stephen shore 更多的是被称为"color photography"的先锋吧. 至于他的流派 我还没有听人说过是"formalism", documentary 之类的定义还是比较让大众接受吧。
a*f
5 楼
其实一般评论时大多只说一张照片比较formal,不怎么说你这个是formalism。而且也 并非不注重内容,只是对形式比较追求。 看作品时只看form也被称为formalism倒挺make sense. 我也看到不少称shore formalism的说法。 摘抄new color photography里关于shore的讨论。kaleeg你如果还没读过这本的话,是 时候了。 “Of the principal color photographic formalists, Stephen Shore has most successfully adapted Evan’s objectivity and aesthetic autonomy. Yet unlike Evans, who so ably absorbed the significance and sensuousness of his subjects, recognizing the potent ambiguities in the real, Shore avoids mythic possibilities for purely pictorial meaning.” “…Shore’s paradigms are order, balance, and serenity. Objects, shadows, and intervening spaces provide Shore with vital components of co-equal visual significance.” “The almost spiritual sense of balance and quiet harmony that his best photographs contain derives from the sensuous effects of cumulative, rhythmic motifs that remain well integrated, even camouflaged within the continuum of recorded data. Close examination may reveal fugal relationships between various elements, but the individuality of any motif is superseded by its role in the pictorial whole. Consequently, the effect, not the technique, predominates.”
【在 a*f 的大作中提到】 : : 其实一般评论时大多只说一张照片比较formal,不怎么说你这个是formalism。而且也 : 并非不注重内容,只是对形式比较追求。 : 看作品时只看form也被称为formalism倒挺make sense. : 我也看到不少称shore formalism的说法。 : 摘抄new color photography里关于shore的讨论。kaleeg你如果还没读过这本的话,是 : 时候了。 : “Of the principal color photographic formalists, Stephen Shore has most : successfully adapted Evan’s objectivity and aesthetic autonomy. Yet unlike : Evans, who so ably absorbed the significance and sensuousness of his