power.
Frank's unrelenting quest for power is similar to that of Macbeth's: On
several occasions, Frank mentions that he greatly desires power over money
and despises people who are the other way around. This is very Macbeth-ian.
He, also like Macbeth, is ruthless and willing to kill anyone who gets in
his way.
……
凭啥 shakespearean就好啊?
……
【在 x***n 的大作中提到】
: 凭啥 shakespearean就好啊?
:
: ……
Frank's breaking of the fourth wall parallels "Richard III": Some of
Shakespeare's characters break the fourth wall (they talk to the audience,
indicated in Shakespeare's plays with the reference Aside:), notably Richard
III and also Iago, the villain from "Othello." In many ways, this makes
characters that are, essentially, villains, much more palatable to the
audience. They say funny things and create a rapport with us. They make us
feel like they're our close friends. But be careful! If you let your guard
down, they might just stab you (or push you in onto a subway platform in
front of a moving train).
Frank, like Richard III and sometimes even Iago, is a likable villain: A
character breaking the fourth wall, no matter what kind of crimes and
murders he is committing, makes us feel like we are in his inner circle,
like we are confidantes. Frank, Richard III, and Iago also make fun of all
the idiots around them, and we don't want to be in that pool, do we? As
Paula C. Blank notes in The Washington Post, "We can’t help but identify
with him — because otherwise we’d identify with the fools."
There are major parallels between Claire Underwood and Lady Macbeth: Claire
Underwood, like Lady Macbeth, is as power hungry, if not more so, than her
husband. She, too, supports his rise to power by whatever means necessary.
She, too, has no children (though in "Macbeth," there is one reference that
Lady Macbeth might have formerly had a child, this child is not present in
any way in the play, so it is likely that if there was a child, it died at a
young age). She, too, is not particularly nurturing. She, too, is extremely
scheming and cunning. She manages to turn what could have been a major
media mess (admitting she had had an abortion on live TV) into a discussion
about the prevalence of undisclosed rapes that happen in the army. We wonder
if we will begin to see her unravel, as Lady Macbeth does.
There are major parallels between Claire and Frank Underwood's marriage and
the Macbeth's marriage: The only people that Claire and Frank seem to care
about other than themselves are each other. They really do seem to be in
love (in our opinion). They support each other through thick and thin. They
are open about their affairs. They calculate and plan together. And they
both ultimately have the same goal: power.
Frank's unrelenting quest for power is similar to that of Macbeth's: On
several occasions, Frank mentions that he greatly desires power over money
and despises people who are the other way around. This is very Macbeth-ian.
He, also like Macbeth, is ruthless and willing to kill anyone who gets in
his way.
……
凭啥 shakespearean就好啊?
……
【在 x***n 的大作中提到】
: 凭啥 shakespearean就好啊?
:
: ……
b*s
117 楼
其实Gaius Baltar也很macbeth的……
Richard
【在 b*s 的大作中提到】
: 演戏就追求这个效果。果酱一开始说的House of Cards,就是很shakespearean:
: Frank's breaking of the fourth wall parallels "Richard III": Some of
: Shakespeare's characters break the fourth wall (they talk to the audience,
: indicated in Shakespeare's plays with the reference Aside:), notably Richard
: III and also Iago, the villain from "Othello." In many ways, this makes
: characters that are, essentially, villains, much more palatable to the
: audience. They say funny things and create a rapport with us. They make us
: feel like they're our close friends. But be careful! If you let your guard
: down, they might just stab you (or push you in onto a subway platform in
: front of a moving train).
Richard
【在 b*s 的大作中提到】
: 演戏就追求这个效果。果酱一开始说的House of Cards,就是很shakespearean:
: Frank's breaking of the fourth wall parallels "Richard III": Some of
: Shakespeare's characters break the fourth wall (they talk to the audience,
: indicated in Shakespeare's plays with the reference Aside:), notably Richard
: III and also Iago, the villain from "Othello." In many ways, this makes
: characters that are, essentially, villains, much more palatable to the
: audience. They say funny things and create a rapport with us. They make us
: feel like they're our close friends. But be careful! If you let your guard
: down, they might just stab you (or push you in onto a subway platform in
: front of a moving train).
b*s
124 楼
Kevin Spacey在伦敦演了好一阵子richard iii,然后演frank underwood就是驾轻就熟
的感觉……
Richard
【在 b*s 的大作中提到】
: 演戏就追求这个效果。果酱一开始说的House of Cards,就是很shakespearean:
: Frank's breaking of the fourth wall parallels "Richard III": Some of
: Shakespeare's characters break the fourth wall (they talk to the audience,
: indicated in Shakespeare's plays with the reference Aside:), notably Richard
: III and also Iago, the villain from "Othello." In many ways, this makes
: characters that are, essentially, villains, much more palatable to the
: audience. They say funny things and create a rapport with us. They make us
: feel like they're our close friends. But be careful! If you let your guard
: down, they might just stab you (or push you in onto a subway platform in
: front of a moving train).
的感觉……
Richard
【在 b*s 的大作中提到】
: 演戏就追求这个效果。果酱一开始说的House of Cards,就是很shakespearean:
: Frank's breaking of the fourth wall parallels "Richard III": Some of
: Shakespeare's characters break the fourth wall (they talk to the audience,
: indicated in Shakespeare's plays with the reference Aside:), notably Richard
: III and also Iago, the villain from "Othello." In many ways, this makes
: characters that are, essentially, villains, much more palatable to the
: audience. They say funny things and create a rapport with us. They make us
: feel like they're our close friends. But be careful! If you let your guard
: down, they might just stab you (or push you in onto a subway platform in
: front of a moving train).
l*m
133 楼
新一季啥时候出?
Richard
【在 b*s 的大作中提到】
: 演戏就追求这个效果。果酱一开始说的House of Cards,就是很shakespearean:
: Frank's breaking of the fourth wall parallels "Richard III": Some of
: Shakespeare's characters break the fourth wall (they talk to the audience,
: indicated in Shakespeare's plays with the reference Aside:), notably Richard
: III and also Iago, the villain from "Othello." In many ways, this makes
: characters that are, essentially, villains, much more palatable to the
: audience. They say funny things and create a rapport with us. They make us
: feel like they're our close friends. But be careful! If you let your guard
: down, they might just stab you (or push you in onto a subway platform in
: front of a moving train).
Richard
【在 b*s 的大作中提到】
: 演戏就追求这个效果。果酱一开始说的House of Cards,就是很shakespearean:
: Frank's breaking of the fourth wall parallels "Richard III": Some of
: Shakespeare's characters break the fourth wall (they talk to the audience,
: indicated in Shakespeare's plays with the reference Aside:), notably Richard
: III and also Iago, the villain from "Othello." In many ways, this makes
: characters that are, essentially, villains, much more palatable to the
: audience. They say funny things and create a rapport with us. They make us
: feel like they're our close friends. But be careful! If you let your guard
: down, they might just stab you (or push you in onto a subway platform in
: front of a moving train).
b*s
140 楼
你才做梦呢。活说九月同学现在天天把做梦当闹钟使……
还好,不像你梦见警车改出租。。。
土了吧你。我现在已经是Neo了,看啥都是代码。
我说的是米国的民主。。。不过,马向阳里面的确加了不少颇为煽情的音乐,阿拉通过
假期和蓝火的工作锻炼,一耳朵就给拎了出来。音乐一响,我就说,妈的,马上要煽情
了,赶紧准备好。。
【在 l******m 的大作中提到】
: 还好,不像你梦见警车改出租。。。
:
: 土了吧你。我现在已经是Neo了,看啥都是代码。
: 我说的是米国的民主。。。不过,马向阳里面的确加了不少颇为煽情的音乐,阿拉通过
: 假期和蓝火的工作锻炼,一耳朵就给拎了出来。音乐一响,我就说,妈的,马上要煽情
: 了,赶紧准备好。。
还好,不像你梦见警车改出租。。。
土了吧你。我现在已经是Neo了,看啥都是代码。
我说的是米国的民主。。。不过,马向阳里面的确加了不少颇为煽情的音乐,阿拉通过
假期和蓝火的工作锻炼,一耳朵就给拎了出来。音乐一响,我就说,妈的,马上要煽情
了,赶紧准备好。。
【在 l******m 的大作中提到】
: 还好,不像你梦见警车改出租。。。
:
: 土了吧你。我现在已经是Neo了,看啥都是代码。
: 我说的是米国的民主。。。不过,马向阳里面的确加了不少颇为煽情的音乐,阿拉通过
: 假期和蓝火的工作锻炼,一耳朵就给拎了出来。音乐一响,我就说,妈的,马上要煽情
: 了,赶紧准备好。。
l*m
142 楼
内是九儿,对于咱们,是这样的。。。
http://youtu.be/QEHrrqDxpV8
还好,不像你梦见警车改出租。。。
土了吧你。我现在已经是Neo了,看啥都是代码。
我说的是米国的民主。。。不过,马向阳里面的确加了不少颇为煽情的音乐,阿拉通过
假期和蓝火的工作锻炼,一耳朵就给拎了出来。音乐一响,我就说,妈的,马上要煽情
了,赶紧准备好。。
【在 b*s 的大作中提到】
: 你才做梦呢。活说九月同学现在天天把做梦当闹钟使……
:
: 还好,不像你梦见警车改出租。。。
: 土了吧你。我现在已经是Neo了,看啥都是代码。
: 我说的是米国的民主。。。不过,马向阳里面的确加了不少颇为煽情的音乐,阿拉通过
: 假期和蓝火的工作锻炼,一耳朵就给拎了出来。音乐一响,我就说,妈的,马上要煽情
: 了,赶紧准备好。。
http://youtu.be/QEHrrqDxpV8
还好,不像你梦见警车改出租。。。
土了吧你。我现在已经是Neo了,看啥都是代码。
我说的是米国的民主。。。不过,马向阳里面的确加了不少颇为煽情的音乐,阿拉通过
假期和蓝火的工作锻炼,一耳朵就给拎了出来。音乐一响,我就说,妈的,马上要煽情
了,赶紧准备好。。
【在 b*s 的大作中提到】
: 你才做梦呢。活说九月同学现在天天把做梦当闹钟使……
:
: 还好,不像你梦见警车改出租。。。
: 土了吧你。我现在已经是Neo了,看啥都是代码。
: 我说的是米国的民主。。。不过,马向阳里面的确加了不少颇为煽情的音乐,阿拉通过
: 假期和蓝火的工作锻炼,一耳朵就给拎了出来。音乐一响,我就说,妈的,马上要煽情
: 了,赶紧准备好。。
l*m
145 楼
J也是有歌可配的。侬怎么也应该这样跳着叫我醒醒吧。。。?
http://youtu.be/DOkLfsaZOGc
【在 L**********s 的大作中提到】
: 果酱,侬醒醒~~~
http://youtu.be/DOkLfsaZOGc
【在 L**********s 的大作中提到】
: 果酱,侬醒醒~~~
J*8
151 楼
摄影好,演技好,故事不喜欢
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