r*r
2 楼
Film directors create an overall vision through which a film eventually
becomes realized.[2] Realizing this vision includes overseeing the artistic
and technical elements of film production, as well as directing the shooting
timetable and meeting deadlines.[3] This entails organizing the film crew
in such a way as to achieve his or her vision of the film.[4] [5] This
requires skills of group leadership, as well as the ability to maintain a
singular focus even in the stressful environment of a film set.[6] Moreover
it is necessary to have an artistic eye to frame shots and to give precise
feedback to cast and crew,[7] thus, excellent communication skills are a
must.[8]
Since the film director depends on the successful cooperation of many
different creative individuals with possibly strongly contradicting artistic
ideals and visions, he or she also needs to possess conflict resolution
skills in order to mediate whenever necessary. [9] Thus the director ensures
that all individuals involved in the film production are working towards an
identical vision for the completed film.[4] The set of varying challenges
he or she has to tackle has been described as "a multi-dimensional jigsaw
puzzle with egos and weather thrown in for good measure".[10] It adds to the
pressure that the success of a film can influence when and how they will
work again. [11] Omnipresent are the boundaries of the films budget.[12]
Additionally, the director may also have to ensure an intended age rating.[
13] Theoretically the sole superior of a director is the studio that is
financing the film, [14] [2] however a poor working relationship between a
film director and an actor could possibly result in the director being
replaced if the actor is a major film star.[15] Even so, it is arguable that
the director spends more time on a project than anyone else, considering
that the director is one of the few positions that requires intimate
involvement during every stage of film production. Thus, the position of
film director is widely considered to be a highly stressful and demanding
one.[1] It has been said that "20-hour days are not unusual".[2]
【在 l*****l 的大作中提到】
: 我怎么觉得编剧才是最最重要的。
: 只有那些大成本动作片科幻片,
: 或者是没啥情节的艺术电影,
: 导演才重要吧。
becomes realized.[2] Realizing this vision includes overseeing the artistic
and technical elements of film production, as well as directing the shooting
timetable and meeting deadlines.[3] This entails organizing the film crew
in such a way as to achieve his or her vision of the film.[4] [5] This
requires skills of group leadership, as well as the ability to maintain a
singular focus even in the stressful environment of a film set.[6] Moreover
it is necessary to have an artistic eye to frame shots and to give precise
feedback to cast and crew,[7] thus, excellent communication skills are a
must.[8]
Since the film director depends on the successful cooperation of many
different creative individuals with possibly strongly contradicting artistic
ideals and visions, he or she also needs to possess conflict resolution
skills in order to mediate whenever necessary. [9] Thus the director ensures
that all individuals involved in the film production are working towards an
identical vision for the completed film.[4] The set of varying challenges
he or she has to tackle has been described as "a multi-dimensional jigsaw
puzzle with egos and weather thrown in for good measure".[10] It adds to the
pressure that the success of a film can influence when and how they will
work again. [11] Omnipresent are the boundaries of the films budget.[12]
Additionally, the director may also have to ensure an intended age rating.[
13] Theoretically the sole superior of a director is the studio that is
financing the film, [14] [2] however a poor working relationship between a
film director and an actor could possibly result in the director being
replaced if the actor is a major film star.[15] Even so, it is arguable that
the director spends more time on a project than anyone else, considering
that the director is one of the few positions that requires intimate
involvement during every stage of film production. Thus, the position of
film director is widely considered to be a highly stressful and demanding
one.[1] It has been said that "20-hour days are not unusual".[2]
【在 l*****l 的大作中提到】
: 我怎么觉得编剧才是最最重要的。
: 只有那些大成本动作片科幻片,
: 或者是没啥情节的艺术电影,
: 导演才重要吧。
s*3
3 楼
跟我想象的差不多。
artistic
shooting
Moreover
【在 r********r 的大作中提到】
: Film directors create an overall vision through which a film eventually
: becomes realized.[2] Realizing this vision includes overseeing the artistic
: and technical elements of film production, as well as directing the shooting
: timetable and meeting deadlines.[3] This entails organizing the film crew
: in such a way as to achieve his or her vision of the film.[4] [5] This
: requires skills of group leadership, as well as the ability to maintain a
: singular focus even in the stressful environment of a film set.[6] Moreover
: it is necessary to have an artistic eye to frame shots and to give precise
: feedback to cast and crew,[7] thus, excellent communication skills are a
: must.[8]
artistic
shooting
Moreover
【在 r********r 的大作中提到】
: Film directors create an overall vision through which a film eventually
: becomes realized.[2] Realizing this vision includes overseeing the artistic
: and technical elements of film production, as well as directing the shooting
: timetable and meeting deadlines.[3] This entails organizing the film crew
: in such a way as to achieve his or her vision of the film.[4] [5] This
: requires skills of group leadership, as well as the ability to maintain a
: singular focus even in the stressful environment of a film set.[6] Moreover
: it is necessary to have an artistic eye to frame shots and to give precise
: feedback to cast and crew,[7] thus, excellent communication skills are a
: must.[8]
p*p
7 楼
我以前玩票写剧本时,和几个电影圈的专业人士聊过,学了一点。这个编剧呢, 尤其
是中国,碰到小编剧大导演,那简直就是跟着导演屁股后转的, 导演随便改剧本。 这
种情况下, 编剧的意义不大,实际情况不少就是这样,甚至导演客串当编剧。
你说的这个编剧重要呢,可能就是传统上的剧本是一部电影的灵魂啊或者核啊的延伸。
编剧弄的剧本呢,分几种。我们业余的写电影剧本,一般好象叫文学剧本,我当年写的
一个,虽然是按照场景写,一个场景,一个场景的,但也算文学剧本。而专业的那种分
镜头剧本啥的,还要专业训练过的。
不过导演或者制片人,选剧本的时候,文学剧本就足够了,看好不好, 小说都行。觉
得合适了, 找编剧改编。
编剧只需要弄剧本, 但剧本出來到拍出来导演还是重要的, 编剧写什么场景,服装,
或者感情很容易,几个字就行, 但场景,服饰,演员到位等等的工作协调,或者认定
,还是要靠导演的。比如重要的说戏。
其实,我觉得, 一部电影,感情上是导演的,好象情人,契约上是制片人的,是妻子
, 而最初的剧本顶多是初恋。 大概就这个意思。
【在 l*****l 的大作中提到】
: 从实务角度看这个是当然的。
: 但是从艺术角度看,我觉得还是编剧更重要。
: 就好比搞技术的vs搞销售的搞管理的,
: 实务上可能后者更重要,说话更响赚的更多。
: 但是我想大部分人肯定觉得导演的技术含量也很高。
是中国,碰到小编剧大导演,那简直就是跟着导演屁股后转的, 导演随便改剧本。 这
种情况下, 编剧的意义不大,实际情况不少就是这样,甚至导演客串当编剧。
你说的这个编剧重要呢,可能就是传统上的剧本是一部电影的灵魂啊或者核啊的延伸。
编剧弄的剧本呢,分几种。我们业余的写电影剧本,一般好象叫文学剧本,我当年写的
一个,虽然是按照场景写,一个场景,一个场景的,但也算文学剧本。而专业的那种分
镜头剧本啥的,还要专业训练过的。
不过导演或者制片人,选剧本的时候,文学剧本就足够了,看好不好, 小说都行。觉
得合适了, 找编剧改编。
编剧只需要弄剧本, 但剧本出來到拍出来导演还是重要的, 编剧写什么场景,服装,
或者感情很容易,几个字就行, 但场景,服饰,演员到位等等的工作协调,或者认定
,还是要靠导演的。比如重要的说戏。
其实,我觉得, 一部电影,感情上是导演的,好象情人,契约上是制片人的,是妻子
, 而最初的剧本顶多是初恋。 大概就这个意思。
【在 l*****l 的大作中提到】
: 从实务角度看这个是当然的。
: 但是从艺术角度看,我觉得还是编剧更重要。
: 就好比搞技术的vs搞销售的搞管理的,
: 实务上可能后者更重要,说话更响赚的更多。
: 但是我想大部分人肯定觉得导演的技术含量也很高。
s*3
8 楼
我正在看一贻笑大方的电视剧,特好看!
【在 p**p 的大作中提到】
: 我以前玩票写剧本时,和几个电影圈的专业人士聊过,学了一点。这个编剧呢, 尤其
: 是中国,碰到小编剧大导演,那简直就是跟着导演屁股后转的, 导演随便改剧本。 这
: 种情况下, 编剧的意义不大,实际情况不少就是这样,甚至导演客串当编剧。
: 你说的这个编剧重要呢,可能就是传统上的剧本是一部电影的灵魂啊或者核啊的延伸。
: 编剧弄的剧本呢,分几种。我们业余的写电影剧本,一般好象叫文学剧本,我当年写的
: 一个,虽然是按照场景写,一个场景,一个场景的,但也算文学剧本。而专业的那种分
: 镜头剧本啥的,还要专业训练过的。
: 不过导演或者制片人,选剧本的时候,文学剧本就足够了,看好不好, 小说都行。觉
: 得合适了, 找编剧改编。
: 编剧只需要弄剧本, 但剧本出來到拍出来导演还是重要的, 编剧写什么场景,服装,
【在 p**p 的大作中提到】
: 我以前玩票写剧本时,和几个电影圈的专业人士聊过,学了一点。这个编剧呢, 尤其
: 是中国,碰到小编剧大导演,那简直就是跟着导演屁股后转的, 导演随便改剧本。 这
: 种情况下, 编剧的意义不大,实际情况不少就是这样,甚至导演客串当编剧。
: 你说的这个编剧重要呢,可能就是传统上的剧本是一部电影的灵魂啊或者核啊的延伸。
: 编剧弄的剧本呢,分几种。我们业余的写电影剧本,一般好象叫文学剧本,我当年写的
: 一个,虽然是按照场景写,一个场景,一个场景的,但也算文学剧本。而专业的那种分
: 镜头剧本啥的,还要专业训练过的。
: 不过导演或者制片人,选剧本的时候,文学剧本就足够了,看好不好, 小说都行。觉
: 得合适了, 找编剧改编。
: 编剧只需要弄剧本, 但剧本出來到拍出来导演还是重要的, 编剧写什么场景,服装,
l*r
9 楼
b*s
17 楼
我觉得导演如果不会写剧本基本就是个二道贩子。比如张艺谋和陈凯歌拍的还算叫好的
片子,都是改变著名小说。本子给谁都不会拍出很烂的电影来。但是好景不长,好本子
没了,他们就开始丢人现眼了
片子,都是改变著名小说。本子给谁都不会拍出很烂的电影来。但是好景不长,好本子
没了,他们就开始丢人现眼了
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