New World Opera 2023 "巅峰之夜-爱的乐章”经典声乐作品音乐会赞助商招募计划

2023视听盛宴之“巅峰之夜-爱的乐章” 经典声乐作品音乐会是新世界歌剧公司又一重磅制作，诚邀到大波士顿地区最具影响力的演唱家及演奏家演绎中外经典作品。本次音乐会在久负盛名的Huntington Theater 剧院公司旗下Virginia Wimberly Theater 举办。从歌唱家到每一个节目都经过精心准备。音乐会节目形式包含中外歌剧选段，男女声独唱，二重唱，四重唱等，节目内容囊括意大利歌剧，德语歌剧，英文歌剧，法文歌剧，俄文及中国歌剧选曲以及各国艺术歌曲。是音乐爱好者不可错过的绝佳音乐艺术体验。

“新世界歌剧”公司简介：

“New World Opera”以下简称NWO，创立于2020年，注册地为Town of Braintree in Massachusetts, USA。NWO的宗旨是推广和普及世界歌剧舞台上的优秀作品、培养歌剧演唱的优秀人才。通过歌剧演出，为年轻的歌唱家提供舞台机会，帮助他们逐步迈向世界歌剧舞台；通过一系列的音乐会和公益讲座，为社区成人声乐爱好者和青少年提供音乐实践的空间，丰富社区文化，为美国多民族的文化交流和融合贡献一份力量。

合作与赞助方案：

NWO提供捐款税单‍

 钻石赞助: 金额$3000+

特别冠名权：

“赞助商名称”－ 2023“巅峰之夜-爱的乐章” 经典声乐作品音乐会

1、赞助商的Logo将显示在此次音乐会宣传材料的主要位置 

2、NWO公众号将为赞助商在音乐会前、后各发布一篇专访文章

3、免费赠送几项后续宣传服务

(1)在NWO公众号发布两次重要活动通知（或者是已经结束的活动推文)

(2) 在NWO的主要文宣中发布赞助商简介

(3)在所有NWO相关文宣里列入企业名称（及网址、公众号等） 

NWO所有公众号推文将在万兵传声乐公益群一群、二群和相关音乐群及波士顿各镇华人群等超过100多个社群发布。

白金赞助: 金额$2000+ 

1、赞助商的Logo将显示在此次音乐会宣传材料的主要位置

2、“新世界歌剧”公众号将为赞助商在音乐会前发布一篇专访文章 

3、免费赠送几项后续宣传服务：

(1)在NWO公众号发布一次重要活动通知（或者是已经结束的活动推文）

(2)赞助商的Logo将显示在此次音乐会宣传材料的主要位置

(3)在所有NWO相关文宣里列名企业名称（及网址、公众号等） 

NWO所有公众号推文将在万兵传声乐公益群一群、二群和相关音乐群及波士顿各镇华人群等超过100多个社群发布。

黄金赞助： $1000+ 

1、赞助商的Logo将显示在此次音乐会宣传材料的主要位置

2、赞助商简介将被列入NWO的主要文宣中，也可包括网址，公众号等

NWO所有公众号推文将在万兵传声乐公益群一群、二群和相关音乐群及波士顿各镇华人群等超过100多个社群发布。　

白银赞助： $500+‍

赞助商简介将被列入NWO的主要文宣中，也可包括网址，公众号等

NWO所有公众号推文将在万兵传声乐公益群一群、二群和相关音乐群及波士顿各镇华人群等超过100多个社群发布。　

本次音乐会欢迎个人及机构赞助，不限数额（客制化需求）

捐款赞助信息：

联系人Contact)：Jenny Yan  

手机号 (Cell):      617-785-9026  

邮箱 (Email):       [email protected] 

微信号(WeChat):  jennyy9026

音乐会艺术家介绍

布伦登-夏皮罗是20世纪和21世纪声乐领域的积极倡导者，同时也是一位杰出的钢琴家、声乐艺术指导和指挥家。他致力于通过音乐来揭示那些在美国舞台上鲜为人知的历史故事和观点。他擅长与歌唱家和作曲家紧密合作，共同创作出能够有效与各种观众进行沟通的演出。

布伦登是洛杉矶歌剧院青年艺术家项目的最新校友。他曾与雷妮-弗莱明（Renée Fleming）和苏珊-格雷厄姆（Susan Graham）等杰出艺术家合作，并在马修-奥库因（Matthew Aucoin）的《欧律狄刻》（Eurydice）全球首演的音乐准备工作中扮演了关键角色。此外，他还参与了多部作品的制作，包括《茶花女》、《鼹鼠》（El gato montés）、《狄托的仁慈》、《广场之光》（The Light in the Piazza）和《非暴力抵抗》。2022年，他回到洛杉矶歌剧院参与了芮安娜-吉登斯（Rhiannon Giddens）和迈克尔-阿贝尔斯（Michael Abels）的作品《奥马尔》。

他是波士顿抒情歌剧院的新锐艺术家校友，曾在《奥马尔》、《蓝胡子公爵的城堡》、《卢克蕾提亚的强奸》《丑角》和《乡村骑士》等演出中担任钢琴家和指导。此外，他还是BLO视频系列 "B."的钢琴家，该系列主要介绍亚洲作曲家的音乐创作或受亚洲文化启发的作品。他还参与了BLO "音乐诗歌"计划中奥马尔-纳伊米的歌曲组曲《我的名字叫阿隆德拉》的世界首演。

布伦登最近还担任了其他作品的伴奏，包括奥德赛歌剧院的《觉醒》和《X：马尔科姆-X的生平与时代》，巴德夏景音乐节的《亨利八世》和《Die Schweigsame Frau》，奥马哈歌剧院的《X：马尔科姆-X的生平与时代》，波士顿青年交响乐团的《茶花女》，缅因州歌剧院的《如一》，MASS Opera的《La caravana de mujeres》（工作坊），Steamboat 歌剧院的《La Clemenza di Tito》，以及腓尼基国际声乐节的《托斯卡》。

布伦登是一位指挥家和音乐总监。他与奥马尔-纳吉米于2022年共同创立了催化剂新音乐公司（Catalyst New Music）。他们共同致力于将新的音乐作品呈现给观众。布伦登还曾为纳吉米的歌剧《这不是黎明》和《En la ardiente oscuridad》进行了工作坊，并开展了名为"FUSE: 歌曲合作（Collaborations in Song）"的艺术歌曲发展项目。此外，布伦登还在费耶特维尔歌剧院《第二性》、波士顿歌剧合作剧院《蓉蒂娜》、《危险关系》和MASSOpera《哈维珊小姐的新婚之夜》、《帅气的新郎》担任指挥，并在波士顿音乐学院伯克利分校《如一》、《郁金香岛》、《苏珊娜》担任助理指挥。

布伦登是波士顿歌手资源组织（Boston Singers' Resource）的执行董事。该组织为古典歌手提供职业生涯所需的支持和工具，致力于帮助他们发展和获得更多机会。在担任BSR职务期间，布伦登积极开发新项目，旨在为新英格兰地区的新兴歌手提供更多的机会。他还在伯克利波士顿音乐学院、马萨诸塞大学阿默斯特分校、被赋予权力的音乐家（The Empowered Musician）和波士顿大学唐格伍德学院担任声乐教练，传授自己的音乐经验和知识。此外，布伦登还在他位于马萨诸塞州莫尔登的家中进行广泛的指导工作，为学生提供个人指导和支持。

Pianist, vocal coach, and conductor,Brendon Shapiro, is a champion of vocal music of the 20th and 21st centuries. He is passionate about the way music can help to shine a light on stories and perspectives that have not historically been represented on American stages, and he specializes in working closely with singers and composers to create performances that will communicate effectively with diverse audiences.

Brendon is a recent alumnus of LA Opera's Young Artist Program where he worked with such artists as Renée Fleming and Susan Graham and played a key role in the musical preparation for the world premiere of Matthew Aucoin's Eurydice, along with productions of La Traviata, El gato montés, La Clemenza di Tito, The Light in the Piazza, and Satyagraha. He returned to LA Opera in 2022 to work on Rhiannon Giddens’ and Michael Abels’ Omar.

He was Emerging Artist alum with Boston Lyric Opera where he has served as pianist and coach for Omar, Bluebeard’s Castle, The Rape of Lucretia, Pagliacci, and Cavalleria Rusticana. He also was the pianist for BLO’s video series entitled ‘B.’ which features music written by Asian composers and/or inspired by Asian cultures, as well as the world premiere of Omar Najmi's song cycle, ‘my name is Alondra,’ as part of BLO’s Poetry in Music initiative.

Other recent productions in which Brendon served as répétiteur includeAwakenings and X: The Life and Times of Malcolm X at Odyssey Opera, Henri VIII and Die Schweigsame Frau at Bard SummerScape Festival, X: The Life and Times of Malcolm X at Opera Omaha, La Traviata at Boston Youth Symphony Orchestra, As One at Opera Maine, La caravana de mujeres (workshop) at MASSOpera, La Clemenza di Tito at Opera Steamboat, and Tosca at the Phoenicia International Festival of the Voice

As a conductor and musical director, Brendon helps bring new works to life atCatalyst New Music, a company he co-founded with Omar Najmi, in 2022. They have workshopped Najmi’s operas This is Not That Dawn and En la ardiente oscuridad and started an art song development program called FUSE: Collaborations in Song. Brendon has also conducted at Opera Fayetteville (Second Nature), Boston Opera Collaborative (La Rondine, The Dangerous Liaisons), and MASS Opera (Miss Havisham’s Wedding Night, The Beautiful Bridegroom) and has served as assistant conductor at Boston Conservatory at Berklee (As One, The Island of Tulipatan, Susannah).

Brendon is the Executive Director of Boston Singers’ Resource, a non-profit organization dedicated to providing classical singers with the tools they need as they pursue their careers. While at BSR, Brendon has been developing new programs designed to provide more opportunities to emerging singers in the New England area. He has been on faculty as a vocal coach at Boston Conservatory at Berklee, University of Massachusetts Amherst, The Empowered Musician, and the Boston University Tanglewood Institute, and coaches extensively from his home in Malden, Massachusetts.‍‍‍

黄靖懿 女高音 四川音乐学院学士学位，上海音乐学院声乐表演硕士。2018和2020分别获得Longy School of Music of Bard College 歌剧专业研究生表演艺术家文凭和声乐硕士学位。曾在上海歌剧院以及中国歌剧舞剧院担任青年女高音，出演多部歌剧。2019年2月出演轻歌剧《玛丽莎伯爵夫人》里女主角Maritza。 2018年4月在与Longy交响乐团合作出演莫扎特歌剧《剧院经理》里女主角Madame Goldentrill。2017年4月和Longy交响乐团合作在奥芬巴赫著名歌剧<霍夫曼的故事>里出演女主角Olympia。2019年先后两次受纽约音乐演出公司邀请在纽约卡内基音乐厅独唱演出。2014年入选ISING!国际歌唱家音乐节成为入选的全球20位艺术家之一。2019她获得纽约金色古典国际音乐比赛声乐组第一名，同年获得麻州Worcester Music Competition 第二名，2019获美国保护音乐组织国际声乐比赛第二名，2019 美国Lois Alba 国际歌剧比赛半决赛奖。2020年在波士顿成立个人声乐工作室，同时在中文学校担任声乐教师。国际各大媒体对黄靖懿均有专访报道：《星岛日报》，《世界日报》，腾讯新闻等 ，并被新浪，雅虎，搜狐等转载.

Jingyi Huang, a soprano, holds a Bachelor's degree from Sichuan Conservatory of Music and a Master's degree in Vocal Performance from Shanghai Conservatory of Music. In 2018 and 2020, she received the Graduate Performance Diploma and Master of Music in Vocal Performance from the Longy School of Music of Bard College. She has previously served as a young soprano at the Shanghai Opera House and the China National Opera & Dance Drama Theater, performing in numerous operas.

In February 2019, she portrayed the lead role of Maritza in the operetta "Countess Maritza". In April 2018, she collaborated with the Longy Symphony Orchestra, performing as the female lead Madame Goldentrill in Mozart's opera "Der Schauspieldirektor" (The Impresario). In April 2017, she worked with the Longy Symphony Orchestra once again, playing the lead role of Olympia in Offenbach's famous opera "Les contes d'Hoffmann" (The Tales of Hoffmann).

In 2019, she was invited twice by the New York Concert Artists & Associates to perform solo concerts at Carnegie Hall in New York. In 2014, she was selected as one of the 20 global artists for the ISING! International Vocal Music Festival. She achieved first place in the Vocal Division of the New York Golden Classical Music International Competition in 2019, as well as second place in the Worcester Music Competition in Massachusetts. Additionally, she secured second place in the International Vocal Competition organized by the American Protégé Music Organization in 2019, and reached the semifinals of the Lois Alba International Opera Competition in the same year.

In 2020, she established her own vocal studio in Boston and also worked as a vocal teacher at a Chinese school. Huang Jingyi has been interviewed and featured in various major international media outlets, including Sing Tao Daily, World Journal, Tencent News, as well as being shared by Sina, Yahoo, Sohu, and others.

艺术家奥马尔-纳吉米（Omar Najmi）来自波士顿，他在作曲和表演之间游刃有余。作为一位男高音歌剧演员，他的日程安排非常紧张。目前，他正参与多个角色的首演，令人期待不已。其中包括与波士顿抒情歌剧院合作的《匿名情人》中的瓦尔库尔，与贝丝-莫里森项目合作的《崇拜》全球首演中的西蒙，与詹姆斯歌剧院合作的《朗蒂娜》中的鲁格罗，以及与Orpheus PDX合作的《Il Re Pastore》中的亚历山德罗。此外，他还有其他重要演出，如波特兰歌剧院的《拇指印》中的沙库尔，Fresh Squeezed Opera Company的《未来的艺术品》全球首演中的薄荷小屋，Steamboat歌剧院的《波希米亚人》中的鲁道夫，以及《狄托的仁慈》中的狄托，还有保加利亚鲁塞国家歌剧院的约瑟夫-夏姆的《哈姆雷特》中的主角。纳吉米与波士顿抒情歌剧院保持着长期合作关系，他在该剧院演出过15部作品，并且在2013年至2015年期间以新锐艺术家的身份开始了他的职业生涯。他还参与了许多其他歌剧院的演出，包括科罗拉多歌剧院、乔托夸歌剧院、安纳波利斯歌剧院、萨拉托加歌剧院、缅因州歌剧院、费耶特维尔歌剧院、东北歌剧院、白蛇计划项目、奥德赛歌剧院、游击队歌剧院、美国抒情剧院、北方歌剧院等。

奥马尔-纳吉米（Omar Najmi）在2018年首次登台，他以男高音独唱的身份在卡内基音乐厅演唱了马克-海斯（Mark Hayes）的作品《格洛丽亚》（Gloria）。后期，他还在丹-福雷斯特（Dan Forrest）的作品《活人安魂曲》（Requiem for the Living）中进行了独唱，并在世界人才公司的卡鲁索致敬音乐会上再次担任了独唱。纳吉米也积极参与了许多巡回音乐会，其中包括与科罗拉多交响乐团在红岩露天剧场的演出。在他的音乐生涯中，他荣获了科罗拉多歌剧院颁发的哈罗德-诺布罗姆奖、波士顿抒情歌剧院颁发的斯蒂芬-克里斯提尼奖和威尔金森青年歌唱家基金颁发的二等奖。除此之外，纳吉米还获得了其他许多奖项和荣誉，例如伊曼纽尔音乐学院的洛林-亨特-利伯森奖学金、亨德尔咏叹调比赛的全国第二名，并曾进入大都会歌剧院全国理事会试演的地区决赛。

奥马尔-纳吉米（Omar Najmi）的作曲生涯始于2019年，他创作了首部歌剧《En la ardiente oscuridad》。在一系列场场爆满的演出之后，他受邀成为波士顿抒情歌剧院的首位驻团新锐作曲家。与波士顿青年桂冠诗人阿隆德拉-博瓦迪利亚（Alondra Bobadilla）合作，他们创作了一部名为《我的名字叫阿隆德拉》（my name is Alondra）的歌曲集。该作品于2021年在BLO的街头舞台上进行了首演。2022年，赞歌《最后的召唤》由伊曼纽尔音乐（Emmanuel Music）进行了首演。最近，他与Juventas新音乐组合合作创作的歌曲组曲《比我们自己的洞穴还多》刚刚首演。他目前正在创作一部名为《Jo dooba so paar》的短歌剧，该剧将探索同性恋与穆斯林身份的交集，并将作为白蛇项目 "让我们庆祝 "活动的一部分进行首演。纳吉米曾入围亚特兰大歌剧院的96小时歌剧项目，他与词作者凯瑟琳-于（Catherine Yu）合作创作的歌剧《肖像》（The Portrait）于今年6月首演。2022年，纳吉米和布伦登-夏皮罗（Brendon Shapiro）共同创立了新音乐催化剂组织（Catalyst New Music），该组织致力于培养、开发和制作新作品。在波士顿基金会 "波士顿现场艺术"（Live Arts Boston）基金的支持下，"催化剂 "的第一个项目是纳吉米的新歌剧《这不是黎明》（This Is Not That Dawn）的音乐会演出，该剧以印度分治期间和之后为背景。‍

Boston-based artist Omar Najmi splits his time between composition and performance, maintaining a busy schedule as an operatic tenor. His current season includes many exciting role debuts: Valcour in The Anonymous Lover with Boston Lyric Opera, Simon in the world-premiere of Adoration with Beth Morrison Projects, Ruggero in La Rondine with Opera on the James, and Alessandro in Il Re Pastore with Orpheus PDX. Other notable recent engagements include Shakur in Thumbprint with Portland Opera, Spearmint Lodge in the world-premiere of The Artwork of the Future with The Fresh Squeezed Opera Company, Rodolfo in La Boheme and Tito in La Clemenza di Tito with Opera Steamboat, and the title role in Joseph Summer’s Hamlet with Bulgaria’s State Opera Rousse. Najmi enjoys a long standing relationship with Boston Lyric Opera where he has appeared in over 15 productions, and where he began his career as an Emerging Artist (2013-2015). His other operatic engagements have included Opera Colorado, Chautauqua Opera, Annapolis Opera, Opera Saratoga, Opera Maine, Opera Fayetteville, Opera NEO, White Snake Projects, Odyssey Opera, Guerilla Opera, American Lyric Theater, Opera North, and more.

Najmi made his Carnegie Hall debut in 2018 as the tenor soloist in Mark Hayes’ Gloria . He has since returned as the soloist in Dan Forrest’s Requiem for the Living , and as a soloist in Talents of the World Inc.’s Caruso Tribute Concert. He has performed several times as a soloist with the touring concert Video Games Live, including an appearance with the Colorado Symphony Orchestra at the Red Rocks Amphitheater. Najmi has been the recipient of the Harold Norblom Award from Opera Colorado, the Stephen Shrestinian Award from Boston Lyric Opera, 2nd prize

from the Wilkinson Young Singers Fund, Lorraine Hunt Lieberson Fellowship from Emmanuel Music, 2nd place nationally in the Handel Aria Competition, and he has been a regional finalist in the Metropolitan Opera National Council auditions.

Najmi began his composition career with the production of his first opera, En la ardiente oscuridad, in 2019. After a run of sold-out performances, he was invited to serve as the first ever Emerging Composer in residence with Boston Lyric Opera, where he worked with Boston Youth Poet Laureate Alondra Bobadilla in the creation of the song cycle my name is Alondra .The piece received its live premiere on BLO’s Street Stage in 2021. In 2022, his motet The Last Invocation was premiered by Emmanuel Music. His recently-commissioned song cycle More Than Our Own Caves just received its premiere with Juventas New Music Ensemble. He is currently working on Jo dooba so paar - a short opera exploring the intersection of Queer and Muslim identity - which will be premiered as part of White Snake Projects’ Let’s Celebrate initiative. Najmi was a finalist in Atlanta Opera’s 96-Hour Opera Project where his opera The Portrait - created in collaboration with librettist Catherine Yu - received its premiere in June. In 2022, Najmi and Brendon Shapiro co-founded Catalyst New Music - an organization dedicated to fostering, developing, and producing new works. Catalyst’s first project - presented with the support of The Boston Foundation’s Live Arts Boston grant - was a concert performance of Najmi’s new opera This Is Not That Dawn , a drama set during and after the Partition of India.

劳拉-麦克休（Laura McHugh）是一位备受赞誉的戏剧女高音歌唱家。她的声音《梅尔罗斯自由报》赞誉为 "极好、飘逸"，《波士顿音乐信息报》称她 "准备好升入天堂"。她最近在全国古典歌手大赛、佛蒙特州声乐大赛和古典偶像大赛中获得了第一名和第二名的成绩。劳拉-麦克休以她擅长的"搞笑演绎" 而闻名，她最近在两部世界首演的歌剧中扮演了喜剧角色。在《Reap What You Soul》中，她饰演了灵感来自90年代流行女歌手的 "死亡天使"。而在《Non Motus》中，她则扮演了 "Hannah" 这个在长时间的交通堵塞中被大自然呼唤而感到惊慌失措的角色。本赛季，劳拉-麦克休在奥德赛歌剧院/波士顿现代管弦乐团项目东海岸首演的托比亚斯-皮克的《觉醒》中饰演罗斯，并将在即将发行的演员录音中担任独唱。此外，她还在塔尔萨歌剧院的音乐剧《走进森林》中饰演弗洛琳达（Florinda），展现了她在音乐剧方面的实力。

劳拉-麦克休最近在多场重要演出中担任主要角色。这些演出包括《鲁萨卡》、《修女安杰莉卡》和《玛丽萨女伯爵》。此外，她还在《女人心》中饰演Fiordiligi，《波希米亚人》中饰演Mimì和Musetta，《茶花女》中饰演Violetta，《费加罗的婚礼》中饰演Countess Almaviva，《霍夫曼魂斗罗》中饰演Giulietta，《铁托的清洁》中饰演Vitellia，《魔笛》中饰演Mademoiselle Silberklang，以及在《魔笛》中饰演夜之女王。最近，她还在瑞典巡演的《 Die Walküre》中首次在欧洲（以及瓦格纳舞台上）扮演女武神格希尔德。

劳拉在音乐会《冬舞曲：新的光芒》中演奏了舒伯特的《冬舞曲》，该音乐会被ARTery的劳埃德-施瓦茨评为年度最佳声乐独唱音乐会。接下来，她将与波士顿Masterworks Chorale合唱团合作，在勃拉姆斯的《德意志安魂曲》中首次担任女高音独唱。劳拉在其他著名的清唱剧作品中也有出色的表现，如贝多芬的《第九交响曲》，维瓦尔第的《荣光颂》和巴赫的《圣母颂》。此外，她还与管乐演奏家乔-拉罗卡共同创办了室内乐组合Excelsis Duo，并担任驻团女高音。

Laura McHugh, a dramatic coloratura soprano “ready for heavenly ascent” (Boston Musical Intelligencer) lauded for her “superb, floating” sound (Melrose Free Press) recently won 1st Place in the Classical Singer National Competition, 1st Place in the Vermont Vocal Competition, and 2nd Place in Classical Idol (VOX New England). Known for her penchant for “hilarious interpretation” (Voce di Meche), she recently created comedic roles in two World Premiere Operas: The Reaper in Reap What You Soul (a ‘90s pop-diva inspired take on the Angel of Death) and Hannah in Non Motus (who panics when nature inevitably calls during an extended traffic jam). This season, she covered Rose in the East Coast premiere of Tobias Picker’s Awakenings with Odyssey Opera/Boston Modern Orchestra Project, and will appear as a soloist on the upcoming cast recording. A performer with strong musical theatre chops, she recently flexed her crossover muscles as Florinda in Tulsa Opera’s Into the Woods.

Recent credits include the titular roles inRusalka, Suor Angelica, and Gräfin Mariza, as well as Fiordiligi (Così fan tutte), Mimì and Musetta (La bohème), Violetta (La traviata - partial), Countess Almaviva (Le Nozze di Figaro), Giulietta (Les Contes d’Hoffmann), Vitellia (La clemenza di Tito), and Mademoiselle Silberklang (The Impresario/Der Schauspieldirektor). She also performs Königin der Nacht/Queen of the Night in Die Zauberflöte/The Magic Flute. Laura recently made her European (and Wagnerian) debut as the Valkyrie Gerhilde in a touring production of Die Walküre in Sweden.

Laura appeared in Winterreise: In a New Light- a staged reinterpretation of Schubert’s Die Winterreise- which was awarded Vocal Recital of the Year by Lloyd Schwartz of the ARTery. She will soon make her debut as the soprano soloist in Brahms’ Ein Deutsches Requiem/A German Requiem with Masterworks Chorale of Boston. Other notable oratorio credits include Beethoven’s Symphony No. 9, Vivaldi Gloria, and Bach Magnificat. She can also be found performing as co-founder and resident soprano of chamber group The Excelsis Duo with wind player Joe LaRocca.

男高音歌唱家万兵传，先后毕业于上海音乐学院声乐表演硕士和美国Longy School of Music of Bard College歌剧表演艺术硕士。曾获得数项大奖：奥地利萨尔堡国际音乐比赛声乐组第一名、荷兰阿姆斯特丹国际艺术大师赛声乐第一名、美国门徒国际声乐比赛一等奖；并担任美国金牡丹艺术节国际音乐大赛声乐评委、北美校友好声音歌唱大赛声乐评委和中国好声音评委。先后主演过莫扎特歌剧《剧院经理》中的男主角ANGEL、奥芬.巴赫的歌剧《霍夫曼的故事》中的男主角霍夫曼、匈牙利作曲家卡尔曼的歌剧《马莉萨伯爵夫人》中的男主角TASSILO伯爵和中国歌剧《刘三姐》中的男主角阿牛哥，是活跃在北美地区的男高音歌唱家，从事声乐教育20年有余。2017年在波士顿创办个人声乐工作室,积极从事社会音乐教育，先后担任国际时尚旅游小姐大赛波士顿赛区声乐总监，波士顿布鲁克莱恩中文学校校长。

Bingchuan Wan, a well-known tenor singer, graduated from the Shanghai Conservatory of Music with a master's degree in vocal Performance and the Longy School of Music of Bard College in the United States with a master's degree in Opera Performance. He has won several awards, namely, the first place in the vocal group of the Salzburg International Music Competition in Austria, the first place in the vocal group of the Amsterdam International Masters of Art Competition in the Netherlands, and the first prize in the Disciple International Vocal Competition in the United States; Moreover, he served as the vocal judge of the Golden Peony Art Festival International Music Competition in the United States, the vocal judge of The Voice of the North American Alumni Singing Competition and the vocal judge of The Voice of China. Successively, he starred in the male protagonist Angel in Mozart's opera "Der Schauspieldirektor", Offen Hoffman, the actor in Bach's opera "Les Contes d'Hoffmann", Count Tassilo, the male protagonist in the Hungarian composer Kalman's opera "The Countess of Marisa" and A Niuge, the male protagonist in the Chinese opera "Liu Sanjie". As a tenor singer active in North America, he has been involved in vocal education for more than 20 years. In 2017, his personal vocal studio was founded in Boston, engaging in social music education passionately. Moreover, he served as the vocal director of the Boston Division of the Miss International Fashion Tourism Competition, and the principal of Brookline Chinese School in Boston.