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【获奖名单公布】第五届费那奇动画周闭幕!

【获奖名单公布】第五届费那奇动画周闭幕!

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本文转自:费那奇动画周

第五届费那奇动画周于11月13日晚落下帷幕,

获奖名单公布!


活动精彩瞬间回顾视频



颁奖典礼&闭幕式


颁奖典礼主持人 树儿


费那奇动画周总监 朱彦潼


第五届费那奇动画周奖杯



短片竞赛单元终审评委评审现场



费那奇最佳GIF奖

Feinaki Best GIF Award



青春期

Ripples of Youth


作者:钱心怡 RoseHolyer


授奖词:


“青春期”一作将韵律和波动的多样形态以巧妙的方式捕捉并呈现,钱心怡将快速移动的前景与背景、以及画面中央稳定站立的双脚并置一处,并生动表现双腿不可避免地受缓慢运动的脚趾所影响的状态。脚趾敲点地面律动如同手指一般,宛若等待青春期的循环走向终结,循环的无限性在这里营造了一种讽刺意味的反差感。它既催眠又不乏深意,就像青春期乃至生命本身那样。


Captures a smooth variety of rhythm and fluctuation patterns in just one GIF. Roseholyer creates a great contrast between the fast moving foreground and background and the stable legs at the center of the image, themselves being inevitably disturbed by the slow movement of the toes. The finger taping toes, seemingly waiting for the adolescence cycle to end, also create an ironic contrast with the endless loop. It’s both hypnotic and meaningful, much like adolescence - and maybe life itself.


MV·委托创作·GIF竞赛单元终审评委

黄丽娅宣布获奖作品


作者钱心怡现场发表获奖感言


终审评委黄丽娅为获奖作者钱心怡颁奖



费那奇奖评委特别提名

Jury's Special Nomination for Feinaki Award

卢子英 提名

Neco Lo Che Ying's Nomination



授奖词:


线条,色彩的运用十分大胆,动作设计也是收放自如,然而在这个探讨男女关系的主题上,就给予一个刚刚好的感觉。


相信未必所有人都认同作者的想法,但也是去了解部分年轻人的一个小品,另外,音乐也配合得很好。


The bold choice of lines and colors and the adept arrangements of choreography in the realm of visual match perfectly with the exploration of gender relationships. The author's perspective might not resonate with everyone, but it provides a unique way that shows the world of some young people. Last but not least, the music and the image make great coordination.


短片竞赛单元终审评委卢子英宣布提名作品


终审评委卢子英为获奖作者许愿颁奖



短片竞赛评委特别提名

Jury's Special Nomination for Short Film Competition

卢子英 提名

Neco Lo Che Ying's Nomination



授奖词:


十分精彩的动画,有精致的画面,具风格化的人物造型,流丽的动作以及引人入胜的情节。


女主角与一众男伴的关系是本作的重点,上半部标榜了女角的独特个性,下半部情节越见荒谬,谜团也渐渐解开,这是一部多看几次也不会腻的作品。


An incredibly captivating animated film with exquisite visuals, stylized character design and movements, plus a compelling storyline. The relationship between the female protagonist and her male companions is the focus of this work. The first half highlights the unique personality of the female character, while the second half delves into absurdity, with the mysteries gradually unraveling itself, making it a film that can be appreciated multiple times without boredom.


短片竞赛单元终审评委卢子英宣布提名作品


终审评委卢子英为获奖作者颁奖(由志愿者代领)



费那奇奖评委特别提名

Jury's Special Nomination for Feinaki Award

郑多喜 提名

Dahee Jeong's Nomination



授奖词:


该片通过极具现实主义色彩的表达,表现角色多元的心理困境,为观众提供了一个近距离了解中国的视角,这些困境或许在世界上任何一个角落都可激起共鸣。


画面中黑色空间部分的活用让整部影片的构图看上去更为精妙,每一处场景均可被视为一幅生动的城市风光插图。


This film takes a close look into China with a realistic portrayal by depicting the psychological despair of various characters throughout the film. This may be happening anywhere in the world.


Utilizing the empty black spaces within the screen, the compositions were very effective, and each scene of the film look like a illustrated cityscape.


短片竞赛单元终审评委郑多喜宣布提名作品


作者徐经伟现场发表获奖感言


终审评委郑多喜为获奖作者徐经伟颁奖



短片竞赛评委特别提名

Jury's Special Nomination for Short Film Competition

郑多喜 提名

Dahee Jeong's Nomination



授奖词:


该片为观众带来美的体验,通过分享对逝者的回忆,作者向观众传递着生命的温暖、充实与爱意。


This is a beautiful film that carries warmth, richness, and love with the audience by sharing memories of someone who no longer exsists.


终审评委郑多喜为获奖作者颁奖(由志愿者代领)



费那奇奖评委特别提名

Jury's Special Nomination for Feinaki Award

亚历山大·西凯拉 提名

Alexandre Siqueira's Nomination



授奖词:


该片叙事巧妙、情感细腻,观众与角色一同近距离体验了女性实现自我解放过程中不可避免的困境。


尽管没有背景,这个女孩试图用她丰富的心理世界和以头发为代表的物象等,打造一部出色处女作所需的视觉密度。


Delicate and intimate in its narrative treatment, the viewer follows the central character very closely, on a journey punctuated by a certain anguish caused by the inevitable female emancipation.


Despite the absence of backgrounds, this girl manages to fill with her psychology, and with her hair... the density necessary to create a good first film.


短片竞赛单元终审评委亚历山大·西凯拉宣布提名作品


作者张晨曦现场发表获奖感言


终审评委亚历山大·西凯拉为获奖作者张晨曦颁奖



短片竞赛评委特别提名

Jury's Special Nomination for Short Film Competition

亚历山大·西凯拉 提名

Alexandre Siqueira's Nomination



授奖词:


一部无台词、无音乐的动画短片,成功地将观众引入了故事中的世界,与角色一同踏上找寻自我的旅程。


在那里,我们代入那个孩童的视角,观察她日复一日的生活。我完全沉浸在那片树林中,那场大雨里,游于其间,与环境互动。


该片在技术应用上不同寻常,但与影片基调的朴实风格并不冲突。


This film, with absent words and without musical composition, manages to transport us to the environment where the character finds itself with enormous effectiveness.


We entered the life of that young child, and we simply stayed there, observing her day to day life. I felt completely submerged in that jungle, in the rain, swimming, or simply contemplating and interacting with nature.


Developed using a very unusual technique, but which does not clash with the simplicity of the film proposal.


作者克莱门斯·布切罗发来获奖感言视频


终审评委亚历山大·西凯拉为获奖作者颁奖(由志愿者代领)



委托创作类作品奖

Commissioned Animation Award



授奖词:


这是一个优雅、充满活力、令人愉悦的影片,就像它所代表的品牌形象传达出的信息一样。本片在艺术表达和商业信息传递间找到了很好的平衡,这提醒了每一个在商业合作中的创作者,最有效的创意往往是看上去最轻松的那一个。


An elegant, dynamic and joyful film that suits the image of the brand it represents and the message it should deliver. The film strikes a good balance between artistic expression and conveying commercial value, serving as a reminder to every creator involved in commercial collaborations that the most effective idea often appears to be the most effortless.


MV·委托创作·GIF竞赛单元终审评委魏婷婷宣布获奖作品


ANIMOON代表陈涵虚现场发表获奖感言


终审评委魏婷婷为获奖者颁奖



MV大奖

MV Award



授奖词:


极富创意和童趣的视觉设计呈现出深刻的历史主题,俏皮的画面和可爱的唱腔仿佛浑然一体,与残酷歌词内容形成极大的反差,定格动画可以让角色以没有面部的形式出现,强化了服装的隐喻。


With innovative design and childlike visual, the film presents a profound historical theme. The innocent and joyful images and cute singing style seamlessly integrate, creating a stark contrast with the harsh expression of the lyrics. The use of stop-motion animation allows the characters to appear without facial features, thus strengthening the couture metaphor.


MV·委托创作·GIF竞赛单元终审评委彭坦宣布获奖作品


终审评委彭坦为获奖作者颁奖(由志愿者代领)



儿童动画奖

Children's Animation Award



授奖词:


这个作品共获得了71票。作品充满着多彩的想象和温情的关怀。从一颗小小的蒲公英种子的视角出发,侧面观察着独自居住在山上的老奶奶的生活。画面和角色的设计充满童真,无拘无束,故事善良而真诚,希望这样适合小朋友观看的作品能更多得被看到。


This work received a total of 71 votes. It is varied in imagination and heart warming in its expression, taking the perspective of a small dandelion seed, offering a side view of the life of an elderly old lady living alone in the mountains. The visuals and character design are full of childlike innocence and unrestrained vitality. The story is kind and sincere, and it is hoped that such works made for children can be appreciated by more audiences.


费那奇总监朱彦潼宣布获奖作品


获奖作者辛秀娟现场发表获奖感言


总监朱彦潼为获奖作者辛秀娟颁奖



学生作品奖

Student Award



授奖词:


我将引用葡萄牙史上最伟大的诗人卡蒙斯的诗歌来形容这部作品:


爱是一团熊熊燃烧却看不见的火焰;

它是疼痛的伤口,却又难以察觉;

爱是难掩悲伤的喜悦,

也是无法感知的锥心之痛;

一种除延续之外别无他求的渴望;

一种身处人群却真实可感的孤独;

一种永远都无法达到极致的快乐;

一种迷失于沉思方能体悟的激情;


本片的原创性,以及那些异想天开、意料之外的设计,与幽默的表现手法和有趣的视觉风格相得益彰,啊,这就是爱情吧!


For this award, I will quote a poem by Luís Vaz de Camões, a very well knowed Portuguese poet...


Love is a fire that burns unseen,

a wound that aches yet isnt felt,

an always discontent contentment,

a pain that rages without hurting,

a longing for nothing but to long,

a loneliness in the midst of people,

a never feeling pleased when pleased,

a passion that gains when lost in thought.


For its originality, unexpected and creative ideas, combined with humor and very interesting visual style....ahlalaa, l'amour.


短片竞赛单元终审评委亚历山大·西凯拉宣布获奖作品


作者亚瑟·塞韦斯特发来获奖感言视频


终审评委为获奖作者颁奖(由志愿者代领)



费那奇奖

Feinaki Award



授奖词:


有一个时期,很多在海外学习动画的中国学生都喜欢以动荡年代的人物或事件作题材,或是因为国际间的话题性,又或是觉得这个题材很有中国特色,虽然不是好事,但容易讨好外国观众。


形式上,《刑场上的婚礼》开场中应用了类似样板电影手法,但很快就将观众带入故事中女角的感情回忆之中,十分细腻。


此作的美术,分镜以至动画运用都十分专业而且极具风格,电影感十足,篇幅亦恰到好处。


片中的广东话运用亦突出了动荡年代的地域影响,亦加添了角色的趣味。


There was a time when many animated works by Chinese students studying overseas were originally derived from characters or events of certain turbulent times, either for their international appeal or because they felt the subject matter had distinct Chinese characteristics. Although it's not positive in its tone, but it's a tricky choice to attract the foreign audiences.


In the opening scene, the film employs a similar approach as the Model Drama, then the film delicately leads the audiences to the vivid memories of the female protagonist. The art design, together with the story board and the application of techniques are very professional and stylized, creating a cinematic feel with a perfect length. The use of Cantonese in the film highlights the regional influence of the turbulent times, adding an interesting dimension to the characters.


短片竞赛单元终审评委卢子英宣布获奖作品


作者冯子莱发来获奖感言视频


终审评委为获奖作者颁奖(由志愿者代领)



大奖

Grand Prix



授奖词:


影片《寒冬》荣获本年度费那奇大奖,该片彰显了创作者无惧挑战的创新精神,情节的展开出人意料,为观者带来耳目一新的视听体验,就像影片中的人物颠覆了世界那般,该片为观者带来了同样的震撼。


The grand prize goes to ZIMA for its challenging spirit, which shows no hesitation on trying new things by taking risks. The screen unfolds into unexpected places, providing a fresh new sensation to the audience. As in the film how they subverts the world, we are overturned by the film as well.


短片竞赛单元终审评委郑多喜宣布获奖作品


作者托梅·波帕库、尾关加纯现场发表获奖感言


终审评委为获奖作者托梅·波帕库、尾关加纯颁奖



📸️

获奖/入围作者、现场志愿者、

费那奇动画周执行委员会大合影


费那奇镜DIY共创工作坊 成果展示



期待我们

第六届费那奇动画周再相聚!





活动地点

北京市海淀区杏石口路50号中间艺术区中间剧场


活动时间

11月10日 - 11月13日



活动场地





合作媒体

博主合作伙伴




费那奇动画周·2023北京 执行委员会


总监:朱彦潼

学术总监:卫诗磊

展映策划:陈晨 陈莲华

展览策划:刘豪格

运营总监:杨城

主视觉艺术家:王之珩

执行统筹&工作坊策划:李怡然

设计总监:旦地冷

美术设计:王树清 郭馨阳 罗玥

媒体外联:苏小楠

媒体策划:罗贤尧

媒体责任编辑:陈诚 靳双彦

翻译统筹:张睿晗 陈莲华

资料整理:魏忠航 贾牵牵

嘉宾接待:张睿晗 庞鑫琳

市集统筹:张雪

票务统筹:阮宁雪

放映检测:魏忠航


国际策展人团队:Gerben Schermer, Olga Bobrowska

/

本文美术:旦地冷 罗玥

本文编辑:直线 陈诚

本文校对:陈诚 朱彦潼


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