J*o
2 楼
ZE21啊, 星芒也漂亮
h*s
6 楼
喏。。。。给你。。。。
http://www.fredmiranda.com/forum/topic/1222238
【在 C********n 的大作中提到】
: 但是但是已经准备入TS-E 24MM了,本身还有24-70 II
: 还有必要如16-35吗
http://www.fredmiranda.com/forum/topic/1222238
【在 C********n 的大作中提到】
: 但是但是已经准备入TS-E 24MM了,本身还有24-70 II
: 还有必要如16-35吗
s*s
7 楼
等14-24出来比比再决定吧
s*n
10 楼
什么叫漂亮的星芒?
b*e
12 楼
是全幅的
I would look forward to a 16-50 F/4. If it improved on the optics of the 16-
35mm F/2.8 it would be a hit with landscape photographers. It wouldn't
replace the F/2.8 as large aperatures are too valuable a tool for event
photographers (who often shoot wide open for nice naturally lit shots with
as much background blur to make a subject stand out. The way most wide angle
lenses are used you don't get much bokeh as it is and stopping down would
lessen that effect even more so). I don't think even photograhers would
trade an F stop and rely on cracking ISO higher, but it's totally acceptable
in many other scenarios.
【在 C********n 的大作中提到】
: 16-50 IS是EF-S的吧
I would look forward to a 16-50 F/4. If it improved on the optics of the 16-
35mm F/2.8 it would be a hit with landscape photographers. It wouldn't
replace the F/2.8 as large aperatures are too valuable a tool for event
photographers (who often shoot wide open for nice naturally lit shots with
as much background blur to make a subject stand out. The way most wide angle
lenses are used you don't get much bokeh as it is and stopping down would
lessen that effect even more so). I don't think even photograhers would
trade an F stop and rely on cracking ISO higher, but it's totally acceptable
in many other scenarios.
【在 C********n 的大作中提到】
: 16-50 IS是EF-S的吧
s*n
16 楼
不过我原来问的是什么样的星芒叫好看。。。
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