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http://jeffjlin.com/2013/02/23/ang-lee-and-the-uncertainty-of-s
Ang Lee and the uncertainty of success
jeffjlin
Recently I was going through some old things I had put away for safekeeping,
and I found these:
Business card and interview tape, circa 1993.
In 1993 I interviewed film director Ang Lee before the US premiere of his
second movie, “The Wedding Banquet,” at the Seattle International Film
Festival (at the time I was editor of the International Examiner and we were
one of their media sponsors). At the time, Lee was an unknown in the U.S.,
an anomaly as a Taiwan-born immigrant director in the United States, mostly
notable for having been the NYU classmate of the more famous director Spike
Lee.
Nearly two decades later, it’s Ang Lee who’s up at Sunday’s Academy
Awards for Best Picture (his fourth nomination) and Best Director (his third
), for “Life of Pi.” And in terms of overall tally, “Life of Pi” (11
nominations) trails only Steven Spielberg’s “Lincoln” (12 nominations).
It’s hard not to root for Lee — an unassuming, down-to-earth guy that
sends his kids to public schools, does the cooking and shuttles his sons to
cello lessons when he comes home. I have always had a personal affinity for
him, partly because he was super-nice to my parents (they were seated next
to him at the premiere of “The Wedding Banquet”); partly because he was
gracious both times I interviewed him; partly because he’s from Taiwan (he
has the same accent as my parents) and is kicking ass but not in
semiconductors, manufacturing or medicine. Those are all factors.
But the thing that I perhaps relate to most (and the part that you hopefully
find as inspiring) is the part of his story that’s between the lines,
specifically these lines:
1984: Graduates NYU, signed by William Morris agency after winning the
Wasserman prize with “Fine Line”
1990: Wins prize for two scripts in a contest sponsored by the Taiwanese
government. Gets backing to direct his first feature, “Pushing Hands”
From age 30 to 36, he’s living in an apartment in White Plains, NY trying
to get something — anything — going, while his wife Jane supports the
family of four (they also had two young children) on her modest salary as a
microbiologist. He spends every day at home, working on scripts, raising the
kids, doing the cooking. That’s a six-year span — six years! — filled
with dashed hopes and disappointments. “There was nothing,” he told The
New York Times. “I sent in script after script. Most were turned down. Then
there would be interest, I’d rewrite, hurry up, turn it in and wait weeks
and weeks, just waiting. That was the toughest time for Jane and me. She
didn’t know what a film career was like and neither did I.” It got so
discouraging that Lee reportedly contemplated learning computer science so
he could find a job during this time, but was scolded by his wife when she
found out, telling him to keep his focus.
Put yourself in his shoes. Imagine starting something now, this year, that
you felt you were pretty good at, having won some student awards, devoting
yourself to it full time…and then getting rejected over and over until 2019
. That’s the middle of the term of the next President of the United States.
Can you imagine working that long, not knowing if anything would come of it
? Facing the inevitable “So how’s that film thing going?” question for
the fifth consecutive Thanksgiving dinner; explaining for the umpteeth time
this time it’s different to parents that had hoped that film study meant
you wanted to be a professor of film at a university.
It wasn’t until 1991 that Lee finally got a chance to helm his first movie,
“Pushing Hands,” which wasn’t even released in the U.S. But after “
Pushing Hands” came “The Wedding Banquet,” the film that would be his U.S
. breakout and net him a Best Foreign Picture nomination; two years later,
“Sense and Sensibility” would bring him into worldwide prominence; then a
string of hits: “Crouching Tiger, Hidden Dragon,” “Brokeback Mountain,”
and now “Life of Pi” that have made him a common figure in the Oscar
proceedings and the box-office charts ($576 million and 11 nominations for
“Life of Pi” alone).
Of course, looking at the Ang Lee story now, who wouldn’t want to trade
places: what’s six, seven, ten, even more years if you knew it would result
in massive worldwide commercial and critical success? It’s common to hear
“follow your bliss” or “do what you love and success follows.” Sounds
great, right? Except here’s one small detail: You never get to know if it’
s ever going to happen. You don’t get to choose if and in what form the
success manifests; you don’t get to choose when it arrives.
It’s not as if you say, “Okay, universe, I’m ready for my turn! Any day
now!” For some people it happens immediately; for others they get steady
bits of success over time; and for others, they have long, long stretches of
nothing over years. Another detail that I’ve always wondered about: during
this long period at home, his NYU classmate Spike Lee releases three films,
including the commercially successful and universally acclaimed “Do The
Right Thing” in 1989. Having been in similar situations I can only imagine
it stirred a very complex set of emotions.
If you’re an aspiring author, director, musician, startup founder, these
long stretches of nothing are a huge reason why it’s important to pick
something personally meaningful, something that you actually love to do.
When external rewards and validation are nonexistent; when you suffer
through bouts where of jealousy, wondering “How come so-and-so got signed/
is successful/got a deal/etc?”; when every new development seems like a
kick in the stomach, the love of what you are doing gives you something to
hang onto.
Much is made of genius and talent, but the foundation of any life where you
get to realize your ambitions is simply being able to out-last everyone
through the tough, crappy times — whether through sheer determination, a
strong support network, or simply a lack of options.
On Sunday, as they announce “Life of Pi” as a contender in its 11
categories, make a note to remember it the next time you hit another rough
patch — a series of rejections, a long stretch of nothing. Your
achievements of tomorrow may be very well be planted with the seeds of today
’s disappointments.
P.S. “Life of Pi” is an adaptation of Yann Martel’s 2001 Man Booker Prize
-winning novel of the same name. It recently surpassed sales of 3.1 million
volumes. Of course, first it was rejected by five London publishing houses
before being picked up by Knopf Canada.
Ang Lee and the uncertainty of success
jeffjlin
Recently I was going through some old things I had put away for safekeeping,
and I found these:
Business card and interview tape, circa 1993.
In 1993 I interviewed film director Ang Lee before the US premiere of his
second movie, “The Wedding Banquet,” at the Seattle International Film
Festival (at the time I was editor of the International Examiner and we were
one of their media sponsors). At the time, Lee was an unknown in the U.S.,
an anomaly as a Taiwan-born immigrant director in the United States, mostly
notable for having been the NYU classmate of the more famous director Spike
Lee.
Nearly two decades later, it’s Ang Lee who’s up at Sunday’s Academy
Awards for Best Picture (his fourth nomination) and Best Director (his third
), for “Life of Pi.” And in terms of overall tally, “Life of Pi” (11
nominations) trails only Steven Spielberg’s “Lincoln” (12 nominations).
It’s hard not to root for Lee — an unassuming, down-to-earth guy that
sends his kids to public schools, does the cooking and shuttles his sons to
cello lessons when he comes home. I have always had a personal affinity for
him, partly because he was super-nice to my parents (they were seated next
to him at the premiere of “The Wedding Banquet”); partly because he was
gracious both times I interviewed him; partly because he’s from Taiwan (he
has the same accent as my parents) and is kicking ass but not in
semiconductors, manufacturing or medicine. Those are all factors.
But the thing that I perhaps relate to most (and the part that you hopefully
find as inspiring) is the part of his story that’s between the lines,
specifically these lines:
1984: Graduates NYU, signed by William Morris agency after winning the
Wasserman prize with “Fine Line”
1990: Wins prize for two scripts in a contest sponsored by the Taiwanese
government. Gets backing to direct his first feature, “Pushing Hands”
From age 30 to 36, he’s living in an apartment in White Plains, NY trying
to get something — anything — going, while his wife Jane supports the
family of four (they also had two young children) on her modest salary as a
microbiologist. He spends every day at home, working on scripts, raising the
kids, doing the cooking. That’s a six-year span — six years! — filled
with dashed hopes and disappointments. “There was nothing,” he told The
New York Times. “I sent in script after script. Most were turned down. Then
there would be interest, I’d rewrite, hurry up, turn it in and wait weeks
and weeks, just waiting. That was the toughest time for Jane and me. She
didn’t know what a film career was like and neither did I.” It got so
discouraging that Lee reportedly contemplated learning computer science so
he could find a job during this time, but was scolded by his wife when she
found out, telling him to keep his focus.
Put yourself in his shoes. Imagine starting something now, this year, that
you felt you were pretty good at, having won some student awards, devoting
yourself to it full time…and then getting rejected over and over until 2019
. That’s the middle of the term of the next President of the United States.
Can you imagine working that long, not knowing if anything would come of it
? Facing the inevitable “So how’s that film thing going?” question for
the fifth consecutive Thanksgiving dinner; explaining for the umpteeth time
this time it’s different to parents that had hoped that film study meant
you wanted to be a professor of film at a university.
It wasn’t until 1991 that Lee finally got a chance to helm his first movie,
“Pushing Hands,” which wasn’t even released in the U.S. But after “
Pushing Hands” came “The Wedding Banquet,” the film that would be his U.S
. breakout and net him a Best Foreign Picture nomination; two years later,
“Sense and Sensibility” would bring him into worldwide prominence; then a
string of hits: “Crouching Tiger, Hidden Dragon,” “Brokeback Mountain,”
and now “Life of Pi” that have made him a common figure in the Oscar
proceedings and the box-office charts ($576 million and 11 nominations for
“Life of Pi” alone).
Of course, looking at the Ang Lee story now, who wouldn’t want to trade
places: what’s six, seven, ten, even more years if you knew it would result
in massive worldwide commercial and critical success? It’s common to hear
“follow your bliss” or “do what you love and success follows.” Sounds
great, right? Except here’s one small detail: You never get to know if it’
s ever going to happen. You don’t get to choose if and in what form the
success manifests; you don’t get to choose when it arrives.
It’s not as if you say, “Okay, universe, I’m ready for my turn! Any day
now!” For some people it happens immediately; for others they get steady
bits of success over time; and for others, they have long, long stretches of
nothing over years. Another detail that I’ve always wondered about: during
this long period at home, his NYU classmate Spike Lee releases three films,
including the commercially successful and universally acclaimed “Do The
Right Thing” in 1989. Having been in similar situations I can only imagine
it stirred a very complex set of emotions.
If you’re an aspiring author, director, musician, startup founder, these
long stretches of nothing are a huge reason why it’s important to pick
something personally meaningful, something that you actually love to do.
When external rewards and validation are nonexistent; when you suffer
through bouts where of jealousy, wondering “How come so-and-so got signed/
is successful/got a deal/etc?”; when every new development seems like a
kick in the stomach, the love of what you are doing gives you something to
hang onto.
Much is made of genius and talent, but the foundation of any life where you
get to realize your ambitions is simply being able to out-last everyone
through the tough, crappy times — whether through sheer determination, a
strong support network, or simply a lack of options.
On Sunday, as they announce “Life of Pi” as a contender in its 11
categories, make a note to remember it the next time you hit another rough
patch — a series of rejections, a long stretch of nothing. Your
achievements of tomorrow may be very well be planted with the seeds of today
’s disappointments.
P.S. “Life of Pi” is an adaptation of Yann Martel’s 2001 Man Booker Prize
-winning novel of the same name. It recently surpassed sales of 3.1 million
volumes. Of course, first it was rejected by five London publishing houses
before being picked up by Knopf Canada.
