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papers (two) help, thank you# Chemistry - 化学
z*j
1 楼
今年有42个州都要cut higher education的budget，不知这会对faculty有多大的影响
。有经验的给说说？最坏的结果，学校会不会把已经签了合同的新faculty，给直接拒
掉？老公要去的州现在正闹得厉害，有点怕怕的。
不过，真的赶上了，也只能怪运气太差了。估计，再申请别的学校也too late了。。。
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e*r
2 楼
要在北京面签，工作是学校里的博后。
看到版上关于材料准备的信息已经很多了，但是问答方面的信息有限。请知晓的人指导
一下。
多谢！
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G*Y
5 楼
已经去了就不要怕了，
最多是furlough，不涨工资。
还没去的，可能很多位置会被砍。

【在 z**j 的大作中提到】
: 今年有42个州都要cut higher education的budget，不知这会对faculty有多大的影响
: 。有经验的给说说？最坏的结果，学校会不会把已经签了合同的新faculty，给直接拒
: 掉？老公要去的州现在正闹得厉害，有点怕怕的。
: 不过，真的赶上了，也只能怪运气太差了。估计，再申请别的学校也too late了。。。
:
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a*f
6 楼
我粗粗看了开头，貌似是本不错的书。谢谢maninus分享
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z*j
8 楼
这不还没去吗，所以有些担心。老公计划是今年8月份去学校报到。目前已经在办理H1
的手续了。

【在 G**Y 的大作中提到】
: 已经去了就不要怕了，
: 最多是furlough，不涨工资。
: 还没去的，可能很多位置会被砍。
avatar
b*t
9 楼
阶调色彩的表现，数码当然无法和胶片比。问题是胶片拍出来的，多数还要被数码化，
在显示屏或更糟糕的手机上看。
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g*3
10 楼
Then is it better to take a position from a private school even if the pay
is lower than public schools?

【在 G**Y 的大作中提到】
: 已经去了就不要怕了，
: 最多是furlough，不涨工资。
: 还没去的，可能很多位置会被砍。
avatar
a*f
11 楼
摘抄一些段落
WHEN SHOOTING COLOR NEGATIVE OR C-41 FILM, ERR ON THE SIDE OF OVEREXPOSING
THE FILM.
When you overexpose your film, you are exposing for the shadows, which
guarantees detail in the darkest parts of your image. Overexposing doesn’t
kill your highlights, though. It is almost impossible to have blown
highlights with color negative film.
This freaks digital shooters out, as you’ve been taught to err on the side
of underexposing your digital images. Underexposed film images look like
crap. Underexposing can introduce noticeable grain, strange color shifts,
and muddy blacks into your images.
That said, Kodak Portra film can be underexposed up to three stops. (It’s
the only color negative film that can be underexposed and deliver results
you won’t be embarrassed to show other people.)
HOW MUCH YOU OVEREXPOSE YOUR FILM IS A MATTER OF TASTE.
All Kodak films can be overexposed by half a stop without introducing more
yellow into the image. To do this, I meter with the bulb out and held
perpendicular to the ground. We’ll talk more about that later. If your
style involves crazy-heavy contrast and you’re willing to color-correct for
the yellow you’re introducing, overexpose your Portra by a stop or two.
Overexposing Fuji films introduces contrast and saturation to an image. With
Fuji film, overexpose by two to three stops in totally flat light. If your
subject is back-lit, overexpose by 1.5 to two stops. And if you’re shooting
in direct sunlight — so the sun is already providing heavy contrast —
overexpose by just one stop.
OVEREXPOSING SAVES ON RETOUCHING TIME, TOO. You’ll hide blemishes or large
pores on your portrait subject by overexposing an additional stop. Creamy,
creamy skin with minimal retouching is the result.
This is basically doing post-processing at the time of exposure — sneaky,
eh? Just saved you a few hours in Photoshop, per shoot, over the course of
your multi-decade career. You’re welcome. Make checks of gratitude payable
to Jonathan Canlas Photography.
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G*Y
12 楼
不知道，private怎么会pay的比public低呢。
一般都是private给钱多吧？

【在 g********3 的大作中提到】
: Then is it better to take a position from a private school even if the pay
: is lower than public schools?
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a*f
13 楼
From how to use a light meter....
OUR GOAL IS TO OVEREXPOSE OUR IMAGES. HOW MUCH WE OVEREXPOSE THEM DEPENDS ON
WHICH FILM STOCK WE’RE SHOOTING.
HOW TO METER FOR KODAK COLOR NEGATIVE FILMS AND FUJI 160C:
1. Set the ISO to the same ISO as your film. If we’re shooting Portra 400,
that’s 400. The ISO is in the name of the film.
2. Set the meter to take an Incident reading.
3. Make sure the meter’s bulb is in and that the light you are reading is
the same as the light falling on your subject. If your subject is in the
shade, your bulb should be in the shade. Subject in the sun? Get that bulb
into the sun!
4. Hold your meter parallel to the subject and perpendicular to the ground
as the meter faces you. Remember, 90 degrees is perpendicular to the ground.
5. Take a reading.
6. Set your camera to shoot what the meter reading just told you to shoot.
HOW TO METER FOR FUJI 400H AND 160S:
1. Set the ISO to the same ISO as your film. If we’re shooting 400H, that’
s 400. The ISO is in the name of the film.
2. Set the meter to take an Incident – NOT SPOT – reading.
3. Retract the meter’s bulb. When it is out, it’s metering 180 degrees. We
don’t want to meter 180 degrees, we want to meter for the shadows. With
the bulb retracted, we’re all set to overexpose our image by 1/2 to 2/3 of
a stop.
4. Hold the meter AWAY from the subject and 45 degrees to the ground.
Remember your basic geometry – 90 degrees is perpendicular to the ground, 0
degrees is parallel to the ground. You want 45 degrees.
5. Take a reading. That 45-degree reading you’re taking will overexpose by
another 2/3 of a stop. (So, 2/3 by retracting the bulb and 2/3 by holding at
45-degree angle — we’re talking overexposing by 1 1/3 stops. It’s a
perfect reading!)
6. Set your camera to shoot the f/stop that the meter reading just told you
to shoot. (More on that below.)
Boom! Perfectly exposed film! Where’s that Easy button?
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g*3
14 楼
Depends on locations. Public schools in certain states pay pretty high
salary.

【在 G**Y 的大作中提到】
: 不知道，private怎么会pay的比public低呢。
: 一般都是private给钱多吧？
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a*f
15 楼
从他的片子来看，这个人喜欢over exposure出来的文艺调调，YMMV
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f*s
16 楼
Is that tenure-track? Cut from non-track first.
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a*f
17 楼
我觉得合格的数码化不会丧失太多胶片（尤其是负片）的色彩表现。

【在 b*****t 的大作中提到】
: 阶调色彩的表现，数码当然无法和胶片比。问题是胶片拍出来的，多数还要被数码化，
: 在显示屏或更糟糕的手机上看。
avatar
b*t
18 楼
这个over exposure 其实和另一种说法接近，就是胶片要对暗部曝光，对高光显影。

【在 a*f 的大作中提到】
: 从他的片子来看，这个人喜欢over exposure出来的文艺调调，YMMV
avatar
n*b
19 楼
胶片过曝的效果的确耐看。

【在 a*f 的大作中提到】
: 从他的片子来看，这个人喜欢over exposure出来的文艺调调，YMMV
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